Marie-Jeanne Larrivée was a prominent member of the Paris Opera company, where she made her debut in 1750 under the name of Mlle Lemière (also spelt Lemierre or Le Mière).[2] She was the sister of violinist Jacques Lemière and cellist Jacques-Louis Lemière both engaged at the Paris Opera in the same period. Her parents were Louis-Michel Lemière, a wig maker, and Julienne Lemière.[3][4]
After performing several light roles as a cover, at the beginning of 1752 Lemière left the theater scene. She probably intended to improve her voice, but her five-year absence from the stage was mainly related to her stormy relationship with the Duke of Gramont, whose abusive behaviour, even bordering on rape, darkened this period of her life. In July 1752 she gave birth to her first daughter, Marie-Antoinette, but neither of the parents acknowledged her, and only her grandfather offered himself as godfather.[5] In 1756 she finally managed to break up with the Duke and the following year she was readmitted to the Opéra with increased salary.[6]
The parts played by Mlle Lemière included roles in the operas Silvie,[7]Omphale (Cardonne), Ovide et Julie (as Julie),[8]Salimes and Céphale et Procris (Grétry). Larrivée-Lemière retired from the theater in 1777. In 1762 she had married her partner, Henri Larrivée, and had two daughters: pianist, harpsichordist and composer Camille Larrivée and violinist Agathe Elisabeth Henriette Larrivée. In 1767, the Larrivées separated.[9] Their two daughters went on to live with their aunt and guardian, Elisabeth-Henriette Larrivée and toured through French provinces in concerts.
Marie-Jeanne Larrivée-Lemière was also considered one of the most esteemed singers of the Concert Spirituel, where she regularly performed between 1750 and 1763, and then more irregularly until 1778, when she retired with a pension of 2,000 francs annually.[10]
^(in Catalan) Enciclopèdia Espasa Volum núm. 29, p. 887 (ISBN8423945294)
^Pougin, Arthur. Pierre Jélyotte et les chanteurs de son temps: Un ténor de l'Opéra au XVIIIe siècle. France, BnF collection ebooks, 2016.
^Bouissou, Sylvie. Dictionnaire de l'Opéra de Paris sous l'Ancien Régime, 1669–1791: P–Z. Tome IV. France, Classiques Garnier, 2020.
^According to Camille Piton she had one or two other children with the Duke (Paris sous Louis XV : rapports des inspecteurs de police au roi publiés et annotés par Camille Piton, Paris, Mercure de France, 1905/1914, t. 5, pp. 376–388).
^ abTrial, Jean-Claude (1732–1771); Berton, Pierre-Montan (1727–1780); Laujon, Pierre (1727–1811); Allard, Marie (1742–1802); Guimard, Marie Madeleine (1743–1816); Arnould, Sophie (1740–1802); Legros, Joseph (1739–1793); Lemière, Marie-Jeanne (1733–1786); Larrivée, Henry (1737–1802); Trial, Jean-Claude (1732–1771) Compositeur; Berton, Pierre-Montan (1727–1780) Compositeur; Laujon, Pierre (1727–1811) Librettiste; Allard, Marie (1742–1802) Danse; Guimard, Marie Madeleine (1743–1816) Danse; Arnould, Sophie (1740–1802) Chant; Legros, Joseph (1739–1793) Chant; Lemière, Marie-Jeanne (1733–1786) Chant; Larrivée, Henry (1737–1802) Chant (December 4, 1766). "Sylvie : opéra en 3 actes avec 1 prologue / livret de Pierre Laujon ; musique de Pierre-Montan Berton et Jean-Claude Trial ; ballets de MM. Laval et fils". catalogue.bnf.fr.{{cite web}}: CS1 maint: numeric names: authors list (link)
^Dauvergne, Antoine (1713–1797); Collasse, Pascal (1649–1709); Fontenelle, Bernard de (1657–1757); Moncrif, François-Augustin Paradis de (1687–1770); Lemière, Marie-Jeanne (1733–1786); Guimard, Marie Madeleine (1743–1816); Allard, Marie (1742–1802); Lany, Jean Barthélemy (1718–1786); Dauberval, Jean (1742–1806); Gardel, Maximilien (1741–1787); Dauvergne, Antoine (1713–1797) Compositeur; Collasse, Pascal (1649–1709) Compositeur; Fontenelle, Bernard de (1657–1757) Librettiste; Moncrif, François-Augustin Paradis de (1687–1770) Librettiste; Lemière, Marie-Jeanne (1733–1786) Chant; Guimard, Marie Madeleine (1743–1816) Danse; Allard, Marie (1742–1802) Danse; Lany, Jean Barthélemy (1718–1786) Danse; Dauberval, Jean (1742–1806) Danse; Gardel, Maximilien (1741–1787) Danse (December 4, 1768). "Enée et Lavinie : tragédie lyrique en 5 actes / livret de Bernard le Bovier de Fontenelle, terminé par François-Augustin Paradis de Moncrif ; musique de Pascale Colasse, reprise par Antoine Dauvergne". catalogue.bnf.fr.{{cite web}}: CS1 maint: numeric names: authors list (link)
^Rameau, Jean-Philippe (1683–1764); Cahusac, Louis de (1706–1759); Lemière, Marie-Jeanne (1733–1786); Larrivée, Henry (1737–1802); Legros, Joseph (1739–1793); Dauberval, Jean (1742–1806); Allard, Marie (1742–1802); Rameau, Jean-Philippe (1683–1764) Compositeur; Cahusac, Louis de (1706–1759) Librettiste; Lemière, Marie-Jeanne (1733–1786) Chant; Larrivée, Henry (1737–1802) Chant; Legros, Joseph (1739–1793) Chant; Dauberval, Jean (1742–1806) Danse; Allard, Marie (1742–1802) Danse (December 4, 1754). "Les Fêtes Lyriques (Anacréon) : ballet heroïque / livret de Louis de Cahusac ; musique de Jean-Philippe Rameau". catalogue.bnf.fr.{{cite web}}: CS1 maint: numeric names: authors list (link)
^de), Lamarre (Abbé; Mondonville, Jean-Joseph de (1711–1772); Larrivée, Henry (1737–1802); Dauberval, Jean (1742–1806); Gélin, Nicolas (1726–1810); Gardel, Maximilien (1741–1787); Allard, Marie (1742–1802); Lemière, Marie-Jeanne (1733–1786); Librettiste, Lamarre (Abbé de); Mondonville, Jean-Joseph de (1711–1772) Compositeur; Larrivée, Henry (1737–1802) Chant; Dauberval, Jean (1742–1806) Danse; Gélin, Nicolas (1726–1810) Chant; Gardel, Maximilien (1741–1787) Danse; Allard, Marie (1742–1802) Danse; Lemière, Marie-Jeanne (1733–1786) Chant (December 4, 1763). "Titon et l'Aurore : pastorale héroïque en 3 actes et un prologue / livret de l'abbé de Lamarre ; musique de Jean-Joseph Cassanéa de Mondonville". catalogue.bnf.fr.{{cite web}}: CS1 maint: numeric names: authors list (link)
^Mondonville, Jean-Joseph de (1711–1772); Fuzelier, Louis (1672?–1752); Beaumesnil, Mademoiselle (1748–1813); Lemière, Marie-Jeanne (1733–1786); Legros, Joseph (1739–1793); Larrivée, Henry (1737–1802); Guimard, Marie Madeleine (1743–1816); Allard, Marie (1742–1802); Gardel, Maximilien (1741–1787); Mondonville, Jean-Joseph de (1711–1772) Compositeur; Fuzelier, Louis (1672?–1752) Librettiste; Beaumesnil, Mademoiselle (1748–1813) Chant; Lemière, Marie-Jeanne (1733–1786) Chant; Legros, Joseph (1739–1793) Chant; Larrivée, Henry (1737–1802) Chant; Guimard, Marie Madeleine (1743–1816) Danse; Allard, Marie (1742–1802) Danse; Gardel, Maximilien (1741–1787) Danse (December 4, 1767). "Le Carnaval du Parnasse : ballet héroïque en 3 actes avec 1 prologue / livret de Louis Fuzelier ; musique de Jean-Joseph Cassanéa de Mondonville". catalogue.bnf.fr.{{cite web}}: CS1 maint: numeric names: authors list (link)
Sylvie Bouissou, Larrivée, Marie-Jeanne Lemière, épouse, in id., Pascal Denécheau e France Marchal-Ninosque (eds), Dictionnaire de l'Opéra de Paris sous l'Ancien Régime (1669–1791), Paris, Classiques Garnier, 2019, III (H–O), pp. 397–400 ISBN978-2406090656
David Charlton Opera in the Age of Rousseau: Music, Confrontation, Realism, Cambridge University Press, 2012. (ISBN1107504341)
Félix Clément and Pierre Larousse Dictionnaire des Opéras, Paris, 1881. (ISBN127338315X)
