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Throughout his academic career, he studied the genera Prunus and Iris. At the beginning of 20th century, he promoted the idea of ‘natural monuments’ for preservation, a concept he brought back with him from his period of study in Germany.[2]
Miyoshi, Manabu, ed. (1905–1914). Atlas of Japanese Vegetation: Phototype Reproductions of Photographs of Wild and Cultivated Plants as Well as the Plant-Landscapes of Japan, with Explanatory Text. Tokyo: The Maruzen Kabushiki Kaisha (Z.P. Maruya & Co., Ltd.). 15 sets.
Miyoshi, Manabu (1921). HANA SHOBU ZUFU - Irises. Tokyo: Unsôdô. 4 vols., each 8 3/4" X 17 3/16" with a total of 100 full page color woodblock prints of Japanese irises, along with 5 pages of color samples. In addition, there is a 40pp. letterpress text volume (6 1/4" X 8 7/8"). Printed by color woodblock. Published in a clasped chitsu case. Produced in Kyoto with Japanese bookbinding (YAMATO TONI) and published on 15 Oct 1921.
Miyoshi, Manabu (1921). ŌKA GAISETSU - Cherry blossoms. Tokyo: Unsôdô. 2 vols., with a total of 100 full page color woodblock prints. Woodblock carving by Yuji Otsuka. Printing by Sanjiro Matsui using color woodblock printer. Published in a clasped chitsu case. Printed in Tokyo 10 May 1921, produced with Japanese bookbinding (YAMATO TONI), and published on 15 May 1921. 100 were printed initially and sold out. Maruzen sold them outside Japan. A second printing of 100 were lost in the Great Kanto Earthquake, as were the wood blocks and the offices of Unsôdô in Tokyo.
Miyoshi, Manabu (1935). Sakura Japanese Cherry - Tourist Library 3. Tokyo: Japanese Government Railways.
^Akagawa, Natsuko (2014). Heritage Conservation and Japan's Cultural Diplomacy: Heritage, National Identity and National Interest. London: Routledge. p. 50. ISBN9781134599011. OCLC885457100..