Film critic Stephen Holden described it as "an unwieldy stylistic hybrid of narrative film making and arty montage" and as "klutzy and vague in its symbolic connections".[2]Deseret News' critic Jeff Vice noted that "Enyedi has an interesting visual style, but she's too busy to concentrate on the storyline".[3] According to Barbara Shulgasser, "Enyedi's visuals, shot by Tibor Mathe, are often beautiful enough to distract you from narrative failings".[4]
