The Live Alive Tour was a concert tour through North America and Europe, undertaken by Stevie Ray Vaughan and Double Trouble from 1986 to 1988. At the start of the tour, Vaughan and bassist Tommy Shannon had both achieved sobriety. Their success with overcoming long-term drug and alcohol addiction had been attained by entering a rehabilitation facility, where they stayed for four weeks. Although Vaughan was nervous about performing while sober, he received encouragement from his bandmates. Throughout the tour during performances, Vaughan would warn his audiences about the dangers of substance abuse.
Consisting of nine legs and 207 shows, the tour began in Towson, Maryland on November 22, 1986 and ended in New York City on December 31, 1988. The first five legs alternated with visits between the United States and Canada, before the sixth leg took the band to Europe. The final leg incorporated stops in the northeast, midwest and west coast, before the group's return to the northeast in December 1988.
Although Vaughan and Double Trouble did not follow a set list, all thirteen songs from Live Alive were performed at least once during the tour, and as many as eleven of them were included in each of the band's performances. The tour was generally well-received and provoked many positive reactions from music critics, most of whom took note of Vaughan's sobriety—in 1988, Rhys Williams of The Daily Tar Heel noted that "his enthusiasm seemed to reflect his cleaned-up image".[1] He would continue this lifestyle in the following years, before his death in a helicopter accident in 1990.
Background
Stevie Ray Vaughan is widely regarded as one of the most influential electric guitarists in the history of blues music, and one of the most important musicians in the revival of blues in the 1980s. Allmusic describes him as "a rocking powerhouse of a guitarist who gave blues a burst of momentum in the '80s, with influence still felt long after his tragic death."[2] Despite a mainstream career that spanned only seven years, Vaughan eventually became recognized among musicians as the future standard for success and promise in blues.[3] Biographer Craig Hopkins explains that Vaughan's talent was the result of the youth culture in the 1960s: "the popularity of playing instruments as a form of teen entertainment, the prevalence of teen dances, the success of his older brother, the practicality of playing guitar as an outlet for a shy boy and the singular, intense focus on the guitar all contributed to create one of the best electric guitar players of all time."[4]
Born and raised in Dallas, Texas, Vaughan began playing guitar at the age of seven, inspired by his older brother Jimmie Vaughan.[5] He was an apt pupil, no less quick to learn than his brother, and was playing the guitar with striking virtuosity by the time he was fourteen.[6] In 1971, he dropped out of high school and moved to Austin the following year.[7] Soon afterward, he began playing gigs on the nightclub circuit, earning a spot in Marc Benno's band, the Nightcrawlers, and later with Denny Freeman in the Cobras, with whom he continued to work through late 1977.[8] He then formed his own group, Double Trouble, before performing at the Montreux Jazz Festival in mid-July 1982 and being discovered by John Hammond, who in turn interested Epic Records with signing them to a recording contract.[9] Within a year, they achieved international fame after the release of their debut album Texas Flood, and in 1984 their second album, Couldn't Stand the Weather, along with the supporting tour, brought them to further commercial and critical success; the album quickly outpaced the sales of Texas Flood.[10]
After the addition of keyboardist Reese Wynans in 1985, the band released Soul to Soul and toured in support of the album, which was their first as a quartet.[11] However, Vaughan's drug and alcohol habits continued to escalate.[12] In September 1986, the band traveled to Denmark to begin a European leg of the Soul to Soul Tour.[13] By this time, Vaughan had reached the peak of his substance abuse.[14] He would consume a quart (0.95 L) of whiskey and an ounce (28 g) of cocaine each day.[15] According to biographer Craig Hopkins, his lifestyle of substance abuse was "probably better characterized as the bottom of a deep chasm."[14]
During the late night hours of September 28, Vaughan became ill after a performance in Germany. He was taken by an ambulance to a nearby hospital, where he received medical treatment for near-death dehydration as a result of his long-term drug and alcohol addictions.[16] He then checked into the London Clinic under the care of Dr. Victor Bloom, who warned Vaughan that if his destructive lifestyle continued, he would be dead within a month.[17] Resuming the tour, the band reached Zürich on September 29.[15] Vaughan was ill, but gave a concert with Double Trouble in the town, which took place at Volkshaus, and was well enough to perform at the Hammersmith Palais, in London, on October 2.[18] After staying in London for more than a week, Vaughan returned to the United States and began a substance abuse treatment program at a rehabilitation facility in Atlanta, Georgia; bassist Tommy Shannon followed suit by checking into rehab in Austin, Texas.[19]
