List of Private Passions episodes (1995–1999)
This is a list of Private Passions episodes from 1995 to 1999. It does not include repeated episodes or compilations.
1995
Date
|
Guest
|
Composer
|
Title
|
Performer / Label
|
15 Apr 1995
|
Elvis Costello
|
Britten
|
Corpus Christi carol (from album 'Grace')
|
|
William Byrd
|
Ye Sacred Muses (rec. 1960)
|
|
Mozart
|
Parto, ma tu ben mio' (from La clemenza di Tito)
|
|
Henry Purcell
|
Fantasia a 4 No. 5 in B-flat Z736
|
|
Schubert
|
Piano Sonata movement (incomplete) D571
|
|
Stravinsky
|
March royale (from 'L'Histoire du Soldat')
|
|
Sigurd von Koch [fi; sv]
|
The Wild Swans
|
|
Kurt Weill
|
My Ship (from 'Miles Ahead')
|
|
22 Apr 1995
|
Germaine Greer
|
Brahms
|
Gesang aus Fingal (4 Songs, Op.17 No.4)
|
|
John Cage
|
Organ Music
|
|
François Couperin
|
L'evaporee (Pieces de clavecin Book 3 5th ordre)
|
|
Handel
|
Heart, the seat of soft delight (from Acis and Galatea)
|
|
Johann Ritter Von Herbeck
|
Pueri concinite
|
|
Jerry Leiber and Mike Stoller
|
Is that all there is?
|
|
Mahler
|
Der Tambourg'sell (from Des Knaben Wunderhorn)
|
|
Schubert
|
Der blinde Knabe D833
|
|
Tomás Luis de Victoria
|
Tenebrae responsories
|
|
29 Apr 1995
|
Simon Russell Beale
|
Bach
|
Kyrie from Mass in B minor
|
|
Duparc
|
Chanson triste
|
|
Gerald Finzi
|
The Salutation' from Dies natalis
|
|
Monteverdi
|
Quia fecit mihi magna (from Magnificat, Vespers, 1610)
|
|
Rachmaninov
|
Cello Sonata (3rd mvmt)
|
|
Ravel
|
Le jardin feerique (6eme tableau) from Ma Mere l'Oye
|
|
Richard Strauss
|
Finale from 'Elektra'
|
|
6 May 1995
|
Denis Healey
|
Puccini
|
In questa reggia (from Turandot)
|
|
Mozart
|
Lachrimosa (from Requiem)
|
|
Richard Strauss
|
Trio from Act III of Der Rosenkavalier
|
|
Bach
|
Gigue from Partita No. 1 in B-flat BWV 825
|
|
Beethoven
|
Finale of Piano Concerto No. 5 (Emperor)
|
|
Rossini
|
Nacqui all'affanno...Non piu mesta (from La Cenerentola)
|
|
Schubert
|
The Shepherd on the Rock
|
|
Beethoven
|
String Quartet Op.130 (5th mvmt, Cavatina)
|
|
13 May 1995
|
Harriet Walter
|
Bach
|
Trio Sonata (2nd mvmt) from 'The Musical Offering'
|
|
Beethoven
|
Symphony No.5 (1st movmt)
|
|
Chopin
|
Nocturne in C sharp minor, Op.27 No.1
|
|
Elgar
|
Cello Concerto (2nd mvmt)
|
|
Monteverdi
|
Beatus vir
|
|
Francis Poulenc
|
Domine Deus (from Gloria)
|
|
Sergei Prokofiev
|
Death of Tybalt (from Romeo and Juliet)
|
|
20 May 1995
|
Terry Waite
|
Chopin
|
Ballade No.1 in G minor
|
|
Elgar
|
Chanson de matin, Op.15 No.2
|
|
Elgar
|
The Dream of Gerontius Part II (Prelude, and 'I went to sleep')
|
|
Gurney
|
Sleep
|
|
J. M. Nicholas
|
Great is he, the Lord eternal arr. B. Davies
|
|
Antonio Carlos Jobim and Gene Lees
|
Quiet Night of Quiet Stars
|
|
Malcolm Boyle
|
Thou, O God, are praised in Sion
|
|
Penderecki
|
Utrenya (from Part II: The Resurrection of Christ)
|
|
Peter Melville Smith
|
Fanfare
|
|
27 May 1995
|
P. D. James
|
Bach
|
Gloria, In terra Pax (from Mass in B minor)
|
|
Gabriel Fauré
|
Agnus Dei and Libera Me (from Requiem)
|
|
Gerald Finzi
|
His Golden Locks (from Farewell to Arms)
|
|
Orlando Gibbons
|
Psalm 145
|
|
Norman Gimbel and Charles Fox
|
Killing me softly with his song
|
|
Handel
|
Dopo notte (from Ariodante)
|
|
Mozart
|
Soave o sia il vento (from Cosi fan tutte)
|
|
Schubert
|
An die Musik
|
|
3 Jun 1995
|
Adam Mars-Jones
|
Bach
|
Chorale Prelude: O Mensch, bewein dein Sunde gross
|
|
Don Van Vliet
|
Hair Pie: Bake 2 (from Trout Mask Replica)
|
|
Carlo Gesualdo
|
Dolcissima mia vita
|
|
Godowsky
|
Study No.27 (on Chopin's Op.25 No.2)
|
|
Pärt
|
Mein Weg hat Gipfel und Wellentaler
|
|
Francis Poulenc
|
Sicilienne & Carillon (from Suite Francaise)
|
|
Max Reger
|
Chorale Prelude: Wachet Auf, Op.67 No.41
|
|
Schubert
|
Lebenssturme, D947
|
|
10 Jun 1995
|
John Nettles
|
Beethoven
|
Symphony No.6 (Pastoral) Finale
|
|
Joseph Canteloube
|
Bailero (from 'Songs of the Auvergne')
|
|
Joan Baez
|
All in Green (from album 'Love Song')
|
|
John Ireland
|
The Island Spell
|
|
Traditional March
|
The Cornish Troubadour (arr. K. polmear)
|
|
Mozart
|
Clarinet Concerto in A K622 (2nd movement)
|
|
Shakespeare and Martin Harris
|
Under the Greenwood Tree
|
|
William Walton
|
Charge and Battle Music (from Henry V film score)
|
|
17 Jun 1995
|
Toyah Willcox
|
Beethoven
|
Symphony No.7 in A (2nd movement)
|
|
Elgar
|
Enigma Variations (no.9, Nimrod)
|
|
Holst
|
Mars (from The Planets)
|
|
Kate Bush
|
no details
|
|
Keith Tippett and Andy Sheppard
|
No.32 from '66 Shades of Lipstick'
|
|
Mozart
|
Serenade for 13 wind instruments in B-flat, K. 361 (2nd mvmt) (from soundtrack of film Amadeus)
|
|
Stravinsky
|
2 Dances from 'The Firebird', 1910
|
|
24 Jun 1995
|
John Mortimer
|
Brahms
|
Symphony No.4 in E minor (3rd movement)
|
|
Irving Berlin
|
Let's face the music and dance
|
|
Johann Strauss II
|
How sad it is (from Die Fledermaus)
|
|
Mozart
|
Sinfonia concertante in E-flat, K. 364 (finale)
|
|
Puccini
|
"E lucevan le stelle" (Tosca, act 3)
|
|
Richard Strauss
|
Beim Schlafengehen
|
|
Rossini
|
Una voce poco fa (from The Barber of Seville, Act I)
|
|
Verdi
|
Dies irae (from Requiem)
|
|
1 Jul 1995
|
Chad Varah
|
Bach
|
Concerto for oboe, violin and strings in C minor, BWV 1060 (2nd mvmt, Adagio)
|
|
William Byrd
|
Agnus Dei (from Mass for 4 voices)
|
|
Domenico Scarlatti
|
Sonata in A minor, Kk54
|
|
Percy Grainger
|
Brigg Fair (arr. for tenor and chorus)
|
|
Handel
|
Date serta (from motet 'Silete Venti' for soprano and orchestra
|
|
Handel
|
Dixit Dominus (Psalm 110) HWV 232
|
|
Erik Satie
|
Gymnopedie No.1 (orch. Debussy)
|
|
Jean Sibelius
|
Flickan kom ifran sin (The maiden's tryst) from 5 Songs, Op.37
|
|
Tchaikovsky
|
Concerto for piano and orchestra no.2 (2nd mvmt)
|
|
8 Jul 1995
|
Simon Jenkins
|
Beethoven
|
Symphony No.7 in A major, Op.92 (4th mvmt)
|
|
Dolly Parton
|
I will always love you
|
|
Scott Joplin
|
Elite Syncopations, arr. J.C. Starkey
|
|
Mozart
|
Piano Concerto No. 27 in B-flat, K. 595 (2nd mvmt)
|
|
Rossini
|
Cujus animam gementem, from Stabat mater
|
|
Erik Satie
|
La belle excentrique
|
|
Schubert
|
Der Hirt auf dem Felsen, D965
|
|
Verdi
|
excerpt from Rigoletto
|
|
15 Jul 1995
|
Bernice Rubens
|
Richard Strauss
|
Beim Schlafengehen (from 4 Letzte Lieder)
|
|
Schubert
|
String Quintet in C major, D956 (2nd mvmt)
|
|
Charles Ives
|
General William Booth Enters into Heaven (excerpt)
|
|
Antonín Dvořák
|
Cello Concerto in B minor, 3rd mvmt
|
|
Mozart
|
Mi tradi quell'alma ingrata, from Act II of 'Don Giovanni'
|
|
Mozart
|
String Quartet in C major, K365 (Dissonance), 2nd mvmt
|
|
22 Jul 1995
|
Alastair Morton
|
Elgar
|
Cello Concerto in E minor (1st mvmt)
|
|
John Matshikiza
|
excerpt from 'King Kong'
|
|
John Rutter
|
For the beauty of the earth, anthem
|
|
Spencer Williams
|
Basin Street Blues
|
|
Stravinsky
|
Disappearance of the Palace and Kaschkei's Enchantments (from Sc 2 of 'The Firebird'
|
|
Verdi
|
Ah! Veglia, o donna, from Act 1 Sc 2 of 'Rigoletto'
|
|
Verdi
|
Vedi come il buon vegliardo
|
|
29 Jul 1995
|
Patricia Hodge
|
Ennio Morricone
|
Gabriel's Oboe (No.2 from film score 'The Mission')
|
|
Leonard Bernstein
|
excerpt from Symphony no.3 ('Kaddish')
|
|
Chopin
|
Polonaise for piano in A-flat major, Op. 53 ("Eroica")
|
|
Gabriel Fauré
|
Libera me (from Requiem, Op.48)
|
|
Mahler
|
Symphony No.5 in C sharp minor (4th mvmt, Adagietto)
|
|
Kurt Weill
|
Girl of the moment (from 'Lady in the Dark')
|
|
Widor
|
Toccata (from Symphony for organ No.5 in F minor)
|
|
5 Aug 1995
|
Jeremy Isaacs
|
Beethoven
|
O namenlose Freude (duet) from Fidelio (1814 version), Act II no.15
|
|
Haydn
|
Kyrie from Mass in D minor (Missa in angustiis)
|
|
Leoš Janáček
|
The Cunning Little Vixen (Act I, Prelude)
|
|
Mozart
|
Symphony No.38 in D, K504 (Prague), 1st mvmt
|
|
Rossini
|
Pourquoi ta presence, from William Tell, Act IV
|
|
Schubert
|
Piano Sonata in B-flat major, D. 960 (1st mvmt)
|
|
12 Aug 1995
|
Irene Thomas
|
Captain Arthur C. Green
|
Sunset (bugle call)
|
|
Britten
|
Moonlight', No.3 of 4 Sea Interludes from 'Peter Grimes'
|
|
Gounod
|
Avant de quitter (Cavatina) from Act II of 'Faust'
|
|
J. H. Hewitt
|
All quiet along the Potomac tonight
|
|
Julia Ward Howe
|
Battle Hymn of the Republic
|
|
Orazio Vecchi
|
Fa una canzona (madrigal)
|
|
Robert Schumann
|
Berg und Burgen schaun herunter, No.7 of 'Liederkreis', Op.24
|
|
Traditional music of Wales
|
Bugeilio'r gwenith gwyn (Watching the white wheat)
|
|
Verdi
|
Tacea la notte placida, from Act I sc 2 of 'Il Trovatore'
|
|
Verdi
|
Tuba mirum, from Requiem
|
|
Wagner
|
Liebestod from Act III of 'Tristan und Isolde'
|
|
26 Aug 1995
|
Albert Roux
|
Bach
|
Gigue from Suite for cello No.3 in C (BWV1009)
|
|
Max Bruch
|
Violin Concerto No.1 in G minor, Op.26 (2nd mvmt)
|
|
Louiguy
|
La vie en rose
|
|
Massenet
|
Si tu veux, Mignonne
|
|
Mozart
|
Requiem aeternam (from Requiem in D minor, K626)
|
|
Puccini
|
Nessun dorma (from Turandot, Act III, sc 1)
|
|
Reynaldo Hahn
|
Offrande
|
|
Camille Saint-Saëns
|
Danse macabre (symphonic poem)
|
|
Wesley Wilson
|
Gimme a Pigfoot
|
|
2 Sep 1995
|
Leopold David de Rothschild
|
Hubert Parry
|
An Ode on the Nativity
|
|
Mozart
|
Menuetto and Trio from Serenade in D major, K203
|
|
Bach
|
Prelude and fugue in A major (from Das wohltemperierte Klavier, Bk 2)
|
|
Francesco Cavalli
|
La Calisto
|
|
Handel
|
Concerto grosso in B minor, Op.6 No.12 (3rd mvmt)
|
|
Meyerbeer
|
Rare flower
|
|
Mozart
|
Concerto for piano and orchestra No. 18 in B-flat major, K. 456 (2nd mvmt)
|
|
Gilbert and Sullivan
|
The sun, whose rays are all ablaze' (from The Mikado, Act II)
|
|
9 Sep 1995
|
Ian Hislop
|
Anonymous work
|
Ayo visto lo mappamundi (15th-century Neapolitan barzeletta)
|
|
Bruckner
|
Symphony No. 4 in E-flat major ("Romantic") 4th mvmt
|
|
Emilio de' Cavalieri
|
O che nuovo miracolo (ballo from 6th Florentine Intermedio, 1589)
|
|
Mickey Newbury
|
An American Trilogy (Dixie/John Brown/All my trials)
|
|
Mozart
|
Overture to 'Le nozze de Figaro', K492
|
|
Giovanni Pierluigi da Palestrina
|
Hodie Christus natus est: motet for 4 voices
|
|
Henry Purcell
|
Crown the altar, deck the shrine, from 'Celebrate this festival' (Birthday Ode for Queen Mary, 1693)
|
|
Tchaikovsky
|
Serenade for string orchestra in C, Op.48 (2nd mvmt, Waltz)
|
|
William Walton
|
Spitfire Music/Battle in the Air (from The Battle of Britain Suite)
|
|
16 Sep 1995
|
Dennis Marks
|
Debussy
|
Arabesque No.1 in E major
|
|
Leoš Janáček
|
The Cunning Little Vixen (Act III, final scene)
|
|
Mahler
|
Ich bin der Welt abhanden gekommen (No.4 of 5 Ruckert-Lieder for voice and orchestra)
|
|
Monteverdi
|
Laetatus sum, from Vespro della Beata Vergine (1610)
|
|
Schubert
|
Trio for piano and strings in E-flat major (Notturno), D. 897
|
|
Michael Tippett
|
Interlude and 2nd mvmt from Concerto for violin, viola, cello and orchestra
|
|
23 Sep 1995
|
Sir Edwin Nixon
|
Leonard Bernstein
|
America (from West Side Story)
|
|
Brahms
|
Academic Festival Overture, Op.80
|
|
Chopin
|
Polonaise in A (Military), Op.40 No.1
|
|
Monteverdi
|
Deus in adjutorium meum intende (Intonation), and Domine ad adjuvandum, from Vespro della Beata Vergine (1610)
|
|
Mozart
|
Credo from Mass in C minor, K427
|
|
Richard Strauss
|
Wiegenlied, Op.41 No.1, for voice and orchestra
|
|
Verdi
|
Orfanella il tetto umile...Figlia! A ta nome (duet from Simon Boccanegra, Act I)
|
|
30 Sep 1995
|
David Hockney
|
Béla Bartók
|
Quartet No.2 (2nd mvmt Allegro molto capriccioso)
|
|
Mozart
|
Bald prangt, den Morgen zu verkunden (from The Magic Flute)
|
|
Ravel
|
Five o clock Foxtrot (from L'enfant et les sortileges)
|
|
Richard Strauss
|
Falcon Aria from Act II of Die Frau ohne Schatten
|
|
Stravinsky
|
Song of the Nightingale (from Le Rossignol)
|
|
Wagner
|
Prelude to Tristan and Isolde
|
|
7 Oct 1995
|
Bamber Gascoigne
|
Berlioz
|
Absence (from les nuits d'ete)
|
|
Babuji
|
dheere chalna
|
|
Verdi
|
E grave il sacrifizio (from La traviata)
|
|
Mozart
|
Finale of Act III, The Marriage of Figaro
|
|
Saverio Mercadante
|
Overture: La testa di bronzo
|
|
Stravinsky
|
Petrushka's Room (from Petrushka)
|
|
Britten
|
The splendour falls (from Serenade, Op.31)
|
|
14 Oct 1995
|
David Pountney
|
Antonín Dvořák
|
Kate and the Devil (Finale of Act I)
|
|
George Gershwin
|
Just another Rhumba
|
|
Leoš Janáček
|
String Quartet No.1 (Kreutzer Sonata) 1st mvmt
|
|
Maxwell Davies
|
Resurrection (from Revivalist Rally)
|
|
Henry Purcell
|
Dance of Fairies/Sing while we trip it/See, even Night herself is here (from The Fairy Queen, Act II)
|
|
Schubert
|
Sonata in A minor D784 (2nd mvmt Andante)
|
|
Shostakovich
|
Can-can.Ophelia's Ditty/Lullaby (from Hamlet)
|
|
21 Oct 1995
|
Dudley Moore
|
Bach
|
Fugue in B minor BWV 544
|
|
Beethoven
|
Symphony No.3 (Eroica), 2nd mvmt
|
|
Chopin
|
Ballade No.1 Op.23
|
|
Mahler
|
In diesem Wetter (from Kindertotenlieder)
|
|
Massenet
|
Meditation (from Thais)
|
|
Mozart
|
Domine Jesu (from Requiem K626)
|
|
Rachmaninov
|
Piano Concerto No.2 in C minor (2nd mvmt)
|
|
Weelkes
|
When David Heard
|
|
28 Oct 1995
|
Elizabeth Esteve-Coll
|
Trad. Sicilian Peasant Songs
|
Bella Ciao
|
|
Trad. Spanish arr. G. Tarrago
|
El Rossinyol
|
|
Mozart
|
Quintet for piano and wind, K452 (Larghetto)
|
|
Britten
|
Sanctus from War Requiem
|
|
Camille Saint-Saëns
|
Softly awakes my heart (from Samson and Delilah)
|
|
Domenico Scarlatti
|
Sonata in D major, Kk490
|
|
Shostakovich
|
Violin Concerto (1st mvmt: Nocturne)
|
|
4 Nov 1995
|
Fiona Shaw
|
Rachmaninov
|
Piano Concerto No.2 in C minor (1st mvmt)
|
|
Britten
|
Adam lay i-bounden (from A Ceremony of Carols)
|
|
Honegger
|
Joan of Arc at the Stake (scene 7 and part of 8)
|
|
John Field
|
Nocturne No.7 in C major
|
|
John Tavener
|
The Protecting Veil (opening mvmt)
|
|
Mozart
|
Mi tradi quell'alma ingrate (from Act II of Don Giovanni)
|
|
Mozart
|
Opening chorus of Requiem
|
|
11 Nov 1995
|
Noel Annan
|
Bach
|
Sanctus (from Mass in B minor)
|
|
Mozart
|
Concerto for flute and harp K299 (2nd mvmt)
|
|
Henry Purcell
|
Chaconne (from The Fairy Queen)
|
|
Henry Purcell
|
Halcyon Days (from The Tempest)
|
|
Schubert
|
Im Fruhling
|
|
Tchaikovsky
|
Eugene Onegin (final scene)
|
|
Kurt Weill
|
Surabaya Jonny (from Happy End)
|
|
18 Nov 1995
|
Jonathan Miller
|
Bach
|
Erbarme dich (from St Matthew Passion)
|
|
Beethoven
|
Piano Concerto No.4 (1st mvmt)
|
|
Leoš Janáček
|
Introduction to 'The Cunning Little Vixen'
|
|
Monteverdi
|
final duet from The Coronation of Poppea
|
|
Mozart
|
Sull'aria' and 'Che soave zeffiretto' (from the Marriage of Figaro)
|
|
Schubert
|
Adagio in E-flat D. 897 (Notturno)
|
|
Spencer Williams
|
Tishomingo Blues (rec.1947)
|
|
Traditional music
|
Rag bilaskhani todi
|
|
25 Nov 1995
|
Charles Rosen
|
Bach
|
Prelude and fugue in C minor, BWV 871 (from 'The 48' Book 2)
|
|
Vincenzo Bellini
|
O rendetemi la speme (from I Puritani)
|
|
Elliott Carter
|
Double Concerto
|
|
Chopin
|
Waltz in C sharp minor, Op.64/2
|
|
John Browne
|
Stabat mater
|
|
Mozart
|
Di scrivermi ogni giorno (Cosi fan tutte)
|
|
Wagner
|
Immolation Scene (from Götterdämmerung)
|
|
Anton Webern
|
Eingang (from 5 Songs on poems by Stefan George, Op.4)
|
|
2 Dec 1995
|
Julian Barnes
|
Berlioz
|
Villanelle (from Les nuits d'ete)
|
|
Georges Brassens
|
Le 22 septembre
|
|
Noël Coward
|
Don't let's be beastly to the Germans
|
|
Gounod
|
Credo (from St Cecilia Mass)
|
|
Mozart
|
Sonata in E-flat, K. 282 (1st mvmt)
|
|
Ravel
|
Blues (from Violin Sonata)
|
|
Erik Satie
|
Gnossienne No.4
|
|
Jean Sibelius
|
Symphony No.4 (1st mvmt)
|
|
9 Dec 1995
|
Marjorie Wallace
|
Annie Fortescue Harrison
|
In the Gloaming
|
|
Chopin
|
Waltz in A Flat, Op.69/1
|
|
Elgar
|
As torrents in spring
|
|
Gabriel Fauré
|
In paradisum (from Requiem)
|
|
Gounod
|
Repentir
|
|
Mahler
|
Adagietto (from Symphony No.5)
|
|
Meredith Willson
|
Till there was You (from The Music Man)
|
|
Puccini
|
recondite armonia (from Tosca)
|
|
Verdi
|
Dinale from La Traviata, Act III
|
|
16 Dec 1995
|
John Bird
|
Bach
|
Prelude in C sharp major (from The 48, Book 1)
|
|
Beethoven
|
Sonata in A, Op.101 (2nd mvmt)
|
|
Boulez
|
Eclat
|
|
Debussy
|
Etude pour les octaves
|
|
Haydn
|
Quartet in B-flat, Op. 76/4 (1st mvmt)
|
|
Arnold Schoenberg
|
3 Pieces for chamber orchestra
|
|
Arnold Schoenberg
|
Herzgewachse
|
|
Robert Schumann
|
Sphinxes; Papillons (from Carnaval)
|
|
Stravinsky
|
Variations – Aldous Huxley in memoriam
|
|
23 Dec 1995
|
Barry Humphries
|
Chabrier
|
L'ile heureuse
|
|
Jean-Michel Damase
|
Variations on the Wedding March
|
|
Frederick Delius
|
they are not long, the weeping and the laughter (Songs of Sunset)
|
|
Percy Grainger
|
On Arrival Platform Humlet
|
|
Ernst Krenek
|
The Farewell Song (from Jonny spielt auf)
|
|
Mompou
|
Damunt de tu nomes les flors
|
|
Edgard Varèse
|
Octandre
|
|
Heitor Villa-Lobos
|
Samba Classico
|
|
1996
Date
|
Guest
|
Composer
|
Title
|
Performer / Label
|
13 Jan 1996
|
Ken Russell
|
Brahms
|
Symphony No.3 (2nd mvmt)
|
|
Elgar
|
Symphony No.2 in E flat (3rd mvmt – Presto)
|
|
Hoagy Carmichael and Johnny Mercer
|
Skylark
|
|
John Adams
|
Grand Pianola Music Part II; On the Dominant Divide
|
|
Milhaud
|
Saudades do Brasil (No.4 Copacabana; No.5 Ipanema, No.6 Gavea)
|
|
Sergei Prokofiev
|
Waltz from War and Peace Symphonic Suite
|
|
Stan Kenton
|
Lover (from Kenton in Hi-Fi)
|
|
20 Jan 1996
|
David Hare
|
Bach
|
Goldberg Variations, Nos. 4–8
|
|
Beethoven
|
Symphony No.7 in A (2nd movement)
|
|
Berlioz
|
La morte de Cleopatre
|
|
Mike Figgis
|
Ben and Sara (theme) (from original soundtrack for 'Leaving Las Vegas')
|
|
Miles Davis
|
Diner au Motel (from album Ascenseur pour l'echafaud)
|
|
Ravel
|
Tzigane
|
|
Stanley Myers
|
Theme from 'Heading Home'
|
|
27 Jan 1996
|
Sian Phillips
|
Giovanni Battista Pergolesi
|
Fac ut ardeat cor meum (from Stabat mater)
|
|
Schubert
|
Impromptu No.3 in G flat, Op.90, D899
|
|
Leonard Bernstein
|
Glitter and be gay (from Candide)
|
|
George Gershwin
|
Bess, you is my woman now (from Porgy and Bess)
|
|
Mozart
|
Porgi amor (from The Marriage of Figaro)
|
|
Mozart
|
Piano Concerto No.19 in F, K459 (1st mvmt)
|
|
3 Feb 1996
|
Sir Isaiah Berlin
|
Bach
|
Brandenburg Concerto No.5 (1st mvmt, Allegro)
|
|
Beethoven
|
String Quartet No.13 in B flat, Op.130 (5th mvmt, Adagio molto espressivo)
|
|
Vincenzo Bellini
|
Casta diva (from Norma)
|
|
Mozart
|
Act II finale from The Marriage of Figaro
|
|
Schubert
|
Piano Sonata in A, D959
|
|
10 Feb 1996
|
Professor Steve Jones
|
Richard Strauss
|
Du geht er hin, der aufgeblasene schlechte Kerl (from Der Rosenkavalier, Act I)
|
|
Steve Reich
|
Tehillim for voice and ensemble (Part II: fast)
|
|
Bach
|
Chaconne (from Partita for violin No.2
|
|
Beethoven
|
String Quartet No.16 in F, Op.135 (2nd movement)
|
|
Monteverdi
|
Sonata sopra Sancta Maria (from Vespro della Beata Vergine)
|
|
Henry Purcell
|
In the midst of life (from Funeral Music for Queen Mary)
|
|
The Ramblers Dance Band
|
Agyanka Dabre
|
|
17 Feb 1996
|
Patricia Routledge
|
Bach
|
Fantasia and Fugue in C minor, BWV 537, Op.86
|
|
Antonín Dvořák
|
2nd mvmt (Lento) from 'American' String Quartet No.12 in F, Op.96
|
|
Gluck
|
Che faro senza Euridice & Dance of the Blessed Spirits (from Orfeo ed Euridice)
|
|
Lennox Berkeley
|
The Lord is my shepherd, Op.91 No.1
|
|
Shostakovich
|
Suite: The Adventures of Korzinkina, Op.59
|
|
Tchaikovsky
|
Variations on a rococo theme for cello and orchestra, Op.33 (Vars IV-VII)
|
|
24 Feb 1996
|
Sir Magdi Yacoub
|
Mozart
|
Fantasia in C K 395
|
|
Bach
|
Ich habe genug (from Cantata No. 82)
|
|
Mozart
|
Lacrimosa (from Requiem)
|
|
Handel
|
Let the bright seraphim (from Samson)
|
|
César Franck
|
Panis angelicus
|
|
Bach
|
Prelude No.1 in C (from Well-Tempered Clavier, Book 1)
|
|
Marc-Antoine Charpentier
|
Te Deum
|
|
Bob Marley
|
Three little birds
|
|
Bach
|
2nd mvmt from Concerto for 2 violins, BWV 1043
|
|
2 Mar 1996
|
James MacMillan
|
Bach
|
Fugue 21 in B flat (Well tempered Clavier, Book 1)
|
|
Beethoven
|
O namenlose Freude (duet from Act II of Fidelio)
|
|
William Byrd
|
Mass for 4 voices (Kyrie)
|
|
John Casken
|
Vaganza (3rd mvmt)
|
|
Messiaen
|
Et expecto resurrectionem mortuorem
|
|
Mozart
|
Clarinet Quintet in A, K581 (1st mvmt)
|
|
Traditional music
|
MacCrimmon's Lament
|
|
Ustvolskaya
|
Composition No.3 (Benedictus qui venit)
|
|
Wagner
|
Prelude & Opening Scene of Götterdämmerung
|
|
9 Mar 1996
|
Michael Ignatieff
|
Bach
|
Italian' Concerto in F, BWV 971 (3rd mvmt, Presto)
|
|
Beethoven
|
Piano Concerto No.4 in G (2nd mvmt, Andante con moto)
|
|
George Gershwin
|
Summertime (from Porgy and Bess)
|
|
Hoagy Carmichael
|
Stardust
|
|
Mahler
|
4th mvmt (Urlicht) from Symphony No.2 in C minor (Resurrection)
|
|
Arnold Schoenberg
|
Verklarte Nacht
|
|
Schubert
|
Trout Quintet in A major (3rd mvmt – Scherzo)
|
|
16 Mar 1996
|
John Peel
|
Gregorio Allegri
|
Miserere
|
|
Max Bruch
|
Violin Concerto in G minor, Op.26 (2nd mvmt)
|
|
Conlon Nancarrow
|
Study for Player-Piano No.21
|
|
George Gershwin
|
Rhapsody in Blue
|
|
Louis Moreau Gottschalk
|
Ojos Criollos, Danse cubaine
|
|
Neil Young
|
Rockin' in the Free World
|
|
Camille Saint-Saëns
|
Piano Concerto No.2 in G minor, Op.22 (3rd mvmt – Presto)
|
|
23 Mar 1996
|
Colin Davis
|
Beethoven
|
Fugue from Credo (Missa solemnis, Op.123)
|
|
Berlioz
|
Les Troyens (Act III finale)
|
|
Britten
|
Act I sc 2 from Peter Grimes
|
|
Bruckner
|
Symphony No.6 in A major (2nd mvmt)
|
|
Mozart
|
String Trio in E flat, K563 (2nd mvmt, Adagio)
|
|
Michael Tippett
|
Act II, sc 3 from The Midsummer Marriage
|
|
30 Mar 1996
|
Carl Davis
|
Monteverdi
|
Messenger's Aria (from Orfeo)
|
|
Schubert
|
Moment Musical in F minot D.780/3
|
|
Mozart
|
Quintet in G minor, K.516 (3rd movt – Adagio ma non troppo)
|
|
Paul McCartney and Carl Davis
|
The world you're coming into (from Liverpool Oratorio)
|
|
Richard Strauss
|
Wiegenlied Op.41/1
|
|
Bach
|
Overture – 1st part (from Suite No. 3 in D)
|
|
Leonard Bernstein
|
Danzon (3rd Dance Variation from Fancy Free)
|
|
Carl Davis
|
Pride and Prejudice – Opening Titles
|
|
Puccini
|
Chi il bel sogno di Doretta (from La Rondine)
|
|
William Walton
|
Spitfire Music (from Battle of Britain Suite)
|
|
6 Apr 1996
|
Sir David Attenborough
|
Britten
|
The Pagodas (from The Prince of the Pagodas Act 2 Scene 2)
|
|
Duke Ellington
|
Stompy Jones
|
|
Handel
|
And the Glory of the Lord (Messiah)
|
|
Mahler
|
Ich bin der Welt abhanden gekommen
|
|
Monteverdi
|
1st Versicle and Response (Vespers of 1610)
|
|
Mozart
|
Soave o si'il vento (Gentle be the breeze) 0 from Act 1 of Cosi fan Tutte
|
|
Domenico Scarlatti
|
Sonata in G Major Longo 209
|
|
Thomas Tomkins
|
When David Heard
|
|
13 Apr 1996
|
Jilly Cooper
|
Beethoven
|
Quintet in E flat (1st movt – Allegro)
|
|
Brahms
|
Hungarian Dance No.3 in F arr. Joachim
|
|
Britten
|
Sentimental Sarabande (from Simple Symphony, Op 4)
|
|
Chopin
|
Andantino (from Fantasia on Polish airs, Op. 13)
|
|
Gilbert and Sullivan
|
Now, Marco dear (from The Gondoliers)
|
|
Mozart
|
Ah! taci, ingiusto core (from Don Giovanni)
|
|
Richard Strauss
|
Ein Heldenleben (closing section)
|
|
Richard Strauss
|
Night and Sunrise (from Ein Alpensinfonie)
|
|
20 Apr 1996
|
Juliet Stevenson
|
Schubert
|
Arpeggione Sonata, D.821 (1st movt – allegro moderato)
|
|
Richard Strauss
|
Beim Schlafengehen (from Four Last Songs)
|
|
Bach
|
Und von der sechsten Stunde + Wenn ich einmal soll scheiden (from St Matthew Passion)
|
|
Britten
|
Scene 8 (from The Turn of the Screw Act I)
|
|
James MacMillan
|
Sanctus (from Busqueda)
|
|
Leonard Cohen
|
Famous Blue Raincoat
|
|
Mike Reid and Allen Shamblin
|
I can't make you love me
|
|
27 Apr 1996
|
Simon Callow
|
Bizet and Oscar Hammerstein II
|
De cards don'lie'/'Dat ol'Boy (Carmen Jones)
|
|
Cole Porter
|
In the still of the night
|
|
John White
|
Waltz from incidental music to Les Enfants du Paradis
|
|
Kevin Malpass
|
Music from "Shades"
|
|
Mahler
|
Symphony no 8 – final section of part 2
|
|
Mozart
|
Adagio (Serenade in B flat K 361)
|
|
Sergei Prokofiev
|
2nd mvmt from Violin Concerto no 2 in G minor
|
|
Camille Saint-Saëns
|
Mon coeur s'ouvre a ta voix' (Samson and Delilah)
|
|
4 May 1996
|
Ernst Gombrich
|
Mozart
|
Laudate Dominum (from Vesperae Solennes de Confessore, K 339)
|
|
Mozart
|
Quartet in B flat major, K 458 (3rd movt – Adagio)
|
|
Haydn
|
Qui tollis peccata mundi (from the Nelson Mass)
|
|
Schubert
|
Sonata in G major, D 894 (3rd movt – Menuetto)
|
|
Beethoven
|
Sonata No 8 in G major, Op. 30/3 (last movt – Allegro Vivace)
|
|
Bach
|
Concerto in E major, BWV 1042 (2nd mvt – Adagio)
|
|
Beethoven
|
Quartet No 13 in B flat major, Op. 130 (3rd movt – Andante con moto, ma non troppo)
|
|
11 May 1996
|
Joanna Trollope
|
Britten
|
Dawn (from Four Sea Interludes from Peter Grimes)
|
|
Gabriel Fauré
|
In Paradisum (from Requiem)
|
|
George Gershwin
|
Summertime (from Porgy and Bess)
|
|
Górecki
|
Symphony No. 3 (opening of 3rd movt)
|
|
Mozart
|
Laudamus Te (rom Mass in C minor, K427)
|
|
Rodgers and Hart
|
Manhattan
|
|
Telemann
|
Concerto in D for three trumpets (1st + 2nd movts)
|
|
Ralph Vaughan Williams
|
Fantasia on a Theme by Thomas Tallis
|
|
18 May 1996
|
Oz Clarke
|
Bach
|
O Mensch, bewein dein Sünde gross (from St Matthew Passion)
|
|
Jerry Leiber and Mike Stoller
|
King Creole
|
|
Puccini
|
Che gelida manina (from La Bohème)
|
|
Henry Purcell
|
When I am laid in earth (from Dido and Aeneas)
|
|
Leo Robin and Ralph Rainger
|
Thanks for the Memory (from The Mitford Girls)
|
|
Stephen Sondheim
|
There was a Barber and his Wife (from Sweeney Todd)
|
|
Stephen Oliver
|
The Battle of Pelennor Fields (from The Lord of the Rings)
|
|
Tom Waits
|
The Piano has been drinking (not me)
|
|
Traditional music
|
She moved through the fair
|
|
25 May 1996
|
Anthony Storr
|
Bach
|
Menuets I & II from Partita no 1 in B flat
|
|
Chopin
|
Nouvelles Etudes nos 1 & 2
|
|
Duparc
|
L'invitation au voyage
|
|
Handel
|
Organ Concerto in B flat major op 4 no 2 Allegro (2nd movt)
|
|
Haydn
|
Adagio from Quartet in F minor
|
|
Liszt
|
Unstern-Sinistre
|
|
Mozart
|
4th mvt Allegro from String quintet in C
|
|
Schubert
|
Abschied (Schwanengesang D957)
|
|
1 Jun 1996
|
Joe Melia
|
Beethoven
|
String Quartet in E flat major Op. 127 (3rd mvt – Scherzando vivace)
|
|
Britten
|
Elegy (from Serenade for Tenor, Horn and Strings)
|
|
Liszt
|
Les Preludes
|
|
Frank Loesser
|
Overture and Racetrack Trio (from Guys and Dolls)
|
|
Richard Strauss
|
Moonlight Music (from the last scene of Capriccio)
|
|
Verdi
|
Falstaff (opening of Act II)
|
|
Wagner
|
Hagen summons the Gibichung (from Götterdämmerung Act II)
|
|
Bert Williams and Will Vodery and Jean C. Havez
|
The Darktown Poker Club
|
|
8 Jun 1996
|
Carmen Callil
|
Stephen Foster
|
Ah! may the red rose live alway
|
|
Richard Strauss
|
Beim Schlafengehen (from Four Last Songs)
|
|
Schubert
|
String Quintet in C, D.956 (2nd movt – Adagio)
|
|
Vincenzo Bellini
|
Prendi: l'anel ti dono (from La Sonnambula)
|
|
Denham Harrison and Richard Elton
|
Give me a Ticket to Heaven
|
|
Jerome Kern
|
Can't help loving that man
|
|
Traditional music
|
Tantum Ergo
|
|
Verdi
|
Dio, che nell'alma infondere amor (from Don Carlo)
|
|
15 Jun 1996
|
Oliver Knussen
|
Berlioz
|
Ride to the Abyss (from The Damnation of Faust)
|
|
Britten
|
Apparition of the Spirit (from Curlew River)
|
|
Busoni
|
Berceuse Elegiaque (opening)
|
|
Elliott Carter
|
A celebration of some 100 x 150 notes
|
|
Mussorgsky
|
Opening of Act II of Boris Godunov
|
|
Pérotin
|
Viderunt Omnes (opening)
|
|
Ravel
|
Valses Nobles et sentimentales (conclusion)
|
|
Arnold Schoenberg
|
Orchestral Interlude from Gurrelieder
|
|
Stravinsky
|
Four Russian Peasant Songs
|
|
Stravinsky
|
Movements for piano and orchestra No.4
|
|
Tchaikovsky
|
Pas d'Action (from The Sleeping Beauty)
|
|
22 Jun 1996
|
Ian McEwan
|
Britten
|
Near the Black Mountains there I dwelt (Curlew River)
|
|
Jonnie Johnson and Keith Richards
|
Tanqueray
|
|
Mozart
|
Adagio ma non troppo (from Quintet for strings in G minor)
|
|
Henry Purcell
|
Funeral Sentence – "Man that is born of a woman"
|
|
Bach
|
Goldberg Variations – variation 11
|
|
Wynton Marsalis
|
Hesitation
|
|
Lennox Berkeley
|
Sonatina – 2nd mvt
|
|
Bach
|
3 part invention in C minor
|
|
Leonard Cohen
|
Hallelujah
|
|
29 Jun 1996
|
Sir Robin Knox-Johnston
|
Julian Slade
|
We said we wouldn't look back from Salad Days
|
|
Handel
|
Allegro and Hornpipe from Water Music Suite in D major
|
|
Rodgers and Hammerstein
|
Everything's up to date in Kansas city (from Oklahoma)
|
|
Grieg
|
Excerpt from first movement of Piano Concerto
|
|
Tchaikovsky
|
Fantasy overture "Romeo and Juliet"
|
|
Jean Sibelius
|
Finlandia
|
|
Benny Goodman
|
Sing, sing, sing
|
|
Acker Bilk
|
Stranger on the Shore
|
|
Gilbert and Sullivan
|
Where is the plaintiff followed by chorus Comes a broken lover from Trial by Jury
|
|
6 Jul 1996
|
David Sylvester
|
Harrison Birtwistle
|
Tenebrae (Three Settings of Celan for soprano and 5 instruments)
|
|
Guillaume De Machaut
|
Gloria (Messe de Notre Dame)
|
|
Henry Purcell
|
Hark, each Tree (Ode on St Cecilia's Day 1692)
|
|
Beethoven
|
Mir ist so wunderbar (Quartet from Fidelio Act 1)
|
|
Chopin
|
Prelude in E minor
|
|
Bach
|
Recit: "Die Welt, das Sundenhaus" & Aria: "Wie jammern mich doch die verkehrten Herzen" (Cantata no 170 "Vergnugte Ruh, Beliebte Seelenlust")
|
|
Bach
|
Fugue from "The Musical Offering"
|
|
14 Sep 1996
|
Marina Warner
|
Lewis Allan
|
Strange Fruit
|
|
Antonín Dvořák
|
Cello Concerto (1st movt)
|
|
John Adams
|
Night Chorus (from The Death of Klinghoffer)
|
|
John Woolrich
|
The Turkish Mouse
|
|
Monteverdi
|
Il Combattimento di Tancredi e Clorinda (conclusion)
|
|
Ravel
|
Le Jardin Féerique (from Ma mère l'oye)
|
|
Schubert
|
Gretchen am Spinnrade
|
|
Stravinsky
|
Airs by a stream (from L'Histoire du Soldat)
|
|
21 Sep 1996
|
Nigel Rees
|
John Gay
|
Virgins are like the Fair Flower (from The Beggar's Opera)
|
|
Haydn
|
Kyrie (from the Nelson Mass)
|
|
Felix Mendelssohn
|
Overture – Ruy Blas
|
|
Mozart
|
Piano Concerto in D minor K.466 (2nd mvt – Romance)
|
|
Rachmaninov
|
Prelude in C♯ minor arr. Wood
|
|
Alexander Scriabin
|
Etude in C♯ minor Op. 2 No.1
|
|
Tchaikovsky
|
Gremin's Aria (from Eugene Onegin, Act III Scene 2)
|
|
28 Sep 1996
|
Tessa Blackstone
|
Wagner
|
Prelude to Die Meistersinger
|
|
Stravinsky
|
The Tresses (Tableau 1 from Les Noces)
|
|
Mozart
|
Voi che sapete (from Le Nozze di Figaro)
|
|
Tchaikovsky
|
Waltz (from The Sleeping Beauty), Act 1)
|
|
Beethoven
|
Symphony No. 8 in F, Op 93 (4th movt – Allegro vivace)
|
|
Jerome Kern
|
Pick yourself up
|
|
Mahler
|
Der Abschied (Das Lied von der Erde)
|
|
Mozart
|
Violin Concerto no. 3 in G, K.216 (3rd movt – Rondo, allegro)
|
|
5 Oct 1996
|
Craig Raine
|
Mussorgsky
|
Ballet of the chicks in their shells (from Pictures at an Exhibition) arr. Yamashita
|
|
Bizet
|
Beat out dat rhythm on a drum
|
|
Handel
|
Ev'ry valley shall be exalted (from Messiah)
|
|
Haydn
|
Kyrie (from Missa in tempore belli)
|
|
Charles Ives
|
Memories (Very Pleasant: Rather Sad)
|
|
Mahler
|
Wenn dein Mütterlein (from Kindertotenlieder)
|
|
Puccini
|
Tosca (conclusion of Act 2)
|
|
Shel Silverstein
|
Sylvia's Mother
|
|
Stravinsky
|
Royal March (from The Soldier's Tale)
|
|
Tchaikovsky
|
Chinese Dance (from The Nutcracker)
|
|
12 Oct 1996
|
George Melly
|
Cole Porter
|
Let's do it
|
|
Gilbert and Sullivan
|
Take a pair of sparkling eyes (from The Gondoliers)
|
|
Edward Heyman and Robert Sour and Frank Eyton and Johnny Green
|
Body and Soul
|
|
Max Miller
|
Here's a funny thing (from Max at the Met)
|
|
Ottorino Respighi
|
Prologue (from The Birds)
|
|
Erik Satie
|
Airs à faire fuir
|
|
Sidney Bechet
|
Egyptian Fantasy
|
|
Stravinsky
|
Danse Sacrale (from The Rite of Spring)
|
|
William Walton
|
Popular Song (from Façade Suite)
|
|
19 Oct 1996
|
Paul Bailey
|
Bach
|
Nun komm', der Heiden Heiland, BWV 659 arr.Busoni
|
|
Trad. Arr. Maurice Jacobson
|
Ca' the yowes arr. Jacobson
|
|
Alban Berg
|
Interlude – Invention on a key (D minor) (from Wozzeck)
|
|
Brahms
|
Sonata No. 1 in G Op. 78 (1st movt. – Vivace ma non troppo)
|
|
Leoš Janáček
|
S Bohem, rodný kraju (from The Diary of one who disappeared)
|
|
Mozart
|
Porgi amor (from Le Nozze di Figaro)
|
|
Schubert
|
Der Leiermann (from Die Winterreise)
|
|
Verdi
|
Dio, che nell' alma infondere amor (from Don Carlos)
|
|
26 Oct 1996
|
Hermione Lee
|
Bach
|
Courante (from Cello Suite No. 3 BWV 1009)
|
|
Beethoven
|
Quartet in B flat, Op 130 (5th mvt – Cavatina)
|
|
Britten
|
Parade + Départ (from Les illuminations)
|
|
Haydn
|
Et Resurrexit (from Theresienmesse)
|
|
Leoš Janáček
|
Quartet No. 2 – Intimate Letters (2nd movt – Adagio)
|
|
Mozart
|
Cosa mi narri + Sull'aria (from Le Nozze di Figaro)
|
|
Schubert
|
Sonata in A, D.959 (2nd mvt – Andantino)
|
|
Verdi
|
Falstaff (beginning of Act I, Scene 2)
|
|
2 Nov 1996
|
Genista McIntosh
|
Heinrich Ignaz Franz Biber
|
Sonata & Die liederliche Gesellschaft von allerley Humor (drunken part writing) – 1st 2 mvmts from Battalia à 10
|
|
Mozart
|
Laudamus te (Mass in C minor)
|
|
Sergei Prokofiev
|
1st mvmt – Piano Concerto no 1 in D flat op 10
|
|
Puccini
|
Signore, ascolta ... (Act 1, Turandot)
|
|
Rodgers and Hart
|
Ten Cents a Dance
|
|
Rossini
|
Kyrie (Petite Messe Solennelle)
|
|
Stravinsky
|
(O God, protect dear Tom ...) I go, I go to him (end of Act 1, The Rake's Progress)
|
|
Guy Woolfenden
|
Come unto these yellow sands (The Tempest)
|
|
9 Nov 1996
|
Cleo Laine
|
Carroll Coates
|
Love comes and goes
|
|
Gabriel Fauré
|
En Sourdine
|
|
George Gershwin
|
Soon
|
|
Robert Herrick and Edward Purcell
|
Passing by
|
|
Horace Silver
|
Ecaroh
|
|
John Dankworth
|
Sinners Rue
|
|
John Rutter
|
What sweeter music
|
|
Eddie Sauter
|
Pan
|
|
Stephen Sondheim
|
Not a day goes by (Symphonic Sondheim)
|
|
Vivaldi
|
Spring – 1st mvmt
|
|
16 Nov 1996
|
Dr. Oliver Sacks
|
Schubert
|
Der Müller und der Bach (Die Schöne Müllerin)
|
|
Stravinsky
|
Infernal Dance & Berceuse (Firebird Suite)
|
|
Mozart
|
Part of final scene (Don Giovanni)
|
|
Bach
|
Final chorus (St John Passion)
|
|
Chopin
|
Mazurka: op 7 no 1 in B flat
|
|
Mozart
|
Andante – 2nd mvmt (Sinfonia Concertante in E flat for violin, viola and orchestra K 364)
|
|
23 Nov 1996
|
Sir John Drummond
|
Alban Berg
|
Die Nachtigall (from Seven Early Songs)
|
|
Bortnyansky
|
Songs of the Cherubim No 7 (conclusion)
|
|
Chopin
|
Sonata No 3 in B minor, Op. 58
|
|
Haydn
|
Symphony No 49 in F minor – "La Passione"
|
|
Jerome Kern
|
The Way you look Tonight
|
|
Francis Poulenc
|
La Reine des Mouettes (from Métamorphoses)
|
|
Percy Bysshe Shelley
|
Ode to the West Wind
|
|
Stravinsky
|
Les Noces (Second tableau)
|
|
Verdi
|
Macbeth/Banquo duet (from Macbeth, Act I, Scene I)
|
|
30 Nov 1996
|
Eleanor Bron
|
Béla Bartók
|
Bluebeard's Castle (Doors 4 & 5)
|
|
Chopin
|
Etude in A flat op 25 no 1
|
|
César Franck
|
Piano quintet (3rd movement)
|
|
Gerry Mulligan
|
Utter Chaos
|
|
Francis Poulenc
|
Villageoises (Petites Pièces enfantines)
|
|
Ottorino Respighi
|
Pines of Rome (mvmts 1) I pini di Villa Borghese
|
|
Schubert
|
Im Frühling
|
|
7 Dec 1996
|
Malcolm Bradbury
|
Bach
|
Brandenburg Concerto No 4 (1st mvt – Allegro)
|
|
Leonard Bernstein
|
The best of all possible worlds (from Candide)
|
|
Joseph Canteloube
|
Baïlèro (from Chants d'Auvergne)
|
|
Aaron Copland
|
Simple Gifts
|
|
Antonín Dvořák
|
Serenade for strings (1st mvt – Moderato)
|
|
Michael Nyman
|
The Disposition of the Linen (from The Draughtsman's Contract)
|
|
Mozart
|
Oboe Concerto in C K.314 (1st mvt – Allegro aperto)
|
|
Reicha
|
Clarinet Quintet Op 107 (2nd mvt – Andante siciliano)
|
|
14 Dec 1996
|
Alan Hollinghurst
|
Thomas Adès
|
Maid's Champagne Aria (Powder Her Face)
|
|
Leoš Janáček
|
3rd movement, String Quartet no 2 "Intimate Letters"
|
|
Mahler
|
Symphony no 3 – 1st movement opening
|
|
Mozart
|
"E Susanna non vien! ... Dove sono i bei momenti" : (The Marriage of Figaro, act 3)
|
|
Robert Schumann
|
Movements from 'Carnival' – 'Papillons', 'Lettres dansantes', 'Chiarina, 'Chopin', 'Estrella'
|
|
Ralph Vaughan Williams
|
Scene 3 – Minuet of the Sons of Job and Their Wives – Job (A Masque for Dancing)
|
|
Wagner
|
O sink hernieder' (Tristan and Isolde Act 2)
|
|
21 Dec 1996
|
Sir Claus Moser
|
Monteverdi
|
Deus in adjutorium (fromVespers)
|
|
Schubert
|
Gute Nacht (from Winterreise)
|
|
Schubert
|
Moment Musical No 3 in F minor, D 780
|
|
Mozart
|
Piano Concerto No 23 in A, K 488 (2nd mvt – Adagio)
|
|
Beethoven
|
Quartet in C, Op 59/3 (4th mvt – Allegro molto)
|
|
Mozart
|
Riconosci in quest'amplesso (from Le Nozze di Figaro, Act 3)
|
|
Wagner
|
Wotan's Farewell (from Die Walküre)
|
|
Beethoven
|
Fuga – Allegro ma non troppo (from Sonata in A flat, Op 110)
|
|
28 Dec 1996
|
Dame Edna Everage
|
Henry Bishop
|
Home sweet home
|
|
Carl Davis
|
Why do we love Australia (from The Last Night of the Poms)
|
|
Charles Williams
|
The Dream of Olwen
|
|
Percy Grainger
|
The Gum-suckers' March (from In a Nutshell)
|
|
John Antill
|
A Rain Dance (from Corroboree)
|
|
Aram Khachaturian
|
Sabre Dance
|
|
Lehár
|
Girls were made to love and kiss (from Paganini)
|
|
May Brahe
|
Bless this house
|
|
Henry Purcell
|
Nymphs and Shepherds
|
|
Rutland Boughton
|
Faery Song (from The Immortal Hour)
|
|
William Garret James
|
Bush Night Song
|
|
1997
Date
|
Guest
|
Composer
|
Title
|
Performer / Label
|
4 Jan 1997
|
David Malouf
|
Richard Strauss
|
Metamorphosen for 23 solo strings (end)
|
|
Schubert
|
Wandrers Nachtlied II
|
|
Bach
|
Fugue No.24 in B minor, BWV 869 (from The Well-Tempered Clavier)
|
|
Chopin
|
Waltz No. 10 in B minor, Op.69 No.2
|
|
Haydn
|
Andante from String Quartet in F minor, Op.77 No.2
|
|
Mozart
|
Tutto e tranquillo e placido – Gente, gente, all'armi
|
|
5 Apr 1997
|
Roger Scruton
|
Bach
|
Double Concerto in D minor. BWV 1043 (1st mvt – Vivace)
|
|
Samuel Barber
|
Knoxville: Summer of 1915
|
|
Alban Berg
|
Violin Concerto (conclusion)
|
|
Brahms
|
Geistliches Wiegenlied, Op 91/2
|
|
Leoš Janáček
|
Sinfonietta (conclusion)
|
|
Schubert
|
Symphony no.9 in C (Trio from the scherzo)
|
|
Tomás Luis de Victoria
|
Caligaverunt oculi mei – Si est dolor – O vos omnes (from Tenebrae Responsories)
|
|
Wagner
|
Brunnhilde pleads with Wotan (from Die Walkure)
|
|
12 Apr 1997
|
John Tusa
|
Alexander Vasilyevich Alexandrov
|
USSR National Anthem (part)
|
|
Beethoven
|
Quartet (Rasumovsky) op 59 no 3 – Finale
|
|
Antonín Dvořák
|
Piano Quintet in A op 81
|
|
Schubert
|
Liebesbotschaft (Love's Message) – from Schwanengesang
|
|
Schubert
|
Piano Sonata in B flat opus post. D 960 3rd mvt Scherzo (Allegro vivace con delicatezza)
|
|
Robert Schumann
|
Toccata op 7
|
|
Verdi
|
Di quella pira – (II Trovatore, Act III)
|
|
Verdi
|
Rodrigo's (Marchese di Posa) death scene from Don Carlos (Act 4 Scene 2)
|
|
19 Apr 1997
|
Lord Armstrong
|
Bach
|
Jesu, meine freude BWV 227 (Gute Nacht....)
|
|
William Byrd
|
Justorum animae
|
|
Handel
|
Fugue in C minor (op 3 no 6)
|
|
Felix Mendelssohn
|
Piano trio in C minor (Finale – Allegro appassionato)
|
|
Mozart
|
Quintet for piano and wind K452 (2nd mvt)
|
|
Richard Strauss
|
Capriccio – Moonlight music from last scene
|
|
Ralph Vaughan Williams
|
A Sea Symphony – Scherzo: The Waves
|
|
Peter Warlock
|
Sleep
|
|
26 Apr 1997
|
Adam Phillips
|
Boulez
|
...explosante-fixe...
|
|
Bob Dylan
|
Tangled up in Blue
|
|
Arnold Bax
|
Nonet
|
|
Billy Myles
|
Have you ever loved a woman
|
|
Leoš Janáček
|
Con moto (1st mvt – Quartet no 1 Kreutzer)
|
|
Lucinda Williams
|
Lines around your eyes
|
|
Robert Schumann
|
Fantasiestuck op 12 (Des Abends)
|
|
Wagner
|
Prelude to Das Rheingold
|
|
Anton Webern
|
5 pieces for orchestra op 10
|
|
3 May 1997
|
Siobhan Davies
|
Bach
|
Contrapunctus I (from The Art of Fugue)
|
|
Gavin Bryars
|
Three Elegies for Nine Clarinets (No.2)
|
|
Gerald Barry
|
Flamboys (conclusion)
|
|
Handel
|
Se m'ami, oh caro (from Aci, Galatea e Polifemo)
|
|
Kevin Volans
|
Third Dance (from White Man Sleeps)
|
|
Domenico Scarlatti
|
Sonata in B minor
|
|
Steve Reich
|
Clapping Music
|
|
Stravinsky
|
Les Noces (conclusion)
|
|
10 May 1997
|
Sir Roy Strong
|
Elgar
|
Symphony No 1
|
|
Johann Strauss Jr.
|
Klänge der Heimat – Czardas (from Die Fledermaus)
|
|
Thomas Morley
|
It was a lover and his lass
|
|
Sergei Prokofiev
|
Love Scene (from Romeo and Juliet Act 1)
|
|
Puccini
|
Closing Quartet (from La Bohème Act III)
|
|
Henry Purcell
|
Fairest Isle (from King Arthur)
|
|
Richard Strauss
|
Countess's Reverie (from last act of Capriccio)
|
|
Tchaikovsky
|
Journey Sequence (from Act II of Nutcracker)
|
|
17 May 1997
|
Paul Daniel
|
Bach
|
Aus Liebe will mein Heiland sterben (from St Matthew Passion)
|
|
Beethoven
|
Sonata in A flat Op 110 (1st mvt)
|
|
Alban Berg
|
Act II, Scene 3 (from Wozzeck)
|
|
David Bowie
|
Fame (from the Stage album)
|
|
Monteverdi
|
Possente Spirto (from L'Orfeo)
|
|
Rodgers and Hammerstein
|
June is bustin' out all over
|
|
Schubert
|
Heimliches Lieben
|
|
24 May 1997
|
Peter Shaffer
|
Felix Mendelssohn
|
Octet Op.20 (conclusion of 1st mvt) arr. Toscanin
|
|
Shakespeare
|
Deposition Scene (from Richard II)
|
|
Mozart
|
Piano Concerto in G, K 453 (3rd mvt – Allegretto)
|
|
Verdi
|
Si, pel ciel (from Otello)
|
|
Rossini
|
Zitto, zitto: piano, piano (from Cenerentola – Act I)Luigi Alva (Don Ramiro)/Renato Capecchi
|
|
Britten
|
Since she whom I loved (from Holy Sonnets of John Donne)
|
|
Handel
|
Eternal source of light Divine (from Ode for the Birthday of Queen Anne)
|
|
Marc Wilkinson
|
Chant of Resurrection – Final Lament (from The Royal Hunt of the Sun)
|
|
Mozart
|
Kyrie (from Mass in C minor, K427)
|
|
31 May 1997
|
Richard Eyre
|
Bach
|
Suite no 1 in G, BWV 1007 (1st & 2nd mvts -Prelude & Allemande)
|
|
Chuck Berry
|
School Day
|
|
Sam Coslow and Arthur Johnston
|
My Old Flame
|
|
Miles Davis
|
So What (from Kind of Blue)
|
|
Mozart
|
Fantasia in C minor
|
|
Arnold Schoenberg
|
Verklãrte Nacht (conclusion)
|
|
Jean Sibelius
|
Symphony No.5 (3rd mvt – conclusion)
|
|
Verdi
|
Sanctus (from Requiem)
|
|
7 Jun 1997
|
Michael Grade
|
Beethoven
|
Missa Solemnis (Benedictus – part)
|
|
Billy Strayhorn
|
Chelsea Bridge
|
|
Max Bruch
|
Kol Nidre
|
|
Richard Strauss
|
Traum durch die Dämmerung
|
|
Jean Sibelius
|
Vivacissimo (3rd mvt – Symphony no.2)
|
|
Stephen Sondheim
|
The Worst Pies in London (Sweeney Todd)
|
|
Wagner
|
Siegfried (end of final scene)
|
|
14 Jun 1997
|
Baroness Warnock
|
Bach
|
Sonata in C, BWV 1033 (1st & 2nd mvts – Andante & Allegro)
|
|
Beethoven
|
Sonata in D minor, Op 31/2 (last mvt – Allegretto)
|
|
Felice and Boudleaux Bryant
|
Bye Bye Love
|
|
William Boyce
|
Symphony No 8 in D minor (last mvt – Tempo di Gavotta)
|
|
Henry Purcell
|
Rejoice in the Lord alway
|
|
Schubert
|
Quartet Movement in C minor, D.703
|
|
Traditional music
|
Mary Hamilton
|
|
Jan Dismas Zelenka
|
Second Lamentation for Maundy Thursday
|
|
21 Jun 1997
|
George Walden
|
Béla Bartók
|
The Miraculous Mandarin (opening)
|
|
Ralph Burns and Milton (Shorty) Rogers
|
Keen and Peachy
|
|
Mussorgsky
|
Prelude to Khovanshchina, Act I
|
|
Henry Purcell
|
Man that is born of woman (from Funeral Music for Queen Mary)
|
|
Schubert
|
Sonata in A, D 959 (2nd mvt – andantino)
|
|
Sonny Bono
|
The Beat goes on
|
|
Stravinsky
|
The Soldier's Tale (exc. from part I)
|
|
Wagner
|
Träume (from Wesendonck-Lieder)
|
|
28 Jun 1997
|
Sheila Colvin[1]
|
Antonio Carlos Jobim
|
A Felicidade
|
|
Britten
|
Fanfare + Villes (from Les Illuminations)
|
|
Oliver Knussen
|
Coursing
|
|
Schubert
|
Pause (from Die Schöne Müllerin, D795)
|
|
Tchaikovsky
|
Symphony No 5 in E minor, Op 64 (3rd mvt – Waltz)
|
|
Verdi
|
Falstaff – Act 1, Scene 2
|
|
Kurt Weill
|
Seeräuber-Jenny (from Die Dreigroschenoper)
|
|
5 Jul 1997
|
Denis Quilley
|
Britten
|
Hymn and Sonnet (from Serenade
|
|
George Butterworth
|
Loveliest of trees (from A Shropshire Lad)
|
|
Debussy
|
String Quartet (2nd mvt – scherzo)
|
|
Haydn
|
Symphony No 88 in G (finale – Allegro con spirito)
|
|
Lehár
|
Dein ist mein ganzes Herz from The Land of Smiles)
|
|
Lehár
|
Freunde das Leben ist Lebenswirth (from Giuditta)
|
|
Francis Poulenc
|
Nocturne No 1
|
|
Rodgers and Hammerstein
|
What's the use of wonderin' (from Carousel)
|
|
Jimmy Van Heusen and Johnny Burke
|
Here's that rainy day
|
|
12 Jul 1997
|
Lord Harewood
|
Beethoven
|
Slow movement (Symphony no 9)
|
|
Britten
|
Sunday Morning (3rd Sea Interlude – opening of Act II, Peter Grimes)
|
|
Leoš Janáček
|
Prelude to Katya Kabanova
|
|
Sergei Prokofiev
|
Death of Prince Andrei (Scene XII War & Peace)
|
|
Arnold Schoenberg
|
Nun sag ich dir zum ersten Mal (Gurrelieder pt 1)
|
|
Schubert
|
Ungeduld (no 7 of Die Schöne Müllerin) with orchestrated accompaniment
|
|
Verdi
|
Ah! Dite alla giovine' (La Traviata Act III)
|
|
Wagner
|
Opening of Act II (The Valkyrie)
|
|
13 Sep 1997
|
Douglas Adams
|
Bach
|
Chromatic Fantasia and Fugue in D minor, BWV 903
|
|
Berlioz
|
The Shepherd's Farewell (from L'Enfance du Christ)
|
|
Britten
|
Rejoice in the Lamb (conclusion)
|
|
Gary Brooker and Keith Reid
|
Holding on
|
|
Ligeti
|
Éjszaka (night)
|
|
Mozart
|
Non so piu (from Le Nozze di Figaro)
|
|
Randy Newman
|
Glory Train (from Faust)
|
|
Robbie McIntosh
|
Gone Dancing
|
|
20 Sep 1997
|
Dame Felicity Lott
|
Schubert
|
An die Leier, D 737
|
|
Richard Strauss
|
Capriccio (conclusion of Scene 7)
|
|
Bach
|
Have mercy, Lord (from St Matthew Passion)
|
|
Brahms
|
Der Abend, Op 64/2
|
|
Handel
|
Va Tacito (from Giulio Cesare)
|
|
Jacques Brel
|
La Chanson des Vieux Amants
|
|
John Rutter
|
The Lord bless you and keep you
|
|
Mozart
|
Serenade in B flat, K 361 (3rd mvt – Adagio)
|
|
27 Sep 1997
|
Sir Georg Solti
|
Béla Bartók
|
Concerto for Orchestra (Giuoco delle coppie -mvmt II)
|
|
Beethoven
|
Fidelio (Quartet – Act I)
|
|
Mozart
|
The Marriage of Figaro (Sextet – Act III)
|
|
Richard Strauss
|
Der Rosenkavalier (Trio – Act III)
|
|
Verdi
|
Falstaff (final scene)
|
|
Wagner
|
Die Meistersinger von Nürnberg (Pogner's monologue from Act I)
|
|
4 Oct 1997
|
Ian Craft[2][3]
|
Richard Strauss
|
Love Duet (... Der Richtiger) (from Arabella Act II)
|
|
Robert Simpson
|
Symphony No 6 (conclusion)
|
|
Shostakovich
|
Symphony No 8 (3rd mvt – Allegro non troppo)
|
|
Bach
|
Partita No 1 in B minor, BWV 1002 (4th mvt – Tempo di Borea)
|
|
Beethoven
|
Fidelio Overture
|
|
John Blow
|
Venus!...Adonis!... (from Venus and Adonis Act I)
|
|
Bruckner
|
Os justi meditabitur
|
|
11 Oct 1997
|
Andrew Motion
|
Bach
|
Suite No 6 in D, BWV 1012 (1st mvt – Prélude)
|
|
Beethoven
|
Sonata in B flat, Op 106 – Hammerklavier (3rd mvt)
|
|
Bob Dylan
|
Love minus Zero
|
|
Britten
|
Sonnet (from Serenade)
|
|
Gluck
|
Ballet des Ombres Heureuses (from Orphée et Euridice)
|
|
Haydn
|
Und Gott schuf grosse Walfische (from The Creation)
|
|
Laurie Anderson
|
Let X = X (from album 'Big Science')
|
|
Steve Reich
|
Three Movements (2nd mvt)
|
|
18 Oct 1997
|
Timothy Garton Ash
|
Anonymous work
|
Bogurodzica
|
|
Beethoven
|
Violin Concerto in D, Op 61 (last mvt)
|
|
Britten
|
Dirge (from Serenade)
|
|
Mozart
|
Sinfonia Concertante in E flat, K 364 (last mvt)
|
|
Peter Fischer
|
Apfelböck oder die Lilie auf dem Felde
|
|
Schubert
|
Erlkönig
|
|
Bedřich Smetana
|
Vltava (from Ma Vlast)
|
|
25 Oct 1997
|
Deborah McMillan[4][5]
|
Heinrich Ignaz Franz Biber
|
Prelude, Aria & Variations "The Annunciation' (The Five Joyful Mysteries)
|
|
Blossom Dearie
|
Et tu Bruce
|
|
Mozart
|
Lacrimosa (Requiem)
|
|
Francis Poulenc
|
Concerto for two pianos & orchestra – 1st mvt.
|
|
Francis Poulenc
|
O magnum mysterium (Quartre Motets pour le Temps de Noel)
|
|
Sammy Fain and Jerry Seelen
|
I hear the music now
|
|
Arnold Schoenberg
|
Orchestral Prelude (Gurrelieder)
|
|
Schubert
|
La Pastorella
|
|
1 Nov 1997
|
Edmund White
|
Brahms
|
Sonata in F minor, Op. 120/1 (2nd mvt)
|
|
Britten
|
Cello Symphony, Op 68 (2nd mvt)
|
|
Gabriel Fauré
|
Berceuse (from Dolly Suite, Op 56)
|
|
María Grever and Stanley Adams
|
What a difference a day makes
|
|
Haydn
|
Symphony No. 45 in F♯ minor – Farewell (4th mvt)
|
|
Leoš Janáček
|
Sonata 1. x. 1905 (1st mvt)
|
|
Monteverdi
|
Tornate, o cari baci (from 7th book of madrigals)
|
|
Puccini
|
Chi il bel sogno di Doretta (from La Rondine, Act 1)
|
|
8 Nov 1997
|
Robert Ponsonby[6]
|
Albéniz
|
Triana (Iberia no V)
|
|
Beethoven
|
Variation no 24 'Andante' (33 variations on a Waltz by Anton Diabelli op 120)
|
|
Brahms
|
Liebeslieder Waltzes op 52 nos. 1–6
|
|
Leoš Janáček
|
4th mvt (Mladi)
|
|
Mozart
|
Quartet: Non ti fidar, o misera (Act 1, Don Giovanni)
|
|
Schubert
|
Abendbilder
|
|
Stravinsky
|
Pas de Deux (Divertimento – Le Baiser de la Fée)
|
|
Verdi
|
End of Act I, Scene 1 (Falstaff)
|
|
15 Nov 1997
|
A N Wilson
|
Shostakovich
|
2nd mvt Allegro (Symphony no. 10)
|
|
Charles Villiers Stanford
|
Irish Rhapsody No. 4 in A minor, Op. 141
|
|
Richard Strauss
|
September (Four Last Songs)
|
|
Béla Bartók
|
3rd mvt (Viola Concerto
|
|
Beethoven
|
1st mvt Allegretto (Quartet in F op 135)
|
|
Bruckner
|
Locus Iste
|
|
Haydn
|
Quoniam Tu solus sanctus – Gloria (Nelson Mass)
|
|
Mozart
|
3rd mvt Allegretto (Piano Sonata in C K330)
|
|
22 Nov 1997
|
György Ligeti
|
Beethoven
|
Sonata in C minor, Op 11 (2nd mvt)
|
|
Claude Vivier
|
Lonely Child
|
|
Conlon Nancarrow
|
Study no 3a
|
|
Traditional music
|
Gënding: Dhenggung Turulare
|
|
Traditional music
|
Piéré
|
|
Traditional music
|
Whistle Ensemble
|
|
29 Nov 1997
|
Maureen Duffy
|
Trad. Arr. Harry Burleigh
|
Deep River (pub. Maecenas Music) arr. Burleigh
|
|
Harold Adamson and Jimmy McHugh
|
You're a Sweetheart
|
|
William Byrd
|
Elegy on the death of Thomas Tallis
|
|
Handel
|
Non to basto, consorte + Io t'abbraccio (from Rodelinda)
|
|
Mozart
|
Clarinet Concerto in A, K.622 (2nd mvt – Adagio)
|
|
Henry Purcell
|
Sound the Trumpet (from Come ye Sons of Art)
|
|
Henry Purcell
|
Symphony (from Come ye Sons of Art)
|
|
Trad. Arr. Dolly Collins
|
Six Dukes
|
|
6 Dec 1997
|
Eduardo Paolozzi
|
Astor Piazzolla
|
Songe d'une nuit d'été
|
|
Britten
|
Opening – Prelude The Emperor (The Prince of the Pagodas)
|
|
Count Basie and S. Martin
|
Miss Thing – part 1
|
|
Honegger
|
Pacific 231
|
|
Charles Ives
|
Central Park in the Dark
|
|
Cole Porter and Louis Henneve and Leon Palex
|
Vous faites partie de moi (I've got you under my skin)
|
|
Stravinsky
|
1st part of Bedlam Scene (final act, The Rake's Progress)
|
|
Traditional Japanese
|
n/a
|
|
13 Dec 1997
|
Judith Weir
|
Trad. Arr. Copper
|
The Sweet Primeroses arr. Copper
|
|
Bach
|
Gloria (from Mass in F. BWV 233)
|
|
Brahms
|
Sextet No 1 in Bb, Op 18 (2nd mvt)
|
|
Britten
|
Carol (from Sacred and Profane)
|
|
Kevin Volans
|
White Man Sleeps (1st mvt)
|
|
Carl Loewe
|
Herr Oluf
|
|
Stravinsky
|
Oedipus Rex (exc from Act II)
|
|
Traditional music
|
Dzil Duet (from Accra, Ghana)
|
|
20 Dec 1997
|
Frederic Raphael
|
Antonio Carlos Jobim
|
Desafinado
|
|
Bach
|
Goldberg Variations (Theme and Variations 1–3)
|
|
Beethoven
|
Violin Concerto (exc from 1st mvt)
|
|
Haydn
|
Cello Concerto No 2 in D (3rd mvt)
|
|
Marguerite Monnot and Georges Moustaki
|
Milord
|
|
Mozart
|
Piano Sonata in C minor, K 457 (1st mvt)
|
|
Robert Schumann
|
Piano Concerto, Op 54 (2nd mvt)
|
|
27 Dec 1997
|
Manfred Stürmer (A.K.A John Sessions)
|
Stravinsky
|
Dance of the Earth (end of Pt 1 – The Rite of Spring
|
|
Brahms
|
Denn es gehet dem Menschen (No 1 of 4 Ernste Gesänge op 121)
|
|
Mahler
|
fragment from 1st mvmt Allegro maestoso (Symphony no 2 in C minor – 'Resurrection')
|
|
Ned Washington & Leigh Harline
|
Give a little whistle
|
|
Beethoven
|
Prestissimo (end of 3rd mvmt – Sonata no 21 in C op 53 'Waldstein')
|
|
Brahms
|
Andante 3rd mvmt (Sonata in E flat op 120 no 2)
|
|
Arnold Schoenberg
|
Sterne jubeln (from part 1 of Gurrelieder)
|
|
Richard Strauss
|
closing moments of Salome
|
|
Anton Webern
|
2nd of 5 Pieces for orchestra op 10
|
|
1998
Date
|
Guest
|
Composer
|
Title
|
Performer / Label
|
3 Jan 1998
|
Susannah Clapp[7]
|
Béla Bartók
|
Bluebeard's Castle (opening)
|
|
Beethoven
|
Sonata in F, Op.24, "Spring" (1st mvt – Allegro)
|
|
Moxy Früvous
|
The King of Spain
|
|
Robert Schumann
|
Romance Op.94/2
|
|
Verdi
|
Volta la terrea (from Un Ballo in Maschera, Act I)
|
|
Kurt Weill
|
Alabama Song (from Mahagonny)
|
|
10 Jan 1998
|
John Fortune
|
Bunny O'Riley
|
Dream Land
|
|
Domenico Scarlatti
|
Sonata in A major, Kirkpatrick 208
|
|
Domenico Scarlatti
|
Sonata in E major, Kirkpatrick 381
|
|
Haydn
|
String Quartet in B flat, Op.76/4, "Sunrise" (3rd mvt – Minuet)
|
|
Charles Ives
|
The Unanswered Question
|
|
Mugsy Spanier
|
Relaxin' at the Touro
|
|
Alexander Scriabin
|
Piano Concerto in F sharp minor, Op.20 (2nd mvt – Andante)
|
|
17 Jan 1998
|
Louis de Bernières
|
Girolamo Frescobaldi
|
Aria con variazione detta la Frescobalda arr. Segovia
|
|
Armando Rodrigues and Affonso Correia Leite
|
Cançao de Alcipe (from the film 'Bocage')
|
|
Bach
|
1st mvmt Allegro (Brandenburg Concerto no 4 BWV 1049)
|
|
Max Bruch
|
Andante-Allegro (Finale of Concerto for 2 pianos)
|
|
Chopin
|
Prelude no 4 in E minor
|
|
Gounod
|
Sanctus (Messe Solennelle)
|
|
Mikis Theodorakis
|
Apagoghi
|
|
Traditional music
|
Cieliot Lindo
|
|
Victor Valencia
|
Mis Dolencias ('Music from the Andes')
|
|
24 Jan 1998
|
Robert Gottlieb
|
Bizet
|
Allegro vivace (mvmt IV, Symphony in C)
|
|
George Gershwin and Ira Gershwin
|
A Foggy Day
|
|
Umberto Giordano
|
Finale Act IV (Andrea Chénier)
|
|
W. C. Handy
|
St Louis Blues
|
|
Meyerbeer
|
O Paradiso (L'Africana)
|
|
Cole Porter
|
Ridin' High (from Red, Hot & Blue)
|
|
Tchaikovsky
|
Adagio – from No 8 Pas d'action (Sleeping Beauty)
|
|
31 Jan 1998
|
Sir Roger Norrington
|
Bach
|
Ich habe genug (opening aria of Cantata BWV 82)
|
|
Beethoven
|
Allegro con brio (1st mvt – String Quartet in F minor)
|
|
Alban Berg
|
Violin Concerto
|
|
Berlioz
|
Dido's Farewell (Act V, Les Troyens)
|
|
William Byrd
|
Justorum animae
|
|
Henry Purcell
|
Chaconne (Dance for Chinese Man & Woman)
|
|
Heinrich Schütz
|
Final chorus from St Matthew Passion
|
|
7 Feb 1998
|
Jeremy Sams
|
Handel
|
Oh Thou that tellest .. (Messiah) arr. Cedric Dent
|
|
Chabrier
|
A la musique
|
|
Charles Trenet
|
L'Ame des Poètes
|
|
Jonathan Dove
|
Barbarina Alone (Figures in the Garden)
|
|
Lennox Berkeley
|
Prelude no 4 (6 Preludes)
|
|
Ravel
|
end of L'enfant et les Sortilèges
|
|
Schubert
|
Im Frühling
|
|
Stephen Sondheim
|
Move On (Sunday in the Park with George)
|
|
Hugo Wolf
|
Wire haben beide... (Italienisches Liederbuch)
|
|
14 Feb 1998
|
Claire Tomalin
|
Schubert
|
Octet in F, D.803 (2nd mvt – Adagio – opening)
|
|
Duparc
|
L'invitation au voyage
|
|
Beethoven
|
Sonata in C minor, Op.111 (2nd mvt – Arietta – conclusion)
|
|
Tchaikovsky
|
Waltz scene (from Eugene Onegin, Act II, Scene 1)
|
|
Robert Schumann
|
Zwielicht (from Liederkreis, Op.39)
|
|
Bach
|
Goldberg Variations (Theme and variations 1–2)
|
|
Beethoven
|
Quartet in E minor, Op.59/2 (3rd mvt – Allegretto)
|
|
21 Feb 1998
|
Lord Winston
|
Richard Strauss
|
Dance of the Seven Veils (from Salome)
|
|
Schubert
|
Piano Trio in B flat, D.898 (3rd mvt – Scherzo)
|
|
Rossini
|
Sextet (from La Cenerentola, Act III)
|
|
Bach
|
Jauchzet, frohlocket (from Christmas Oratorio)
|
|
Carlo Grossi
|
Cantata Ebraica in dialogo
|
|
Trad. Arr. Michael Alpert and Alan Bern
|
Bukovina 212 (pub. Ja/Nein Musikverlag)
|
|
Wagner
|
Vassal's Drinking Song (from Götterdämmerung)
|
|
28 Feb 1998
|
Edward Said
|
Bach
|
Canon at the Ninth (from Goldberg Variations)
|
|
Alban Berg
|
Wozzeck (Act I, Scene 1)
|
|
Berlioz
|
Les Troyens (final scene of Act II)
|
|
Chopin
|
Impromptu in F sharp, Op.36
|
|
Messiaen
|
Amen des Anges, des Saints, du Chant des Oiseaux (from Visions de l'Amen)
|
|
Robert Schumann
|
Widmung (from Myrten, Op.25)
|
|
Wagner
|
Das Rheingold (Prelude)
|
|
7 Mar 1998
|
James Bernard
|
Britten
|
Variation of the King of the South (from The Prince of the Pagodas)
|
|
Debussy
|
Syrinx
|
|
George Gershwin
|
Embraceable You
|
|
Lennox Berkeley
|
Serenade for Strings, Op.12 (1st mvt – Vivace)
|
|
Liszt
|
Les jeux d'eaux à la Villa d'Este (from Années de Pélerinage)
|
|
Nellie Lutcher
|
Hurry on down
|
|
Rachmaninov
|
Dnes spasenie (from Vespers, Op.37)
|
|
Josef Suk
|
Love Song, Op.7/1 (conclusion)
|
|
Verdi
|
Love Duet (from Otello, Act I)
|
|
14 Mar 1998
|
John Sessions
|
Beethoven
|
Molto adagio 'A Convalescent's Hymn of Thanksgiving to God, in the Lydian mode' (3rd mvt – Quartet in A minor, Op.132)
|
|
Brahms
|
Close of 2nd mvt Andante moderato (Symphony no 4 in E minor)
|
|
Mose Allison
|
Warhorse
|
|
Puccini
|
part of Act II scene 2 (Turandot)
|
|
Schubert
|
Im Abendrot
|
|
Shostakovich
|
Andante (2nd mvt – Piano Concerto no 2 in F)
|
|
Stravinsky
|
Overture (Pulcinella)
|
|
Wagner
|
Prelude (Die Walküre)
|
|
21 Mar 1998
|
Anthony Minghella
|
Puccini
|
E lucevan le stelle (Tosca)
|
|
Irene Higginbotham and Ervin Drake and Dan Fisher
|
Good Morning Heartache
|
|
Prince
|
Nothing compares 2 U (from album: I do not want what I haven't got)
|
|
Egberto Gismonti
|
Palhaco (Editions Gismoni SUISA)
|
|
Bach
|
Prelude & fugue in C minor (Bk 1 Well-Tempered Clavier)
|
|
Vivaldi
|
Stabat Mater
|
|
Van Morrison
|
This weight (from album: The Healing Game)
|
|
Bach
|
Prelude (Suite no 1 in G for solo cello)
|
|
28 Mar 1998
|
Ruth Padel
|
Bach
|
Double Concerto in D minor, BWV 1043 (2nd mvt – Largo)
|
|
Beethoven
|
Quartet in A minor, Op.132 (1st mvt – Assai sostenuto – Allegro)
|
|
Cole Porter
|
Night and Day
|
|
Razaf and Belledna
|
Kitchen Man (pub. Feldman & Co.)
|
|
Ruth Padel
|
Indian Red
|
|
Theodorakis
|
Arnisi
|
|
Traditional music
|
The Bold Irish Boy
|
|
Verdi
|
La Traviata (conclusion of Act I)
|
|
4 Apr 1998
|
Allan Gurganus
|
Charles Dibdin
|
Tom Bowling (pub. Boosey) arr. Britten
|
|
Laura Nyro
|
I never meant to hurt you
|
|
Mahler
|
In diesem Wetter (from Kindertotenlieder)
|
|
Traditional Arr. Willis Patterson
|
My Lord, what a morning
|
|
Gurganus
|
Plays Well with Others (exc.)
|
|
Doris Tauber and Maceo Pinkard andWilliam Tracey
|
Them there eyes
|
|
Bach
|
Aria (from Goldberg Variations, BWV 988)
|
|
Brahms
|
Intermezzo, Op.118/2
|
|
Duruflé
|
Sanctus (from Requiem, Op.9)
|
|
Gurganus
|
Plays Well with Others (exc.)
|
|
11 Apr 1998
|
Lady Antonia Fraser
|
William Byrd
|
Kyrie (from Mass for Four Voices)
|
|
Donizetti
|
Ohimè! sorge il tremendo fantasma ("Mad Scene" from Lucia di Lammermoor Act II)
|
|
Gluck
|
Adieu, conservez dans votre âme (from Iphigénie en Aulide)
|
|
Leoš Janáček
|
The Vixen's Dream (from The Cunning Little Vixen, Act I)
|
|
Mozart
|
"E Susanna non vien!... Dove sono" (from The Marriage of Figaro)
|
|
Verdi
|
Ascolta! Le porte dell'asil s'apron già...Dio, che nell'alma infondere ("Brotherhood duet" from Don Carlos, Act II)
|
|
Wagner
|
Siegmund's spring song (from Die Walküre, Act I)
|
|
18 Apr 1998
|
Sir Ian McKellen
|
Chopin
|
Polonaise in C minor op 40 no 2
|
|
Elgar and Anthony Payne
|
part of 1st mvt, Allegro molto maestoso (Symphony no 3)
|
|
Frank Loesser
|
My Time of Day/I've Never been in love before (Guys and Dolls)
|
|
Grieg
|
Prelude (Act 1), Wedding Scene (Peer Gynt)
|
|
Holst
|
1st mvt (A Moorside Suite)
|
|
Jule Styne and Stephen Sondheim
|
Rose's Turn (Gypsy)
|
|
Stephen Sondheim
|
Being Alive (Company)
|
|
25 Apr 1998
|
Guy Woolfenden
|
Britten
|
Elegy (Serenade for tenor, horn and strings op 31)
|
|
Percy Grainger
|
Harkstow Grange (2nd mvt, A Lincolnshire Posy)
|
|
Henry Purcell
|
Hear my prayer
|
|
Stephen Sondheim
|
Another hundred people (Company)
|
|
Michael Tippett
|
Adagio cantabile (Concerto for double string orchestra)
|
|
Verdi
|
Tutto nel mondo è burla (last scene, Falstaff)
|
|
William Walton
|
Andante comodo (1st mvt – Viola Concerto)
|
|
2 May 1998
|
Barbara Trapido
|
Alessandro Scarlatti
|
Già il sole dal Gange (L'Honesta Negli Amori)
|
|
Bach
|
Aria & Variations 1 – 5 (Goldberg Variations)
|
|
Britten
|
Dirge (Serenade op 31)
|
|
Gluck
|
Dance of the Blessed Spirits (Orfeo ed Euridice)
|
|
Haydn
|
Benedictus (Mariazellermesse 'Missa Cellensis')
|
|
Leopold Mozart
|
Marche (1st mvt Cassatio in G 'The Toy Symphony')
|
|
Henry Purcell
|
Come Ye Sons of Art (2nd mvt of Ode on the Birthday of Queen Mary, 1694)
|
|
Traditional music
|
Nkosi Sikelel' iAfrika
|
|
9 May 1998
|
Alan Borg[8]
|
Ligeti
|
A Long Sad Tale (from Nonsense Madrigals)
|
|
Thomas Linley the younger
|
Arise! ye spirits of the storm (from Music for The Tempest)
|
|
Henry Purcell
|
March (from Music for the Funeral of Queen Mary)
|
|
Wagner
|
Quintet (from Die Meistersinger, Act III)
|
|
Handel
|
Scherza infida (from Ariodante)
|
|
Beethoven
|
Symphony No.5 in C minor, Op.67 (1st mvt – Allegro con brio)
|
|
Bach
|
Partita No. 1 in B flat, BWV 825 (1st mvt – Praeludium)
|
|
Beethoven
|
Grosse Fuge, Op.133 (conclusion)
|
|
16 May 1998
|
Bernard MacLaverty
|
Anonymous work
|
Esposa e Mare de Deu (La Festa o Misteri D'Elx)
|
|
Britten
|
Agnus Dei (Missa Brevis in D)
|
|
Leoš Janáček
|
Allegretto (Sinfonietta)
|
|
Mahler
|
Wenn dein Mütterlein tritt zur Tür herein (Kindertotenlieder)
|
|
Messiaen
|
End of final mvt (Turangalila-Symphonie)
|
|
Mozart
|
Il mio tesoro (Don Giovanni)
|
|
Henry Purcell
|
Tis women makes us love
|
|
Schubert
|
no 2 Andantino (Moments musicaux)
|
|
Shostakovich
|
2nd mvt Allegro (Symphony no 10 in E minor)
|
|
23 May 1998
|
Frances Partridge
|
Richard Strauss
|
Metamorphosen (conclusion)
|
|
Schubert
|
Piano Trio in E flat, D.929 (2nd mvt)
|
|
Bach
|
Double Concerto in D minor, BWV 1043 (2nd mvt – Largo ma non tanto)
|
|
Beethoven
|
Quartet in C sharp minor,
|
|
Handel
|
O sleep, why dost thou leave me (from Semele)
|
|
Monteverdi
|
Zefiro torna
|
|
Mozart
|
Piano Concerto in B flat, K 238 (1st mvt)
|
|
Charles Trenet and Raoul Breton
|
Boum!
|
|
30 May 1998
|
William Boyd
|
Brahms
|
Horn Trio in E flat, Op.40 (1st mvt – Andante – poco più animato)
|
|
Brahms
|
Kanon 13 (from 13 Kanonen, Op.113)
|
|
Frederick Delius
|
Violin Sonata No.3 (1st mvt – Slow)
|
|
Gabriel Fauré
|
Piano Quartet No.1 in C minor, Op.15 (3rd mvt – Adagio)
|
|
Joseph Schwantner
|
Percussion Concerto (1st mvt – Con forza)
|
|
Sergei Prokofiev
|
Cello Sonata in C, Op.119 (2nd mvt)
|
|
Stephen Sondheim
|
Pretty Women (from Sweeney Todd)
|
|
6 Jun 1998
|
Binjamin Wilkomirski
|
Beethoven
|
Violin Concerto in D: Op.61 (2nd mvt – Larghetto)
|
|
Brahms
|
Clarinet Quintet in B minor, Op.115 (1st mvt – Allegro)
|
|
Mahler
|
Symphony No.1 (2nd mvt – Kräftig – exc.)
|
|
Mozart
|
In diesen heil'gen Hallen (from Die Zauberflöte)
|
|
Trad. Arr. Giora Feidman
|
Tatei Freilach
|
|
Trad. arr. Jacques Lasry
|
A Jewish Child of Poland
|
|
13 Jun 1998
|
Deborah Bull
|
Bach
|
Chaconne (5th mvt, Partita no 2 in D BWV 1004)
|
|
Vittorio Monti
|
Czardas
|
|
Mozart
|
Laudate Dominum (Vesperae solennes de confessore)
|
|
Francis Poulenc
|
Andante con moto (2nd mvt, Piano Concerto)
|
|
Sparre Olsen
|
Old Village Songs from Lom (nos. 1,4,5,6)
|
|
Willie Nelson
|
Crazy
|
|
20 Jun 1998
|
Blake Morrison
|
Blake Morrison
|
The Ballad of the Yorkshire Ripper (exc.)
|
|
Gavin Bryars
|
Cello Concerto (Farewell to Philosophy) (2nd mvt – Più mosso)
|
|
John Lennon and Paul McCartney
|
Fixing a Hole (from Sgt Pepper)
|
|
Mahler
|
Oft denk' ich, sie sind nur ausgegangen (from Kindertotenlieder)
|
|
Miles Davis
|
Spanish Key (opening)
|
|
Mozart
|
Rex Tremendae (from Requiem, K.626)
|
|
Philip Glass
|
North Star
|
|
Rodgers and Hammerstein
|
Cock-Eyed Optimist (from South Pacific)
|
|
Schubert
|
Piano Quintet in A, D.667 – "Trout" (3rd mvt – Scherzo)
|
|
Stevie Wonder
|
Living for the City
|
|
27 Jun 1998
|
Sir Anthony Caro
|
Traditional music
|
Early one morning
|
|
Stravinsky
|
Here I stand (from The Rake's Progress, Act I)
|
|
Mozart
|
Piano Concerto in D minor, K.466 (2nd mvt – Romance)
|
|
Schubert
|
String Quintet in C, D.956 (conclusion of 2nd mvt – Adagio)
|
|
Brahms
|
Denn wir habe hie (exc. from Ein Deutsches Requiem)
|
|
Haydn
|
Symphony No.104 in D – "London" (Finale – spiritoso)
|
|
Mozart
|
Là ci darem la mano (from Don Giovanni, Act I)
|
|
Schubert
|
Die liebe Farbe (from Die schöne Müllerin, D.795)
|
|
4 Jul 1998
|
Chris Smith (?)
|
Antonín Dvořák
|
Cello Concerto in B minor, Op.104 (exc. from 1st mvt)
|
|
George Gershwin
|
Summertime (from Porgy and Bess)
|
|
Machaut
|
Gloria (from Messe de Nostre Dame)
|
|
Mahler
|
Der Abschied (conclusion) (from Das Lied von der Erde)
|
|
Puccini
|
Mimi's Farewell (from La Bohème, Act III)
|
|
Schubert
|
String Quintet in C, D.956 (1st mvt exposition)
|
|
Jean Sibelius
|
Symphony No.2 (exc. from 3rd mvt)
|
|
Kurt Weill
|
Ballad of Mack the Knife (from Die Dreigroschenoper)
|
|
11 Jul 1998
|
Amanda Holden
|
Robert Schumann
|
Study Op.56/4 (Espressivo) arr. Debussy
|
|
Debussy
|
Cello Sonata (1st mvt – Prologue)
|
|
Handel
|
Tu, preparati a morire (from Ariodante)
|
|
Heiner Goebbels
|
Black on White (2nd mvt)
|
|
Irving Berlin
|
You can't get a man with a gun
|
|
John Adams
|
Violin Concerto (3rd mvt – Toccare – conclusion)
|
|
Mozart
|
Quintet in E flat for piano and wind (2nd mvt – Larghetto)
|
|
Tchaikovsky
|
Lensky's Aria (from Eugene Onegin)
|
|
18 Jul 1998
|
Professor Sir Michael Howard
|
Brahms
|
Violin Concerto in D, Op.77 (2nd mvt – Adagio)
|
|
Johann Strauss II
|
Emperor Waltz
|
|
Mozart
|
Riconosci in quest'amplesso (from Le Nozze di Figaro, Act III)
|
|
Puccini
|
Che gelida manina (from La Bohème)
|
|
Rodgers and Hammerstein
|
Oklahoma (from Oklahoma)
|
|
Schubert
|
Quintet in A – "The Trout" (exc. from 1st mvt – Allegro vivace)
|
|
Charles Trenet
|
La Mer
|
|
Verdi
|
Sanctus (from Requiem)
|
|
25 Jul 1998
|
Corin Redgrave
|
Beethoven
|
Allegro (1st mvt, violin sonata no 5 in F "Spring")
|
|
Britten
|
Romance (Variations on a theme of Frank Bridge)
|
|
Freddie Mercury
|
Bohemian Rhapsody
|
|
Irving Berlin
|
I'm beginning to miss you
|
|
Puccini
|
Che gelida manina (Act 1, La Bohème)
|
|
Arnold Schoenberg
|
No. 1 of Drei Kavierstücke op 11
|
|
Michael Tippett
|
Lento cantabile (2nd mvt. String Quartet no 1)
|
|
1 Aug 1998
|
Lord Gowrie
|
Thomas Adès
|
Dolcissimo ed espressivo (The Origin of the Harp)
|
|
Alban Berg
|
Seele, wir bist du schöner (No. 1 of 5 Orchestral Songs Op 4)
|
|
Harrison Birtwistle
|
The second hunt & temptation (Act II, Gawain)
|
|
Brahms
|
Nachtwache II – Ruhn sie? (no 2 of 5 Gesänge – Lieder und Romanzen op 104)
|
|
Porter Grainger and Everett Robbins
|
T'Aint Nobody's Bizness If I Do (part)
|
|
Mozart
|
Kyrie (Mass in C minor K 427)
|
|
Arnold Schoenberg
|
Adagio (3rd mvmt, Piano Concerto)
|
|
Stravinsky
|
Part I (Symphony of Psalms)
|
|
Verdi
|
Solenne in quest'ora (La Forza del Destino)
|
|
8 Aug 1998
|
Richard Ingrams
|
Bach
|
Widerstehe doch der Sünde (exc.) (from Cantata, BWV 54)
|
|
Brahms
|
Violin Sonata in A, Op.100 (1st mvt – Allegro amabile)
|
|
Frederick Delius
|
Fennimore and Gerda – Intermezzo
|
|
George Gershwin
|
Embraceable You
|
|
Mozart
|
Quintet in D, K.593 (2nd mvt – Adagio)
|
|
Rachmaninov
|
Prelude in G, Op.32/5
|
|
Robert Schumann
|
Study No.5 (from Symphonic Studies, Op.posth.)
|
|
15 Aug 1998
|
Jenny Uglow
|
Schubert
|
Adagio (part 2nd mvmt, String Quintet in C D 956)
|
|
Haydn
|
In rosy mantle appears & By Thee with bliss (Part 3, The Creation)
|
|
Francis Poulenc
|
Laudamus te (Gloria)
|
|
Henry Purcell
|
The earth trembled
|
|
Anonymous work
|
Flying Bomb Kwela (Fire)
|
|
Beethoven
|
Fugue – closing of Sonata in A flat, op 110
|
|
Bertolt Brecht and Kurt Weill
|
Alabama Moon (Mahagonny)
|
|
Handel
|
Polonaise (4th mvmt, Concerto Grosso in E minor), opus 6, number 3)
|
|
29 Aug 1998
|
Michael Birkett, 2nd Baron Birkett
|
Bernhard Flies
|
Wiegenlied
|
|
Chopin
|
Sonata No.3 in B minor, Op.58 (1st mvt – Allegro maestoso)
|
|
Leo Weiner
|
Serenade, Op.3 (1st mvt – Allegretto)
|
|
Medtner
|
Piano Concerto No.3 in E minor, Op.60 (exc. from finale)
|
|
Mozart
|
Symphony No.34 in C, K.338 (Finale – Allegro vivace)
|
|
Puccini
|
Dovunque al mondo (from Madama Butterfly, Act I)
|
|
Richard Strauss
|
Ariadne auf Naxos (end of the Prologue)
|
|
5 Sep 1998
|
Michael Dibdin
|
Britten
|
Cello Symphony, Op.68 (2nd mvt – Presto inquieto)
|
|
Charles Dibdin
|
Vaudeville (from The Ephesian Matron)
|
|
Domenico Scarlatti
|
Sonata in D, Kk.33
|
|
Guillaume Dufay
|
Quel fronte signorille in paradiso
|
|
Mozart
|
Quartet in G, K.387 (4th mvt – Molto Allegro)
|
|
Giovanni Pierluigi da Palestrina
|
Kyrie (from Missa Benedicta es)
|
|
Vivaldi
|
Cum dederit (from Nisi Dominus)
|
|
Blind Willie McTell
|
Statesboro Blues
|
|
12 Sep 1998
|
Alan Rusbridger
|
Valdemar Henrique
|
Boi-Bumbá arr. Patrick Russ
|
|
Beethoven
|
Sonata in E, Op.109 (3rd mvt)
|
|
Billy Mayerl
|
Punch
|
|
Finley Quaye
|
Your love gets sweeter
|
|
George Benjamin
|
Invention II (from Three Inventions)
|
|
J. H. Maunder
|
Droop, sacred head (from Olivet to Calvary)
|
|
Wagner
|
Wotan's Farewell (exc.) (from Die Walküre, Act III)
|
|
Carl Maria von Weber
|
Clarinet Quintet in B flat, Op.34 (3rd mvt – Menuetto: Capriccio Presto)
|
|
19 Sep 1998
|
Bill Paterson
|
César Franck
|
Sonata in A (last mvt – Allegretto poco mosso) arr. Delsart
|
|
Berlioz
|
Te Deum, Op.22 (Tibi Omnes)
|
|
John Betjeman and Jim Parker (composer)
|
Eunice
|
|
Britten
|
Dawn (from Four Sea Interludes from Peter Grimes)
|
|
Alfredo Catalani
|
Ne andrò lontana
|
|
Schubert
|
Quartet in D minor, D.810 – "Death and the Maiden" (1st mvt – Allegro – opening)
|
|
Traditional music
|
Annalese Bain/Phil Cunningham's Reel/Andy Brown's Reel
|
|
Traditional music
|
Martyrs
|
|
26 Sep 1998
|
Alan Titchmarsh
|
Gregorio Allegri
|
Miserere – opening
|
|
Bizet
|
Au fond du temple saint (Act I, The Pearl Fishers)
|
|
Antonín Dvořák
|
Allegro con brio (1st mvt, 8th symphony)
|
|
Elgar
|
Opening, 1st mvmt (Cello Concerto)
|
|
John Hughes
|
Cwm Rhondda (Mecolico)
|
|
Pat Metheny
|
Always and Forever
|
|
Rachmaninov
|
1st movement (Symphony no 2)
|
|
Vivaldi
|
Gloria in excelsis Deo (1st mvmt, Gloria in D major, RV 589)
|
|
3 Oct 1998
|
The Duke of Kent
|
Bach
|
Qui tolllis peccata mundi (Gloria, B Minor Mass)
|
|
Chopin
|
Nocturne in C minor, Opus 48 no 1
|
|
Leoš Janáček
|
Boris & Kát'a's farewell (from last scene Kát'a Kabanová)
|
|
Mozart
|
Adagio (String Quartet in B flat, K 458 "The Hunt")
|
|
Schubert
|
Nacht und Träume, D 827
|
|
Wagner
|
end of Dawn Duet & (part of) Siegfried's Rhine Journey (from Prologue, Götterdämmerung)
|
|
10 Oct 1998
|
Gilbert Kaplan
|
Aaron Copland
|
Billy the Kid (part of complete ballet)
|
|
Charles Ives
|
Fugue: Andante moderato (3rd mvmt, Symphony no 4)
|
|
Mahler
|
1st mvmt (part), Symphony no 7
|
|
Mahler
|
End of Finale (Symphony no 2)
|
|
Mahler
|
Ich bin der Welt abhanden gekommen (Rückert songs)
|
|
Mahler
|
Part of Andante, Symphony no 6
|
|
Sergei Prokofiev
|
Alexander's Entry into Pskov (final mvmt, Alexander Nevsky op 78)
|
|
Wagner
|
Final scene, Act III, Der Fliegende Holländer
|
|
17 Oct 1998
|
Tom Rosenthal
|
Bach
|
Prelude (Cello suite no 1 in C)
|
|
Beethoven
|
O namenlose Freude! (Act II, Fidelio)
|
|
Berlioz
|
Chanson d'Hylas (The Trojans)
|
|
Britten
|
Now the Great Bear and Pleiades (Act 1 Peter Grimes)
|
|
Manuel de Falla
|
En los jardines de la Sierra de Córdoba (mvmt 3 – Nights in the Gardens of Spain)
|
|
Leoš Janáček
|
Gloria (Glagolitic Mass)
|
|
Richard Strauss
|
Frühling (4 last songs)
|
|
Tchaikovsky
|
Duet from Act I, The Queen of Spades
|
|
Verdi
|
O si per ciel marmoreo giuro (close of Act II, Otello)
|
|
24 Oct 1998
|
Erich Segal
|
Bach
|
Prelude (Cello Suite no 1 in C)
|
|
Chopin
|
Waltz in C sharp minor (op 64 no 2)
|
|
Gilbert and Sullivan
|
When I was a lad (HMS Pinafore)
|
|
Gluck
|
Che faro senza Euridice? (Act III, Orfeo ed Euridice)
|
|
John Lennon and Paul McCartney
|
Let it be
|
|
Mozart
|
Laudate Dominum (Vesperae solennes sde confessore)
|
|
Salamone Rossi
|
Adon olam
|
|
Shostakovich
|
Waltz (1st movement, Jazz Suite no 1)
|
|
Thomas Tallis
|
Agnus Dei (Mass for Four Voices)
|
|
Kurt Weill and Bertolt Brecht
|
Mack the Knife
|
|
31 Oct 1998
|
Rabbi Julia Neuberger
|
Salomone De Rossi Ebreo
|
Baruch haba b'shem Adonai (Les Cantiques de Salomon)
|
|
Richard Strauss
|
How engaging, how exciting (Die Fledermaus)
|
|
Robert Schumann
|
Ich Grolle Nicht (Dichterliebe)
|
|
Vincenzo Bellini
|
Casta Diva (Norma)
|
|
Fromental Halévy
|
Eleazar's Song (La Juive)
|
|
Haydn
|
Allegretto (Sonata in G minor Hob XVI:44)
|
|
Haydn
|
The Heavens are telling (The Creation)
|
|
Jean-Marie Leclair
|
Allegro assai – 4th mvmt (Sonata for flute, viola da gamba & continuo in D major, op II no 8)
|
|
Irene Higginbotham and Ervin Drake and Dan Fisher
|
Mine is the Life Song
|
|
7 Nov 1998
|
Christopher Bruce
|
Barry Guy
|
Refrain, Chorale & Antiphon (1st section: "After the Rain")
|
|
Dave Heath
|
Celtic Air (from "The Four Elements")
|
|
Handel
|
Act II scenes 6 & 7 ("Agrippina")
|
|
Mahler
|
Wenn dein Mütterlein tritt zur Tür herein (Kindertotenlieder)
|
|
Arnold Schoenberg
|
Moondrunk & Columbine (1st 2 mvmts: "Pierrot Lunaire")
|
|
Traditional music
|
Barbara Allen
|
|
Traditional Music Arr. Incantation
|
Sikuriadas & "Ojos Azules" (Ghost Dances)
|
|
14 Nov 1998
|
Russell Hoban
|
Villoldo
|
El Choclo
|
|
Carl Loewe
|
Tom der Reimer, op 135
|
|
Chopin
|
Mazurka in A minor op 67 no 4
|
|
Donald Fagen
|
The Goodbye Look
|
|
Garbage
|
I'm only happy when it rains
|
|
Haydn
|
In the beginning... & there was light The first day (The Creation)
|
|
Sonny Terry and Brownie McGhee
|
Freight Train
|
|
Monk
|
Round about Midnight
|
|
Schubert
|
Der Leiermann (Winterreise)
|
|
21 Nov 1998
|
Marina Mahler[9]
|
Luigi Nono
|
3 voci (Prometeo Suite 1992)
|
|
Wagner
|
part of end of Act I (Parsifal)
|
|
Bach
|
Prelude no 4 in C sharp minor
|
|
Bach
|
Prelude no 8 in E flat minor
|
|
Bach
|
2nd mvmt (Partita no 4)
|
|
28 Nov 1998
|
Clive Swift
|
Gabriel Fauré
|
Mi-a-o ('Dolly' Suite op 56) arr. Bream
|
|
Berlioz
|
Le Repos de la Sainte Famille (L'Enfance du Christ)
|
|
Chopin
|
Allegro maestoso (1st mvmt, Sonata in B minor op 58)
|
|
Eric Coates
|
Calling all workers
|
|
Eric Ball
|
Journey into Freedom
|
|
Richard Strauss
|
The Dinner (Le Bourgeois Gentilhomme Suite op 60)
|
|
Traditional music
|
Kol Nidrei
|
|
5 Dec 1998
|
Gillian Moore[10]
|
Burt Bacharach
|
Say a little prayer
|
|
Harrison Birtwistle
|
Mark of Orpheus
|
|
Duke Ellington
|
Thanks for the beautiful land on the delta (New Orleans Suite)
|
|
Ligeti
|
Movimento preciso e meccanico (3rd mvmt, Chamber Concerto)
|
|
Henry Purcell
|
The Frost Scene' (Act III, King Arthur)
|
|
Traditional music
|
Tamuke (offering) for Shakuhachi
|
|
Turnage: Blood on the Floor
|
Junior Addict
|
|
12 Dec 1998
|
Armando Iannucci
|
Bach
|
Adagio – 1st mvmt, Sonata no 1 in G minor, BWV 1001, for solo violin
|
|
Alban Berg
|
Adagio (finale of Violin Concerto)
|
|
John Adams
|
3rd mvmt, 1st half 'Wild Nights' – Harmonium
|
|
Jerry Leiber and Mike Stoller
|
Is that all there is?
|
|
Carl Nielsen
|
Symphony no 5 (1st mvmt)
|
|
P. D. Q. Bach
|
Madrigal 'My bonnie lass she smelleth' (The Triumphs of Thusnelda)
|
|
Michael Tippett
|
How can I cherish my man' & 'Steal Away' (A Child of our Time)
|
|
19 Dec 1998
|
Robert Craft
|
Stravinsky
|
3 Japanese Lyrics
|
|
Stravinsky
|
Sektanskaya
|
|
Mozart
|
Serenade in B flat, K.361 (finale)
|
|
Beethoven
|
Symphony No.5 in C minor, Op.67 (1st mvt – Allegro con brio)
|
|
François Couperin
|
Incipit Lamentatio + Quomodo sedet (from Leçons des Ténèbres)
|
|
Lassus
|
Kyrie (from Missa Osculetur me)
|
|
Mozart
|
Qui Tollis (from Mass in C minor, K.427)
|
|
Stravinsky
|
Les Noces (1st tableau)
|
|
26 Dec 1998
|
Lady Pilar Woffington (Aka John Sessions)
|
Hunter/Garcia
|
Attics of my life
|
|
J. J. Cale
|
Cocaine
|
|
Wagner
|
End of Overture (The Flying Dutchman)
|
|
Puccini
|
Introduction (La Fanciulla del West)
|
|
Manuel De Falla
|
Ritual Fire Dance (El amor brujo)
|
|
Heitor Villa-Lobos
|
Aria (part) (Bachianas Brasileiras no 5)
|
|
Puccini
|
End of Act II (Tosca)
|
|
1999
Date
|
Guest
|
Composer
|
Title
|
Performer / Label
|
2 Jan 1999
|
Brian Rix
|
Gene Roland
|
Exit Stage Left
|
|
Gilbert and Sullivan
|
Painted Emblems + Ghosts' High Noon (from Ruddigore)
|
|
Jerome Kern
|
Ol' Man River (from Showboat)
|
|
Mahler
|
Symphony No.3 (opening)
|
|
Tchaikovsky
|
Andante Cantabile, Op.11
|
|
Tommy Watt
|
Crumpets for the Count
|
|
Walter Donaldson
|
Makin' Whoopee
|
|
Gheorghe Zamfir
|
Doina de Jale
|
|
9 Jan 1999
|
Gita Mehta
|
Haydn
|
(Allegro 1st mvmt) String Quartet in B flat major op.76 no.4
|
|
Jayadeva
|
Gita Govinda (scene II)
|
|
Teré Biné
|
Gita Mehta
|
|
Traditional music
|
Raga Lathangi
|
|
Nina Simone
|
Sugar in my bowl
|
|
Traditional music
|
Raga Sindhu Bhairati
|
|
Traditional music
|
Raga Yaman
|
|
Traditional music
|
Raga Yaman
|
|
16 Jan 1999
|
John Burningham
|
Rossini
|
Una voce poco fa (Barber of Seville)
|
|
Schubert
|
Erlkonig S557a arr. Liszt
|
|
Richard Strauss
|
Night, Sunrise, The Ascent (opening – An Alpine Symphony)
|
|
Bach
|
Prelude (3rd Suite for cello in C BWV 1009)
|
|
Consuelo Velázquez
|
Besame mucho
|
|
Stefano Donaudy
|
O del mio amato ben
|
|
La Rocca and Larry Shields
|
At the jazz band ball
|
|
Mozart
|
Deh! vieni all finestra (Act II, Don Giovanni)
|
|
Dino Olivieri and Louis Poterat
|
"J'attendrai"
|
|
Traditional music
|
The Coolin
|
|
23 Jan 1999
|
John Fuller
|
Lutyens
|
As I walked out one evening
|
|
John Fuller
|
Concerto for Double Bass
|
|
Sergei Prokofiev
|
Piano Concerto No.4 in B flat, Op.53 (1st mvt – Vivace)
|
|
Shostakovich
|
String Quartet No.8 in C minor, Op.110 (4th mvt – Largo)
|
|
John Fuller
|
Trio
|
|
Francis Poulenc
|
Trio (1st mvt – Presto)
|
|
Stravinsky
|
Violin Concerto (3rd mvt – Aria II)
|
|
Karol Szymanowski
|
Violin Concerto No.2, Op.61 (3rd mvt – Andantino)
|
|
Bill Russo
|
Gazelle
|
|
Britten
|
Calypso (from Cabaret Songs)
|
|
30 Jan 1999
|
Tom Phillips
|
Bach
|
Final chorus (St Matthew Passion)
|
|
Harrison Birtwistle
|
Part of 1st & 2nd Lullabyes (Gawain)
|
|
Brahms
|
Denn alles Fleisch es ist wie Gras (Ein Deutsches Requiem)
|
|
John Cage
|
Sonata 1 (Sonatas & Interludes)
|
|
Antonín Dvořák
|
String quartet in F op 96 (American)
|
|
Terry Riley
|
In C
|
|
Norbert Schultze and Hans Leip
|
Lili Marlene
|
|
Verdi
|
End of Act III (Otello)
|
|
Wagner
|
(Siegfried recalling the woodbird's song, just before he is killed – Act III Scene 2, Götterdämmerung)
|
|
6 Feb 1999
|
Sir Humphrey Maud[11]
|
Bach
|
Bourrées I & II (Suite no 3 in C major BWV 1009)
|
|
Benny Davis and Abner Silver
|
Chasing Shadows rec 1935
|
|
Mozart
|
Allegro (1st mvmt, String Quintet in G minor, KV 516)
|
|
Pärt
|
Cantus in Memory of Benjamin Britten
|
|
Astor Piazzolla
|
Milonga in D
|
|
Henry Purcell
|
Fantasia no 1
|
|
Schubert
|
Andante (2nd mvmt, sonata in A D 664)
|
|
Bessie Smith and Stuart Balcom
|
You've been a good ole wagon – rec 1925
|
|
13 Feb 1999
|
Jo Shapcott
|
John Adams
|
Hoe-down (Mad Cow) (from Gnarly Buttons)
|
|
Bach
|
Canon circularis per tonos (from Musical Offering, BWV 1079)
|
|
Britten
|
Hymn to St Cecilia (first part)
|
|
Gerald Finzi
|
Wonder (from Dies Natalis)
|
|
James MacMillan
|
Tryst (opening)
|
|
Jo Shapcott
|
My Life asleep
|
|
Jo Shapcott
|
The Mad Cow talks back
|
|
Keith Jarrett
|
My Song
|
|
Sergei Prokofiev
|
Sonata No. 2 in D minor, Op.14 (last mvt – Vivace)
|
|
Traditional music
|
Bubaran Hudan Mas
|
|
Traditional music
|
Torre del Viento
|
|
20 Feb 1999
|
Bernard Williams
|
Bach
|
Sarabande & Bourrée (English Suite no 1 in A major BQV 806)
|
|
Alban Berg
|
Altenberglieder
|
|
Debussy
|
Act II Scene 1 (Pelléas et Mélisande)
|
|
Elgar
|
Repent and be baptized (end of Part III, The Kingdom)
|
|
Mozart
|
Rondeau: Allegro (3rd mvmt, Duo no 1 K423)
|
|
Richard Strauss
|
Zueignung (no 1-8 songs, op 10)
|
|
27 Feb 1999
|
Philip Hensher
|
Thomas Adès
|
Fancy Aria (from Powder her face, Act I)
|
|
Busoni
|
Sonatina No.1
|
|
Fat Boy Slim
|
Praise You
|
|
Nørgard
|
Symphony No.2 (conclusion)
|
|
Arnold Schoenberg
|
Premonitions (No.1 from Five Pieces for Orchestra, Op.16)
|
|
Stravinsky
|
First pas de trois (from Agon)
|
|
Kurt Weill
|
Bilbao-Song (from Happy End)
|
|
Hugo Wolf
|
Heb' auf dein blondes Haupt (from Italian Songbook)
|
|
6 Mar 1999
|
Adrian Noble
|
Bach
|
Erbarme Dich (St Matthew Passion)
|
|
Beethoven
|
Mir ist so wunderbar (from Fidelio)
|
|
Leonard Bernstein
|
Psalm 23 (Chichester Psalms)
|
|
Keith Jarrett
|
The Cologne Concert, 1975 Part I (part)
|
|
Monteverdi
|
Lament (Il Ritorno d'Ulisse in Patria)
|
|
Mozart
|
Signor guardate un poco & 'Prayer trio' (Don Giovanni)
|
|
Henry Purcell
|
Chaconne – end of Act V (The Fairy Queen)
|
|
Shaun Davey
|
The Winter's End (adapted from score for RSC production of 'A Winter's Tale')
|
|
13 Mar 1999
|
Sir Jimmy Disprin (Aka John Sessions)
|
William Walton
|
Agincourt Song (Henry V)
|
|
Britten
|
Billy Budd (opening)
|
|
Mozart
|
In uomini, sin soldati sperare fedelta?You think men and soldiers will be faithful? (Act I, Cosi fan tutte)
|
|
Ralph Vaughan Williams
|
Overture (The Wasps)
|
|
Richard Strauss
|
part of trio – end of Act III (Der Rosenkavalier)
|
|
Flanders & Swann
|
The Hippopotamus Song
|
|
Rodgers & Hammerstein
|
There is nothing like a dame (South Pacific)
|
|
20 Mar 1999
|
Ursula Owen
|
Wagner
|
Liebestod (from Tristan und Isolde) arr. Caine
|
|
Richard Strauss
|
Morgen, Op.27/4
|
|
Schubert
|
Nacht und Traüme, D.827
|
|
Haydn
|
Piano Trio No.18 in E, Hob.XV/28 (2nd mvt – Allegretto)
|
|
Jerome Kern
|
The Folks who live on the Hill
|
|
Constant Lambert
|
The Rio Grande (opening)
|
|
Messiaen
|
Louange à l'Éternité de Jésus (from Quartet for the End of Time)
|
|
Verdi
|
Ah! si maledetto, sospetto fatale (from Don Carlo)
|
|
27 Mar 1999
|
David Lodge
|
Trad. Arr. Aretha Franklin
|
Going Down Slow (from album: Aretha Arrives)arr. Aretha Franklin
|
|
André Previn
|
The Five of Us (A Different Kind of Blues)
|
|
Geoffrey Burgon
|
Young Martin in Love (Music from 'Martin Chuzzlewit')
|
|
John Lewis
|
Django
|
|
Ravel
|
Pavane pour une Infante défunte
|
|
Joaquín Rodrigo
|
Concerto de Aranjuez (Sketches of Spain)
|
|
Van Morrison
|
Slim Slow Slider (from album: Astral Weeks)
|
|
Tomás Luis de Victoria
|
O quam gloriosum
|
|
3 Apr 1999
|
David Suchet
|
Vivaldi
|
Concerto for four guitars in B minor, RV 580 (4th mvt – Allegro)
|
|
Carl Maria von Weber
|
Grand Duo Concertant, Op.48 (Finale – Rondo: Allegro)
|
|
Carl Orff
|
O Fortuna (from Carmina Burana)
|
|
Antonio Salieri
|
Piano Concerto in C (3rd mvt – Andantino)
|
|
Rachmaninov
|
Piano Concerto No. 1 (2nd mvt – Andante)
|
|
Mozart
|
Soave sia il vento (from Così fan Tutte)
|
|
Camille Saint-Saëns
|
Symphony No.3, Op.78 (conclusion)
|
|
Mozart
|
Clarinet Concerto in A, K.622 (2nd mvt – Adagio)
|
|
10 Apr 1999
|
Vikram Seth
|
Carl Maria von Weber
|
Clarinet Quintet in B flat, Op.134 (3rd mvt – Menuetto)
|
|
Bach
|
Contrapunctus I (from The Art of Fugue)
|
|
Schubert
|
Erster Verlust, D.226
|
|
Brian Wilson and Mike Love
|
Fun, Fun, Fun
|
|
Vivaldi
|
Manchester Sonata No.1 in C (3rd mvt – Largo)
|
|
N/A
|
Nightingale and muntjac
|
|
Traditional music
|
Raga Marwa
|
|
Alec Roth
|
Duet between Arion and the Dolphin (from Arion and the Dolphin)
|
|
Bach
|
Am Abend, da es kühle war (from St Matthew Passion)
|
|
Schubert
|
Der Kreuzzug, D.932
|
|
17 Apr 1999
|
Jonathan Rée
|
Britten
|
Canticle 2 – Abraham and Isaac (conclusion)
|
|
Hans Joachim Bach and Sten Axelson
|
Kannst du pfeifen, Johanna
|
arranger: H. Frommermann
|
Leoš Janáček
|
Osud
|
|
Mozart
|
Ich bin die erste Sängerin (from Der Schauspieldirektor)
|
|
Reicha
|
Quintet in A minor, Op.100/5 (2nd mvt – Andante con variazioni)
|
|
Rousseau
|
J'ai perdu tout mon bonheur (from Le Devin du Village)
|
|
Schubert
|
Erlkönig
|
|
Schubert
|
Quartet in B flat, D.112 (Finale – presto)
|
|
Hugo Wolf
|
Bei einer Trauung (from Mörike-Lieder)
|
|
24 Apr 1999
|
Amelia Freedman[12]
|
Brahms
|
Clarinet Quintet in B minor, Op.115 (3rd mvt – Andantino)
|
|
Debussy
|
Jeux de Vagues (from La Mer)
|
|
Gabriel Fauré
|
Une Sainte en son auréole + Puisque l'aube grandit (from La Bonne Chanson)
|
|
Neal Hefti
|
The Kid from Red Bank
|
|
Schubert
|
Trio in B flat, D.898 (2nd mvt – Andante un poco mosso)
|
|
Simon Holt
|
Eyes, to the Shadow (from Canciones)
|
|
Jule Styne and Stephen Sondheim
|
Everything's coming up Roses (from Gypsy)
|
|
Kurt Weill
|
My Ship (from Lady in the Dark)
|
|
1 May 1999
|
Peter Porter
|
Bach
|
Schmücke dich, o liebe Seele, BWV 654
|
|
Britten
|
Since she whom I loved (from Holy Sonnets of John Donne)
|
|
Josquin
|
Miserere mei, Deus (conclusion)
|
|
Mozart
|
Seid uns zum zweiten Mal willkommen (from Die Zauberflöte)
|
|
Peter Porter
|
A Brahms Intermezzo
|
|
Richard Strauss
|
Die Frau ohne Schatten (conclusion of Act I)
|
|
Schiller
|
The Gods of Greece
|
|
Schubert
|
Die Götter Griechenlands
|
|
Stravinsky
|
The sun is bright (from The Rake's Progress, Act I, Scene 2)
|
|
Ralph Vaughan Williams
|
Symphony No.5 (1st mvt – Preludio: Moderato – opening)
|
|
8 May 1999
|
Susan Hill
|
Vincenzo Bellini
|
Allegro polonese (close of Concertino for Oboe in E flat major)
|
|
Lennox Berkeley and Robert Herrick
|
How love came in
|
|
Britten
|
Storm' (Sea Interlude II, Peter Grimes)
|
|
Britten and W. H. Auden
|
When you're feeling like expressing your affection
|
|
Elgar
|
Where Corals Lie (no 4 of Sea Pictures op 37)
|
|
Handel
|
Lord, I trust thee
|
|
Mozart
|
Der Vogelfänger bin ich ja (Act I, Die Zauberflöte)
|
|
Hubert Parry
|
I was glad
|
|
Schubert
|
Danksagung an den Bach (Die schöne Müllerin, D 795)
|
|
Ralph Vaughan Williams and R. L. Stevenson
|
Bright is the ring of words
|
|
Walford Davies
|
God be in my head
|
|
15 May 1999
|
Sam West
|
Bach
|
Suite No.3 in C, BWV 1009 (4th mvt – Sarabande)
|
|
Brian Eno and David Byrne
|
The Jezebel Spirit
|
|
Haydn Wood
|
Roses of Picardy
|
|
Knussen
|
When I Heard the Learn'd Astronomer (from Whitman Settings, Op.25)
|
|
Felix Mendelssohn
|
Octet in E flat, Op.20 (1st mvt – Allegro moderato, ma con fuoco – opening)
|
|
Mussorgsky
|
Serenade (from Songs and Dances of Death)
|
|
Ravel
|
Piano Trio in A minor (3rd mvt – Passacaille)
|
|
Stravinsky
|
Mysterious Circle of young Girls + Glorification of the Chosen Victim (from The Rite Of Spring)
|
|
Thelonious Monk
|
Raise Four
|
|
22 May 1999
|
Brian Sewell
|
Vincenzo Bellini
|
Adalgisa, Alma constanza (from Norma)
|
|
Messiaen
|
Transports de Joie (from L'Ascension)
|
|
Mussorgsky
|
Coronation Scene (from Boris Godunov)
|
|
Henry Purcell
|
The Blessed Virgin's Expostulation
|
|
Richard Strauss
|
Beim Schlafengehen (from Four Last Songs)
|
|
Schubert
|
Ganymed, D.544
|
|
Verdi
|
Ah, veglia, O Donna (from Rigoletto)
|
|
Wagner
|
Lohengrin (conclusion)
|
|
29 May 1999
|
Kenny Werner
|
Beethoven
|
Adagio (1st mvmt, String Quartet op 131)
|
|
Django Bates
|
Early Bloomer (album: Winter Truce & Homes Blaze)
|
|
Elliott Carter
|
Fragment for String Quartet (1994)
|
|
John Kander and Fred Ebb
|
New York New York
|
|
Keith Jarrett
|
Landscape for future earth (Album: Facing You)
|
|
Kenny Werner
|
Kandinsky/Back to Light (album: Paintings)
|
|
Ravel
|
Bolero (part)
|
|
Arnold Schoenberg
|
4th & 5th mvts (5 Orchestral Pieces, op 16)
|
|
5 Jun 1999
|
Mavis Cheek[13][14]
|
Brahms
|
Selig sind, die da Leid tragen (opening of Ein Deutsches Requiem)
|
|
Con Conrad and Herb Magidson
|
The Continental
|
|
Easter Mattins
|
Bells of the Monastery & Procession (part)
|
|
Mozart
|
Andante – 2nd mvmt, Piano Concerto no 21 in C, K 467
|
|
Puccini
|
Te Deum' (end of Act I, Tosca)
|
|
Puccini
|
Mimi's death scene from "Mi chiamano Mimi.."(La Bohème)
|
|
Shostakovich
|
1st mvmt, Symphony no 5
|
|
Stephen Sondheim
|
Send in the Clowns (A Little Night Music)
|
|
12 Jun 1999
|
Tony Palmer
|
Bob Dylan
|
All along the Watchtower
|
|
Britten
|
Hyde Park Aria (from Owen Wingrave)
|
|
Billy Cowie
|
Kam Falla Mi!
|
|
Philip Glass
|
Mrs Alexander's outburst (from Satyagraha, Act II, Scene 1)
|
|
José Pablo Moncayo
|
Huapango (opening)
|
|
Puccini
|
Vissi d'Arte (from Tosca)
|
|
Rachmaninov
|
Prelude in B minor, Op.32/10
|
|
Shostakovich
|
Piano Concerto No.2 in F, Op.102 (2nd mvt – Andante)
|
|
Ralph Vaughan Williams
|
A London Symphony (2nd mvt – Lento – conclusion)
|
|
19 Jun 1999
|
Lady Natasha Spender
|
Bach
|
Fugue (2nd mvmt, Sonata no 1 in G minor BWV 1001)
|
|
Samuel Barber
|
Allegro vivace e leggero (2nd mvmt, