Scutenaire grew disillusioned with the increasing commercialisation of Surrealism after the Second World War, but this did not apparently impair his close friendship with the most famous Belgian surrealist René Magritte. Scutenaire and his wife would visit the Magritte home on Sundays, where Scutenaire would be invited to give titles to Magritte's recent paintings; 170 of the paintings still bear the titles that Scutenaire suggested. (He is also the model for the figure in Magritte's canvas Universal Gravitation.)
Scutenaire's published works include a series of books entitled Mes Inscriptions, collections of gnomic and mischievous aphorisms, as well as one of the earliest and most entertaining monographs on Magritte. He was awarded in 1985 the Grand Prix spécial de l'Humour noir in recognition of his achievements as a writer with a lifelong distrust of authority and institution.
He died twenty years to the hour after his friend Magritte, just after watching a television programme on the painter.
Sources
André Souris, Paul Nougé et ses complices dans "Entretiens sur le surréalisme", sous la direction de Ferdinand Alquié, Mouton, Paris-La Haye, 1968.
Christian Bussy, Anthologie du surréalisme en Belgique, Paris, Gallimard,1972.
Marcel Mariën, L'activité surréaliste en Belgique (1924–1950), Bruxelles, Lebeer-Hossmann, 1979.
René Magritte et le surréalisme en Belgique, Musées Royaux des Beaux-Arts de Belgique, Bruxelles, 1982.
Louis Scutenaire, Plein Chant n° 33–34, Bassac, novembre 1986-janvier 1987.
Les écrits de Louis Scutenaire (De 1913 à 1987), 1. Poèmes et proses, note de Michel-Georges-Bernard, Paris, Éditions de l'Orycte, 29 juin 1987 [Textes présentés dans la chronologie de leur écriture].
Le mouvement surréaliste à Bruxelles et en Wallonie (1924–1947), Paris, Centre Culturel Wallonie Bruxelles, 1988.