Marc Isaacs is a British documentary filmmaker, living in London. His short film Lift (2001), which showed people using a lift in a tower block,[1] was nominated for a BAFTA.[2]
"Many of his 14 films to date have explored the divisions within the so-called 'United' Kingdom. He has probed multicultural life in London, traditionalist seaside backwaters, asylum-seekers and ex-pats in Calais, while venturing to Barking to gather white residents' attitudes towards their immigrant neighbours."[3] Mike McCahill, in The Guardian, described Isaacs as a "people person, locating strangeness, melancholy and joy in the urban landscape, and those who inhabit it."[4]
For his film Lift (2001), Isaacs spent "weeks filming people getting in and out of a lift" in a tower block.[1][4]
Calais: The Last Border (2003) "weaves portraits of various individuals [. . .] into a moving and melancholy overview of a port defined more than ever by the island it gazes at across the Channel."[8]
For Outside the Court (2011), "Isaacs spent three months buttonholing smokers outside Highbury magistrates court, often interrupting them over their last fag before they went to meet their juridical fates."[10]
The Road: A Story of Life & Death (2012) is a "documentary about immigrants living at the London end of the A5".[11]
Outsiders (2014) is "set in a single location—the inside of a burger truck—this story unfolds as passersby answer Marc's questions while they slurp tea and eat bacon sandwiches. The result is an illuminating blend of anxiety and insecurity as attitudes towards outsiders begin to shine a light on why England is going through such politically turbulent times."[12]
The Men Who Sleep in Trucks (2016) depicts isolation and loneliness in Britain's truck drivers "sleeping in their own trucks in lay-by car parks and service stations".[13]
The Filmmaker's House (2020) is a docufiction[14] that "tackles Brexit and the future of a multicultural Britain head-on. [. . .] set over a day in Isaacs's comfortable family terraced home in Walthamstow, northeast London. It gathers strangers from various backgrounds who all live in its orbit".[3]
This Blessed Plot (2023), also a docufiction, blurs "factual observation and playful fabrication, history and folklore, past and present".[15] It premiered at the 2023 Doclisboa documentary film festival.[16]
Reception
Mike McCahill, film critic in The Guardian, described Isaacs as a "people person, locating strangeness, melancholy and joy in the urban landscape, and those who inhabit it."[4]
"many of his 14 films to date have explored the divisions within the so-called 'United' Kingdom. He has probed multicultural life in London, traditionalist seaside backwaters, asylum-seekers and ex-pats in Calais, while venturing to Barking to gather white residents' attitudes towards their immigrant neighbours."[3]
Corin Douieb, writing in Aesthetica in 2012 about the films All White in Barking, Men of the City and The Road, described Isaacs as having "continued to cast his eye over the maligned and tell their bleak stories".[17]
Filmography
Lift (2001) – documentary short; directed and cinematography by Isaacs[1]
Travellers (2003) – TV movie documentary; directed and cinematography by Isaacs
Calais: The Last Border (2003) – TV movie documentary; directed, cinematography, and produced by Isaacs[8]
Philip and His Seven Wives (2005) – documentary; directed and cinematography by Isaacs
Someday My Prince Will Come (2005) – TV movie documentary; directed, cinematography, and produced by Isaacs
All White in Barking (2007) – documentary; written, directed and cinematography by Isaacs[7]
Men of the City (2009) – documentary; written, directed and cinematography by Isaacs
Outside the Court (2011) – TV movie documentary; 1 hour, directed and cinematography by Isaacs[18]
The Old Man and His Bed (2011) – short; directed by Isaacs
The Road: A Story of Life & Death (2012) – documentary; written, directed and cinematography by Isaacs, produced as part of the BBC's Storyville[19][20][21]