Stevie Ray Vaughan and Double Trouble's initial planning for the Live Alive tour emerged after Vaughan and Shannon completed their treatment programs in November 1986.[21] The band hired Skip Rickert, a replacement tour manager who eliminated the wild backstage antics of their past concert tours by revising the stipulations of their hospitality rider. Shannon later commented: "Before we got clean and sober, backstage you'd see all the coke dealers and everybody drunk and high and all these women running around. It went from that to us not having any alcohol backstage and none of those people came backstage anymore...We cleaned up our business."[22] Adamant about improvements in time management and itinerary planning, Vaughan had requested a reduction in touring time, which generally allowed no more than one show per day.[23] As rehearsals began for the tour on November 19, 1986, Vaughan began to grow feelings of self-doubt and nervousness about performing while sober.[24] However, he received encouragement from his bandmates. Wynans later recalled: "Stevie was real worried about playing after he'd gotten sober...he didn't know if he had anything left to offer. Once we got back out on the road, he was very inspired and motivated."[16]
Unlike the group's previous tour, which began three months before the release of Soul to Soul, the Live Alive Tour started five days after Live Alive was released.[25] The tour's beginning, on November 22, 1986, took place at the Towson Center in Towson, Maryland.[24] Shannon later recalled the opening show: "I remember my first gig sober with Stevie and I was terrified, and I looked out there and saw those people...I was thinking God, boy I need a drink – but I went ahead and went out there and went through it."[26] For the opening leg, 22 concerts at auditoriums and indoor arenas were scheduled from November 1986 through January 1987.[27] Tickets for the shows in New York, Atlanta and Sunrise, Florida were sold out.[28]
The second leg of the tour consisted of 25 arena and auditorium shows in the US from January to March 1987.[29] Over a thousand free tickets for an intimate show in Boston were given away through a local radio station, while nearly 20,000 tickets were sold for the concert in Honolulu, Hawaii.[30][31] Three additional North American legs were planned: the third leg from May–July 1987, the fourth leg from August–December 1987, and the fifth leg from March–May 1988.[32] Following a month-long series of performances as the opening act for Robert Plant in May, which included six sold-out shows in Canada and the northeastern US, the band was booked for a European leg that began in the Netherlands on June 19, 1988.[33] While the band had toured Europe every year between 1983 and 1986, they had been absent from the region's tour circuit for almost two years. These would be Vaughan's last concert appearances in Europe.[34] The final leg in the US took place from August–December 1988.[35]
Show overview
Main set
Although Vaughan and Double Trouble did not follow a fixed set list, the band played all thirteen songs from Live Alive at least once during the tour, and as many as eleven of them were included in each of their performances. Shannon later recalled, "He wouldn't tell us what the first song was going to be, and we never even thought about it. We'd just get up there and start playing."[36] Lighting technician Trey Hensley commented on Vaughan's spontaneity and instinctual performances: "...It was never the same show...Stevie didn't believe in following a set list. He would follow where he felt the crowd was. They'd give me a set list, and by song three or four, we'd go left. You never knew what he was going to play until he started the song, which is very challenging for a lighting technician."[37] Hensley continued, "A lot of artists take long breaks between songs. Figure in ninety minutes you'd get thirteen songs, and a lot of us did eleven. They'd let the crowd clap, but Stevie wouldn't. He'd do a song and boom – right into the next song. He didn't wait for the applause to die down. He gave them as many songs as he could in that time frame. You've got to respect a guy for that. I mean, it's tempting to just hold your arms up and take the applause."[37]
The concert usually began with a medley arrangement of two instrumentals, "Scuttle Buttin'" and "Say What!".[38] Vaughan and Double Trouble would then perform mostly older material from Soul to Soul, Couldn't Stand the Weather and Texas Flood, before newer songs were played. During the set, the band frequently included their arrangement of Stevie Wonder's "Superstition".[39] According to Vaughan, their idea to cover the song had been inspired when they began jamming the song during a rehearsal for the Live Alive recordings.[40] "Willie the Wimp" was also performed, which was written by Ruth Ellsworth and Bill Carter after reading a newspaper article about a mobster from Chicago who was buried in a Cadillac-style coffin.[41] Carter, who opened for the band during the fifth leg of the tour in April 1988, collaborated with Double Trouble during an extended break in the fourth leg of the tour, and wrote the song "Crossfire" (the song was ultimately included on Vaughan and Double Trouble's next LP In Step, released in 1989, and became their only number-one hit single).[42] Commencing with the latter portion of the fourth leg, early performances of the song were included in the main set.[43]
