Producer Ely Landau did a version of The Iceman Cometh for TV. This impressed the widow of Eugene O'Neill enough for her to give him the screen rights to Long Day's Journey. The cast and director formed a cooperative and agreed to work for a lower fee in exchange for a percentage of the profits.[3]
Marlon Brando was offered the role of Jamie, but turned it down.
Filming
The film was reportedly shot for $435,000 over 37 days, two days over schedule.[1] The entire film was shot in-sequence, after three weeks of rehearsals. Lumet later wrote that the total budget was $490,000.[3] Exteriors were shot at the house at 21 Tier Street in City Island in the Bronx, and interiors were on sets at Chelsea Television Studios in Manhattan.
Release
Joseph E. Levine bought the film for distribution, but said he lost money on it. "You cannot stay in business by making O'Neill pictures", he said.[4] Lumet later wrote that "there actually were some profits".[3]
Critical reception
The film has received critical acclaim. Rotten Tomatoes gives a score of 94% based on 17 reviews, with an average score of 8.2/10.[5] Critics regularly praised Lumet's direction and Hepburn's performance.
Dwight MacDonald from Esquire magazine, wrote of the film "In his screen version of Eugene O'Neill's Long Day's Journey Into Night, Sidney Lumet has given us a superb cinematic translation of the only American play to which the much-abused adjective "great" can seriously be applied." When speaking of Hepburn's performance he said "I have never been an addict of Katharine Hepburn; she struck me usually as mannered, to say the least; but here, stimulated by O'Neill and Lumet, she emerges as a superb tragédienne."[6]Bosley Crowther of The New York Times said that "Under the direction of Sidney Lumet, they charge the place with electricity. That is, on the whole they do so. They develop an overall sense of deep disquiet within the passionate individuals and an acrid air of smoldering savagery." And when commenting on Hepburn's performance he stated "In the moments of deepest anguish, she is vibrant with hot and tragic truth, an eloquent representatation of a lovely woman brought to feeble, helpless ruin."[7]
^ abScheuer, Philip K. (11 Dec 1962). "Julie Harris Seen as 'Haunting' Hit: Director Wise Lauds Cast; Landau on 'Lost Audience'". Los Angeles Times. p. E13.
