Gregor is known for her abstracted human figure sculptures, featuring complex layers of underglaze and glaze and occasionally metallic lusters. Gregor builds her forms out of solid clay, then slices them open with a strong wire to enable hollowing as the clay enters its dryer 'leather hard' stage. She then reassembles the pieces for drying and kiln firing.[4] Each piece endures as many as seven or eight firings, giving them their characteristic liquid, yet hard surfaces.[1] Her works, some up to life-size in scale, convey a sense of balance and mass, seemingly on the edge of flight.[5] Despite their grandiosity, Gregor's figures often carry a humility, a restraint in gesture and expression.
Gregor has been called a 'descendant' of sculptors as diverse as Robert Arneson, Peter Voulkos and Viola Frey,[6] and is considered an important second-generation sculptor in the Bay Area Figurative Group, succeeding artists such as Manuel Neri and Stephen DeStaebler. Her contemporaries include Susannah Israel, John Toki, Arthur Gonzalez and Lisa Reinertson.
She has instructed ceramic sculpture workshops abroad at Estudio Paloma in San Miguel de Allende, MX, a UNESCOWorld Heritage Site. Fellow ceramic artists from the United States and Mexico teaching at Estudio Paloma include Tip Toland, Esther Shimazu, Adrian Arleo and Claudia Olds Goldie.[16] As part of its annual series of workshops given by some of the finest international ceramic artists worldwide,[17] Gaya Ceramic Arts Center in Ubud Bali, Indonesia hosted a figure sculpture workshop by Gregor in 2018.[18]
Gregor has given hands-on demonstrations of sculpture making and lectured widely about figuration in clay at ceramic art exhibitions and symposia, including the Annual California Conference for the Advancement of Ceramic Arts (CCACA)[19][20][21] and Ceramic Sculptors Exhibition and Conference and Ceramics Annual of America (CAA), an exhibition and art fair spotlighting the quality and diversity of contemporary ceramics from around the world.[7]
Selected solo shows
2019 “Confluence”, San Jose City College Art Gallery, San Jose, CA[22]
2018 “Confluence: Michelle Gregor”, John Natsoulas Gallery, Davis, CA[23]
2018 “Susan Cooley Gilliom Artist in Residence: Michelle Gregor”, Blue Line Arts, Roseville, CA[24]
2017 “Bay Area Clay - A Legacy of Social Consciousness”, Arts Benicia Gallery, Benicia, CA (curated by Lisa Reinertson, artist, Davis, CA) (catalogue)[28]
2017 “Bay Area Clay: A Legacy of Social Consciousness”, National Council on Education for the Ceramic Arts (NCECA) Exhibition, The Hoffman Gallery of Contemporary Art, Lewis & Clark College, Portland, OR (curated by Lisa Reinertson, artist, Davis, CA) (catalogue)[29]
2016 “Holiday Ceramics Show”, San Jose City College Ceramics Center, San Jose, CA[30]
2016 7th Annual Art of Painting in the 21st Century: Exhibition, with Solo Exhibition by Avery Palmer and Kristen Napier (catalogue)[31]
2016, “La Nino”, SMAart Gallery & Studio, San Francisco, CA[32]
2015 “Figuratively Speaking 2015”, SMAart Gallery & Studio, San Francisco, CA (curated by Steve Allen, artist, San Francisco, CA)[33]
2015 “Cross Pollination”, Art Ark Gallery, San Jose, CA[34]
2014 “Figuratively Speaking 2014”, SMAart Gallery & Studio, San Francisco, CA (curated by Steve Allen, artist, San Francisco, CA)[35]
2013 “California Style”, John Natsoulas Gallery, Davis, CA[36]
2013 “Figuratively Speaking”, SMAart Gallery & Studio, San Francisco, CA (curated by Steve Allen, artist, San Francisco, CA)[9]
2013 “Body Language: Figures in Clay”, Skyline College Art Gallery, San Bruno, CA[37]
2012 Third Ceramics Annual of America Exhibition, Fort Mason Center, San Francisco, CA[7]
2011 “Transcendent”, Pence Gallery, Davis, CA (curated by Kathleen Hanna, artist, Petaluma, CA)[8]
Selected public and private collections
In 2004 Gregor was commissioned to sculpt three large-scale bronze exterior architectural friezes at the Olympic Club Building at 665 Sutter Street, San Francisco.
[38] Other architectural commissions include The Spa at Pebble Beach.[2] In 2013, Gregor's piece The Oracle was acquired by the American Museum of Ceramic Art in Pomona, California.
References
^ abcdSeed, John (2015). Michelle Gregor. Davis, California: John Natsoulas Press. pp. 6–8. ISBN978-1-881572-41-1.
^ abc"Michelle Gregor". John Natsoulas Gallery. 25 November 2018. Retrieved 2019-10-21.
^ abNguyen, Andy (2012-10-23). "A woman with clay". City College Times. Retrieved 2019-10-23.
^Toki, John (1999). Hands In Clay (4th ed.). Mayfield Publishing Company. pp. 192–193. ISBN978-0-7674-0501-0.
^Smith, Nan (2014). 500 Figures In Clay, Volume 2 (1st ed.). New York: Lark, Sterling Publishing. pp. 83, 104. ISBN978-1-4547-0774-5.
^Smyth, Cherry (1996). Damn Fine Art (1st ed.). London: Cassell. pp. 133–132. ISBN0-304-333646.
^"2019 Artists". San Miguel de Allende Ceramic Workshops. Retrieved 2019-10-23.
^"Workshops". Gaya Ceramic Arts Center. Retrieved 2019-10-23.
^"Past Workshops"(JPG). Gaya Ceramic (Announcement of workshop is an image on web site.). Retrieved 2019-10-23. Figure Sculpture: An Improvisational Approach Through Form & Surface workshop with Michelle Gregor, May 13–26, 2018