Vaughan and Double Trouble often finished their set with "Life Without You" while Vaughan routinely paused in the middle of the song to warn the audience about the dangers of substance abuse.[44] Although Vaughan admitted that speaking to the audience in this fashion made him nervous, he realized the difference between encouragement and preaching.[45]Guitar World′s Bill Milkowski wrote, "...He warns his young audiences about getting caught up in bad habits and making the kinds of mistakes with their lives that he made...he uses "Life Without You" as a moving, musical backdrop to his current crusade against the evils of drugs and alcohol. The fervor of his rap gives Stevie Ray the aura of an evangelist preacher working the crowd. And this is no hollow pitch; he means every word he says, from the bottom of his heart."[46] Vaughan's monologues continued to be an inspiration for fans that struggled with drug and alcohol addictions.[47]
Encore
Hensley recalled that the excitement of concertgoers grew when the encores started: "He was one of those artists where, as an example, after we finished the first of maybe three encores, we'd go black on stage and I'd give 'em a good three or four minutes to wipe down and get a drink or whatever. All I had to do was barely ghost the lights on stage, and people would go nuts! They would start screaming and beating the bleachers or the seating. That's all it took, and they knew he was coming back."[48] Once the encores began, Vaughan and Double Trouble often performed original material such as "Love Struck Baby", "Rude Mood", and "Pride and Joy".[49] They also performed covers including The Isley Brothers' "Testify", Larry Davis' "Texas Flood", Jimmy Reid's "Tin Pan Alley", Lonnie Mack's "Wham!", Albert Collins' "Collins' Shuffle" and "Don't Lose Your Cool"; Guitar Slim's "Letter to My Girlfriend", Jimi Hendrix's "Voodoo Child (Slight Return)" and "Third Stone from the Sun"; and Earl King's "Come On".[50]
Guest appearances
On November 29, 1986, the horn section from Roomful of Blues appeared on-stage in Providence, Rhode Island to perform the encores with the band, which Vaughan and Double Trouble had frequently done for past tours up to that point. Other guest performers on the tour included Colin James, Otis Rush and Vaughan's brother Jimmie Vaughan.[51]
Throughout the tour during performances, Vaughan re-confirmed his blues influences on him and Double Trouble. At the show on April 20, 1988 at Sunrise Musical Theatre, Rush performed the encores with the band. Milkowski wrote that by the time they started playing "Stormy Monday", the audience gave him a well-received response: "Some will no doubt head to their local record stores the next day and peruse the blues bins looking for Otis Rush albums. And for that, Stevie Ray Vaughan deserves credit."[46] For the "Jazz Fest" show on April 22, 1988 in New Orleans, Vaughan invited B.B. King and Albert Collins on-stage for an impromptu jam session of "Texas Flood". Collins performed "Frosty" with the group; he and Vaughan dueted using their contrasting guitar playing styles.[52]
Impact and legacy
Future endeavors
As the tour progressed, Vaughan was longing to work on material for his next LP, but in January 1987, he filed for a divorce from his wife Lenny due to the demise of their relationship, which restricted him of starting any projects until the proceedings were finalized. This prevented him from writing and recording new songs for almost two years. Vaughan commented, "It became more and more apparent that even though we'd separated for a couple of years, if I wrote anything, she wanted at least half of it, minimum. So I quit writing. And when I started to try again it was like I'd write part of a line or one line and go blank."[44] After their divorce became final, Vaughan and Double Trouble began performing new songs during the final leg of the tour, and began rehearsing for their next studio project in October 1988.[53]
The tour's two-year length, then Vaughan and Double Trouble's longest, concluded in December 1988.[54] They then recorded the album In Step, from January to March 1989 at Kiva Studios in Memphis, Tennessee.[55] While Vaughan became self-assured with performing while sober, he initially had doubts about his musical and creative abilities in a recording environment.[56] However, Shannon later recalled that he gained confidence as the sessions progressed: "In Step was, for him, a big growing experience. In my opinion, it's our best studio album, and I think he felt that way, too."[16] Wynans asserted that In Step deviated from the band's earlier recordings: "It was more original material and groove oriented. I like the blues that we put on there, but the other songs were actually songs and not 12-bar blues."[57] Released on June 13, 1989, In Step ultimately became the group's most commercially successful release, selling over half a million copies in the US by early 1990, and was their first to win a Grammy Award.[58] It peaked at number 33 on the Billboard 200, where it spent 47 weeks on the chart.[59] The album was the band's fourth and final studio work before Vaughan's death in a helicopter accident in August 1990.[60]
Tour dates
List of concerts, showing date, city, country, venue/event, and opening act(s)
^Swenson, John (December 5, 1986). "Stevie Ray Vaughan tour; Texas guitarist back out on the road" (Press release). New York. United Press International.
