String Quartet in D major (1829; lost; occasionally mistaken for the Starnberg Quartet, no evidence of the Starnberg Quartet's existence survives)[2][3]
Aria for soprano and orchestra (early 1830?; lost)
28
aria
Scene and Aria for soprano and orchestra (1832; lost)[4]
33
aria
Aria No. 15 (Aubry) "Wie ein schöner Frühlingsmorgen" from the opera Der Vampyr by Heinrich Marschner with a new allegro "Doch jetzt, wohin ich blicke, umgibt mich Schreckensnacht" (1833)[4]
43
aria
"Sanfte Wehmut will sich regen". Aria for bass and orchestra. Excerpt from the opera Mary, Max und Michel by Carl Blum (1837)[4]
Die hohe Braut (c. 1836-42;[4] libretto completed; little to no music composed)[8]
48
komische Oper
Männerlist größer als Frauenlist, oder Die glückliche Bärenfamilie (c. 1838;[4] libretto completed; only three musical numbers completed, all in piano score)
49
Große tragische Oper
Rienzi, der letzte der Tribunen (1837-1840; rev. 1843-1844, 1847)[4]
Gesang am Grabe (Funeral Dirge) (1838-39; lost)[4]
65
vocal orchestral
"Descendons gaiement la courtille". Contribution to the Vaudeville-Ballet-Pantomime La descente de la courtille by Th. Marion Dumersan and Ch.-Désiré Dupeuty, for chorus and orchestra (c. 1841)[4]
68A
choral
Festgesang Der Tag erscheint (1843; male chorus a cappella, TTBB)[4]
68B
choral
Festgesang Der Tag erscheint (c. 1843; male chorus with brass instruments, 4hn, 4tpt, 3 trbn, bass tuba)[4]
^Borchmeyer, Dieter (2003). Drama and the World of Richard Wagner. Princeton University Press. p. 45. ISBN978-0691114972.
Sources
Deathridge J., Geck M. and Voss E. (1986). Wagner Werk-Verzeichnis (WWV): Verzeichnis der musikalischen Werke Richard Wagners und ihrer Quellen ("Catalogue of Wagner's Works: Catalogue of Musical Compositions by Richard Wagner and Their Sources"). Mainz, London, & New York: Schott Musik International.