Martyr (Arabic: شهيد) is the second feature film by Lebanese writer and director Mazen Khaled.[1] The film was selected for screening at the 74th Venice International Film Festival in the Biennale College - Cinema section, where it was nominated for the Queer Lion award, and at the 2018 SXSW in the Global section.[2][3]Martyr was produced by Diala Kachmar of Artrip Production[4] and is distributed in North America by Breaking Glass Pictures and in the UK by Peccadillo Pictures.[5][6]Martyr was described by Indiewire as "One of the most under-appreciated films of 2018".[7] It features a large ensemble cast led by Carol Abboud, Hamza Mekdad, and Moustafa Fahs.[8][9][10]
Plot
The storyline is built around the feelings of Hassane, a young man who cannot afford to live on his own, due to financial problems (he often loses his job). The film shows the difficult situation of this young man, who feels trapped between a strict and troubled family bond and the hopeless environment of Beirut. The scene involving Hassane and his best friend Mahmad performing a dance on a stage, which seems to be from the spiritual perspective, has a strong homoerotic element. The sudden drowning of this man at Beirut's seaside Corniche sparks a mob funeral and causes his friends, who hail from different communities, to grapple with loss and with the struggle to participate in his community's rites and ceremonies.[11][12] The life and death journey that the young man takes on the last day of his life exposes the schisms of the city and the fault lines dividing its society, and reveals some of the forces pushing the lives of those marginalized young men.[13][14]
Themes
The film deals with themes of hopelessness, human closeness, death, and spirituality, with an underlying thematic tone of sexuality.[14][15][16][11]
Production
The film was made on a small budget. Shooting took place at Beirut's Corniche, and in Beirut inner city neighborhoods of Ghbeiri and Basta.[17]
Queer Lisboa - Festival Internacional de Cinema Queer, 2018
Received Jury Prize in the Best Queer Art Film competition.[30] Jury statement: "A portentous visual and highly choreographed proposal that affirms itself in the time extension of the images, artistic genres and faiths."[31]
On Rotten Tomatoes, the film has an 80% rating. On review aggregator IMDb, the film holds an average rating of 6.8/10. The Guardian gave it 4/5 stars and called it a "Masterful, visceral, study of grief." Indiewire named it as one of the "Most Under Appreciated Movies of 2018."
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