Jarvinen, Brian (December 10, 1986). "Stevie set to rock the Hill". The Michigan Daily. Vol. 97, no. 68. Ann Arbor, Michigan: University of Michigan. pp. 7, 9.
"Holiday Star Theatre newspaper advertisement". Chicago Tribune. December 5, 1986. p. 37.
"What to do, where to go in Central Illinois". The Pantagraph. Bloomington, Illinois. December 13, 1986. p. 5.
Proffitt, Randy (December 15, 1986). "Vaughan, Outlaws shine in concert". The Ball State Daily News. Vol. 66, no. 61. Muncie, Indiana: Ball State University. p. 6.
"Performances: Concerts". The Atlanta Constitution. December 27, 1986. p. 99.
"Showcase". The Tennessean. Nashville, Tennessee. December 28, 1986. p. 106.
Snider, Eric (January 5, 1987). "Guitar wizard brings his magic to Curtis Hixon". St. Petersburg Times. Vol. 103, no. 166. p. 3D.
"Sunrise Musical Theatre newspaper advertisement". South Florida Sun Sentinel. Fort Lauderdale, Florida. January 2, 1987. p. 115.
March 3, 1988: Dutton, Douglas (March 5, 1988). "Vaughn Rocks In Powerful Set". St. Louis Post-Dispatch. p. 5D. Vaughn and his band Double Trouble got expert assistance from the Fabulous Thunderbirds, who got the program off to a rocking start with a high-octane opening set.
March 4–5, 1988: "This Week: Concerts—Rock". Chicago Tribune. March 4, 1988. p. 24. STEVIE RAY VAUGHAN & DOUBLE TROUBLE: With the Fabulous Thunderbirds, 8 p.m. Friday, Saturday; Holiday Star Theatre...
March 6, 1988: Faris, Mike (March 7, 1988). "Vaughan riffs rock the JAR in facility's concert debut". Akron Beacon Journal. p. C9. With his band, Fabulous Thunderbirds, Jimmy opened with an hour-plus of honky-tonkin' rock and blues...
April 2–6, 1988 "Airport joke costs him". The Galveston Daily News. April 7, 1988. p. 7B. The Razorbacks were on an Atlantic Canada tour with blues-rock guitarist Stevie Ray Vaughan.
April 9, 1988: Perry, David (April 11, 1988). "Stevie Ray Vaughan belts out the blues for a sellout crowd". Lowell Sun. p. 17. Opening act Carter, also from Texas, showcased the strong songs from his forthcoming Loaded Dice album...
April 11, 1988: Aleixo, Chris (April 12, 1988). "Stevie Ray Vaughan: Boogie ablaze". The Providence Journal. p. B-06. Another band from Austin, Bill Carter and the Blame, opened the show for Vaughan, and more than held up its end of the concert.
April 13, 1988: "Nightlife". The Philadelphia Inquirer. April 8, 1988. p. 28. Stevie Ray Vaughan & Double Trouble, with Bill Carter. Tower Theater, 69th & Ludlow Sts, Upper Darby...
April 14, 1988: Longsdorf, Amy (April 14, 1988). "Guitar hero Stevie Ray Vaughan is playing more than just notes". The Morning Call. Allentown, PA. p. D13. Stevie Ray Vaughan and Double Trouble, along with Bill Carter and Henry Lee Summer, will appear at 7:30 p.m. today at Stabler Arena, Lehigh University, Bethlehem.
April 15, 1988: McLeod, Harriet (April 14, 1988). "Stevie Ray Vaughan has even the reviewer dancing". Richmond Times-Dispatch. p. A-8. Stevie Ray Vaughan and Double Trouble, with special guests Bill Carter and the Blame, will perform tomorrow at 8 p.m. at the Carpenter Center.
April 17, 1988: Hester, David (April 19, 1988). "Despite delay, Vaughan thrills crowd with blazing blues-rock". The Daily Tar Heel. Chapel Hill, NC. p. 6. The concert was opened by an Austin group called Bill Carter and the Blame.
April 22, 1988: Gilbert, Calvin (April 22, 1988). "New Orleans & all that jazz". The Baton Rouge Advocate. p. 30. Stevie Ray Vaughan/B.B. King/John Hammond, Riverboat President, 7 p.m. and midnight.
April 28, 1988:"C. U. P."Cauldron. 69. Boston: Northeastern University: 82. 1989. The concert in the Spring of 1988 featured Stevie Ray Vaughan with guest John Cafferty.
April 29, 1988: Combs, Kimberly (April 29, 1988). "Spring Party Bands Previewed". The Colgate News. Vol. 24, no. 10. Colgate University. p. 12. Denny Dent will be the opening act for Vaughan and Double Trouble on Fri. at 8:00 in the Starr Rink.
May 1, 1988: Mendlestein, Sam (May 2, 1988). "Stevie takes control of the Party Bowl". The Daily Campus. Vol. 91, no. 120. Storrs, CT: University of Connecticut. p. 1. Not only did the UConn Party Bowl headliners attract the rock/progressive-types who gathered for The Smithereens and the Thumpers' crowd who danced to the music of Force MD's, Stevie Ray Vaughan and Double Trouble wound their southern strings around a cheering audience of music lovers that ranged from Deadheads to metalheads.
May 13, 1988: Burger, T.W. (May 16, 1988). "SRV". The Gettysburg Times. p. 3A. The night began inauspiciously enough, with an acceptable set by Stevie's warm-up band, Little Junior and the Hit Men.
July 10, 1988:"Theaterhaus, Stuttgart July 1988 concert poster". Wearytune.com. 2017. Original first printing concert poster advertising American guitarist and singer Stevie Ray Vaughan at the Theaterhaus in Wangen, Stuttgart [Germany] on Sunday, 10th July, 1988, presented by MAMA Concerts, and with the Hothouse Flowers as special guests.
August 16, 1988: "The Weekend". Poughkeepsie Journal. August 4, 1988. p. 1C. ...Stevie Ray Vaughan with Fabulous Thunderbirds, Aug 16...
August 18, 1988: "Merriweather Post Pavilion 1988 newspaper advertisement". The Baltimore Sun. August 14, 1988. p. 2N. Thursday, August 18 at 7:00 PM – Stevie Ray Vaughan & Double Trouble – Special guests The Fabulous Thunderbirds
August 24, 1988: "Over the Weekend". The Buffalo News. November 28, 1993. The former Fabulous Thunderbirds harp player and singer never left the bars, not even when the T-Birds were playing the Darien Lake Amphitheater on a bill with Stevie Ray Vaughan or when they were opening for Bob Seger at Memorial Auditorium.
August 25, 1988: "Nautica Stage newspaper advertisement". Cleveland Plain Dealer. July 29, 1988. The Fabulous Thunderbirds has been added to the Stevie Ray Vaughan concert Thursday, Aug. 25, at Nautica.
August 26, 1988: Gonzalez, John D. (August 25, 1988). "Other Pine Knob Shows". Lansing State Journal. Stevie and the Fabulous T-Birds perform 7:30 p.m.
August 28, 1988: DeVault, Russ (July 29, 1988). "Tix 'n' Times". Atlanta Journal-Constitution. p. C5. Stevie Ray Vaughan and his Double Trouble band will co-headline with the Fabulous Thunderbirds on Aug. 28 at the Chastain Park amphitheater.
August 30, 1988: "Nostalgia today's specialty at the fair". Southern Illinoisan. Carbondale, IL. August 30, 1988. p. 3. Stevie Ray Vaughan with the Fabulous Thunderbirds, grandstand
September 1, 1988: "This Weekend". The Cincinnati Enquirer. September 1, 1988. p. B7. Riverbend Music Center concerts (8 p.m.): Stevie Ray Vaughan and Double Trouble and Special Guest, The Fabulous Thunderbirds, 8 p.m. today ($14 & $17.50).
September 2, 1988: "This week at a glance". Chicago Tribune. September 2, 1988. p. B7. Stevie Ray Vaughan & Double Trouble with the Fabulous Thunderbirds–Friday, Poplar Creek Music Theatre
September 3, 1988: "Fest has artful array of events". Madison Capital Times. September 2, 1988. Stevie Ray Vaughan and Double Trouble with special guest Fabulous Thunderbirds will rock the festival
September 30, 1988: Toombs, Mikel (October 3, 1988). "Vaughans show their stuff at Sea World". San Diego Union. p. C4. In a sense, the Friday night showcase/showdown was a sibling rivalry between Jimmy [sic] Vaughan, who puts the fabulous into the Fabulous Thunderbirds, and his little brother, Stevie Ray Vaughan.
October 2, 1988: Boehm, Mike (October 4, 1988). "The Guitar Summit Sizzling Soloists Fill Amphitheatre With Frenzied Fretwork, 'Human Music'". Los Angeles Times. p. 8. The Fabulous Thunderbirds, the quintessential American roadhouse band, led off with their straightforward good-time blues songs and rockers.
Hopkins, Craig (October 18, 2011). Stevie Ray Vaughan – Day by Day, Night After Night: His Final Years, 1983–1990. Backbeat Books. ISBN978-1-61774-022-0.
