The portrait draws on the myth of Medusa, the snake haired woman whose gaze could turn onlookers to stone. Unlike other depictions of the Medusa, such as Benevento Cellini’s Perseus and Medusa, the Medusa is not portrayed as a vanquished figure with her head severed from her body, but as a living monster. Bernini’s decision to create a marble sculpture may be some kind of visual pun on the myth - creating a stone version of a living creature that could turn men to stone.[1]
Creation
Nothing is known about its creation, and parts of the sculpture’s execution undermine Bernini’s authorship of the sculpture, most notable the heavy, exaggerated eyebrows and the rough treatment of the snakes. Yet the sensual fleshy quality of the cheeks and lip, the polished precision of the face, the tormented face of the Medusa and lively intelligence behind the literary concept and its unusual treatment point to the work of Bernini.[2]
Restoration
Considerable technical analysis and restoration of the sculpture took place in 2006.[3] The four month long restoration included non-destructive examination of the sculpture using infrared, ultraviolet and laser scanning as well as traditional photography. The techniques used to create the sculpture were analyzed by studying tooling marks and surface finishes. The bust was gradually cleaned and its surface was restored.[4]