Maffeo Vegio (Latin: Maphaeus Vegius) (1407–1458) was an Italian poet who wrote in Latin; he is regarded by many as the finest Latin poet of the fifteenth century.
Apotheosis of Aeneas
Born near Lodi, he studied at the University of Pavia, and went on to write some fifty works of both prose and poetry.
His greatest reputation came as the writer of brief epics, the most famous of which was his continuation of Virgil's Aeneid, known variously as the Supplementum (Supplement) or Aeneidos Liber XIII (Book 13 of the Aeneid). Completed in 1428, this 600-line poem starts immediately after the end of Virgil's epic, and describes Aeneas's marriage to Lavinia and his eventual deification. Its combination of classical learning and piety made it very popular in its day; it was often included in editions of the Aeneid in the fifteenth and sixteenth centuries. An electronic text can be found at the Latin Library.
Vegio also wrote an epic, Astyanax (1430), on the death of the son of Hector, prince of Troy, and a four-book epic, Vellus Aureum (the Golden Fleece) (1431). During 1436–37 he completed his epic on the life of the ChristianSaint Anthony, the Antoniad. Michael C. J. Putnam edited and translated Vegio's Short Epics for the I Tatti Renaissance Library (Harvard University Press).
Vegio flattered his way into the papal court, and was made canon of St. Peter's Basilica in 1443; it was an office he held until his death in 1458.
Some of Vegio's poems were later set as motets by renaissance composers – an example being Huc me sidereo, set by Josquin, Jacobus Vaet, Orlando Di Lasso and the first motet of Adrian Willaert's 1559 Musica Nova collection.[1]
Works
Vocabula ex iure civili excerpta, 1477
(partial list)
Poems
Poemata et epigrammata, 1422
Rusticalia
De morte Astyanactis, 1430
Velleris aurei libri quattuor, 1431
Religious texts
Antoniados sive de vita et laudibus sancti Antonii, 1436–1437
De perseverantia religionis
De quattuor hominis novissimis, morte, judicio, inferno et paradiso meditationes
Vita sancti Bernardi Senensis
Sanctae Monicae translationis ordo. Item de sanctae Monicae vita et ejus officium proprium
^Orlando Di Lasso, Complete Motets: Vol.6 Peter Bergquist 1997 – Page xix ""Huc me sidéreo": Gustave Reese ascribes the poem to Maffeo Vegio (or Veggio, 1407–58), a minor Italian humanist.25 The poem was set several times before Lasso, including settings by Josquin, Willaert, and Jacobus Vaet.26"
