Marc Ferrez (14 October 1788 – 1 April 1850) was a French sculptor and engraver who spent a large part of his career in Rio de Janeiro, Brazil.
Early years
Marc Ferrez was born on 14 October 1788 in Saint-Laurent, in the arrondissement of Saint-Claude, Jura, France.[1] He was the eldest of three brothers born in that town. Auguste Ferrez was born in 1795 and Zéphirin Ferrez in 1797.[2]
Their parents were a carpenter and a seamstress.[1] In 1809 he entered the École des Beaux-Arts in Paris where he studied under the sculptor Philippe-Laurent Roland (1746–1816) and the engraver Pierre-Nicolas Beauvallet (1750–1818).[3] His brother Zepherin Ferrez (1797–1851) was also a sculptor and engraver, and also studied at the École des Beaux-Arts.[4] The two brothers spent six months in New York City in 1816–17.[5]
The Ferrez brothers worked with Auguste Marie Taunay, Debret and the architect Grandjean de Montigny on the decorations for the monuments erected on the occasion of the arrival of Princess Maria Leopoldina of Austria (1797–1826) and her marriage with the Emperor Pedro I of Brazil (1798–1834). In 1820 Marc Ferrez was appointed a permanent lecturer at the Imperial Academy of Fine Arts. After Auguste–Marie Taunay died in 1824, Marc Ferrez became deputy professor of sculpture. When Joaquim Alão died in 1837, he became full professor. In 1842 Marc Ferrez made the sculptural decorations of the rooms of Dona Teresa Cristina on the frigate Constitution, which brought her to Brazil.[5]
Marc Ferrez died in Rio de Janeiro on 1 April 1850, aged 61.[8]Francisco Manuel Chaves Pinheiro (1822–1884) was one of his best-known pupils.[5] His nephew, Zepherin's son, also called Marc Ferrez, became a celebrated photographer.[9]
Work
Marc Ferrez made copies of antiques, monumental decorations and classical busts.[10] His copies of statues and plaster bas reliefs were not exceptional but were skillfully executed. Typically they were made from classical Greek models.[11] Most of his monumental work in terracotta has been destroyed, broken while being moved from one place to another. He is now best known for his highly realistic and technically excellent busts.[12] Due to the absence of marble and high price of bronze, he made almost all his portraits in plaster and painted them to give the illusion of metal. The only known bronze bust is one of Pedro I (1826).[13]
Some of his works included:
A sculpted wood cradle created with his brother, offered to the Emperor Pedro I when the princess Maria da Glória was born in 1818.
Statues of Apollo and Minerva for the facade of the Academy
Boghici, Jean (1990). "MARC FERREZ". Mission artistique française et les peintres voyageurs. Instituto Cultural Brasil-Franc̜a : Fundac̜ão Casa Franc̜a-Brasil, Secretaria de Cultura do Estado do Rio de Janeiro. Retrieved 2014-02-16.