Ming Smith is an American photographer. She was the first African-American female photographer whose work was acquired by the Museum of Modern Art (MOMA) in New York City.
Biography
Smith was born in Detroit, Michigan, and raised in Columbus, Ohio. Her father was a pharmacist, with a passion for photography, who inspired her own photography. Smith was a pre med, microbiology major at Howard University. After graduating from Howard University in 1973, she moved to New York City, where she found work modeling. In her early days of photographing in New York she met photographer Anthony Barboza, who was an early influence on her.[1][2]
Artistic style
Smith's approach to photography has included in-camera techniques such as playing with focus, darkroom techniques like double exposure, collage techniques and paint on prints. Her work is less engaged with documentation of events than with expression of experience. It has been described as surreal and ethereal, as the New York Times observed: "Her work, personal and expressive, draws from a number of artistic sources, preeminently surrealism. She has employed a range of surrealist techniques: photographing her subjects from oblique angles, shooting out of focus or through such atmospheric effects as fog and shadow, playing on unusual juxtapositions, even altering or painting over prints."[3][4] Smith's early work was composed of photos that were shot quickly to produce elaborate scenes, and due to this process many of her photos have double dates. She has used the technique of hand-tinting in some of her work, notably her Transcendence series.[5][6]
Some of Smith's work displayed in the Museum of Modern Art depicts motherhood in Harlem. These photos are taken using a documentary style of photographing these subjects.[7][8]
Career
Smith has photographed many important black cultural figures during her career, including Alvin Ailey and Nina Simone. In 1973, Smith was featured in the first volume of the Black Photographers Annual, a publication closely affiliated with the Black Arts Movement of the 1960s and early 1970s.[9] Smith had her first exhibition at Cinandre, a hairdressing salon, in 1973 as well. At Cinandre, she met Grace Jones, whom she photographed wearing a black and white tutu on occasion. Smith recalls that she and Jones would talk about surviving as black artists. Smith reflects on the memories by saying: "We came out of Jim Crow. And so just coming to New York and trying to be a model or anything was new."[10]
Two years later (1975), Smith became the first female member of the Harlem-based photography collective Kamoinge, under director Roy DeCarava.[11] The Kamoinge Workshop was founded in New York in 1963 to support the work of black photographers in a field then dominated by white men. The collective, which still exists today, has undertaken a range of initiatives, including exhibitions, lectures, workshops, and the publishing of portfolios for distribution to museums. Smith participated with Kamoinge in three groups shows in New York and Guyana.[12]
Smith dropped off a portfolio at the Museum of Modern Art, where the receptionist mistook her for a messenger. When she returned, she was taken into the curator's office. Susan Kismaric named a price for Smith's work, which Smith declined because the price did not even cover her materials. Kismaric asked Smith to reconsider, which she eventually did. Shortly after, she became the first Black woman photographer to be included in the collections of the Museum of Modern Art (MOMA) in New York City.[13] In addition to the MOMA, Smith's art has been featured at the Schomburg Center for Research in Black Culture and the Smithsonian Anacostia Museum & Center for African American History and Culture in Washington, D.C.
Smith has twice exhibited at the Bellvue Hospital Centre in Morristown, New Jersey, through their Art in the Atrium exhibitions. The first was in 1995, for Cultural Images: Sweet Potato Pie, an exhibit curated by Russell A. Murray. In 2008, she contributed as part of the exhibition New York City: In Focus, part of Creative Destinations 2008 Exhibition of African American Art.
In 2010, her work was included in MOMA's exhibition Pictures by Women: A History of Modern Photography.[14] This exhibition recontextualized Smith's work alongside that of Diane Arbus and marked a growing interest in Smith's work.[10] Organized by curator Roxana Marcoci, it was curated by Sarah Meister through the Department of Photography. In 2017, a major survey exhibition of Smith's work was held at the Steven Kasher Gallery in New York.[15] The exhibition featured 75 vintage black-and-white prints that represented Smith's career.[16][17][3]
Smith has collaborated with filmmaker Arthur Jafa in the Serpentine Sackler Gallery's 2017 show, Arthur Jafa: A Series of Utterly Improbable, yet Extraordinary Renditions (Featuring Ming Smith, Frida Orupabo and Missylanyus).[18] That same year, Smith was featured in the Tate Modern group exhibition Soul of a Nation: Art in the Age of Black Power, curated by Mark Godfrey and Zoé Whitley. The show received international acclaim, before traveling to Crystal Bridges Museum of American Art, Brooklyn Museum, The Broad, the de Young Museum of San Francisco and the Museum of Fine Arts, Houston.[19] Since then, Smith's work has been featured in solo presentations by Jenkins Johnson Gallery both at Frieze New York and Frieze Masters in 2019, the former of which receiving the Frieze Stand Prize.[20][21][22][23]
1976 – Exposure: Work by Ten Photographers; Creative Artists Public Service Program, New York City
1980 – Self-Portrait; Studio Museum of Harlem, New York, traveled to the Springfield Museum of Fine Arts, MA
1983 – Contemporary Afro-American Photography; Allen Memorial Art Museum, Oberlin College, OH
1984 – 14 Photographers; Schomburg Center for Research in Black Culture, New York
1989 – Ming Smith, Anthony Barboza, Adger W Cowans, Robert Hale and Deborah Willis; Cathedral of Saint John the Divine, New York
1995 – Cultural Images: Sweet Potato Pie; curated by Russel A. Murray, Art in the Atrium, Morristown, NJ
1999 – Black New York Photographers of the Twentieth Century: Selections from the Schomburg Center Collections; Schomburg Center for Research in Black Culture, New York
2000 – Reflections In Black: A History of Black Photographers 1840 to the Present; organized by the Anacostia Museum and Center for African American Identity and Culture, Smithsonian Institution, Washington, DC; traveling exhibition
2000 – MOMA2000; The Museum of Modern Art, New York
2000 – Ming; Watts Towers Art Center, Los Angeles, CA
2001 – Life of the city, An Exhibition in Answer to 2001; Museum of Modern Art, New York
2002 – Original Acts: Photographs of African-American Performers from the Paul R. Jones Collection; University of Delaware, Newark, DE
2002 – Life of the city, An Exhibition in Answer to 2001; The Museum of Modern Art, New York
2003 – Generations: An Exhibit of African American Art; Art in the Atrium, Morristown, NJ
2003 – In the Spirit: Invisible Woman; African American Museum in Philadelphia, PA
2004 – A Century of African American Art: The Paul R Jones Collection, University of Delaware, Newark, DE
2005 – Contemporary Afro-American Photography; Spelman College Museum of Art, Atlanta, GA
2006 – Kamoinge Inc: Black Music from Bebop to Hip Hop; co-curated by Danny Simmons and Mark Blackshear, Brooklyn Academy of Music
2006 – Harlem Photographers Present Images Dating Back to the Civil Rights Movement; Columbia College, Chicago, IL
2007 – Contemporary Afro-American Photography; Hilliard University Art Museum, Lafayette, Louisiana
2008 – New York City: In Focus; Bellevue Hospital Center Atrium, New York
2008 – 16th Annual Exhibition: Creative Destinations 2008 Exhibition of African American Art; Art in the Atrium, Morristown, NJ
2009 – Sound:Print:Record: African American; University of Delaware, Newark, DE
2010 – Pictures by Women: A History of Modern Photography; The Museum of Modern Art, New York
2013 – Ming Smith: Works from the Paul R. Jones Collection; The University of Alabama, Tuscaloosa, AL
2017 – States of America: Photography from the Civil Rights Movement to the Reagan Era; Nottingham Contemporary, Nottingham, UK
2017 – Art of Rebellion: Black Art of the Civil Rights Movement; Detroit Institute of Arts, Detroit, MI
2017 – Arthur Jafa: A Series of Utterly Improbable, Yet Extraordinary Renditions (Featuring Ming Smith, Fride Orupabo, and Missylanyus); Serpentine Galleries, London, UK
2017 – We Wanted A Revolution: Black Radical Women 1965–85; Brooklyn Museum, Brooklyn, NY
2017 – Black Photographers Annual; Virginia Museum of Fine Arts, Richmond, VA
2017 – Soul of a Nation: Art in the Age of Black Power; Tate Modern, London, UK
2018 – Soul of a Nation: Art in the Age of Black Power; Brooklyn Museum, Brooklyn, NY, Traveled to: Crystal Bridges Museum of American Art, Bentonville, AR
2018 – Family Pictures; Milwaukee Art Museum, Milwaukee, WI, traveled to, Columbus Museum of Art, Columbus, OH
2019 – Soul of a Nation: Art in the Age of Black Power; The Broad, Los Angeles, CA, Traveled to: de Young Museum, San Francisco, CA
2019 – Arthur Jafa: A Series of Utterly Improbable, Yet Extraordinary Renditions (Featuring Ming Smith, Fride Orupabo, and Missylanyus); Moderna Museet, Stockholm, Sweden, Traveled to: Fundação Serralves, Porto, Portugal
2019 – Down Time: On the Art of Retreat; Smart Museum of Art, Chicago, IL
^Eckhardt, Sarah L. (2020). Working together : Louis Draper and the Kamoinge Workshop. Louis H. Draper, Deborah Willis, Erina Duganne, Romi Crawford, John Edwin Mason, Bill Gaskins, Sharayah Cochran, Virginia Museum of Fine Arts, Whitney Museum of American Art, J. Paul Getty Museum, Cincinnati Art Museum, Conti Tipocolor. Richmond, VA. ISBN978-1-934351-17-8. OCLC1137796142.{{cite book}}: CS1 maint: location missing publisher (link)
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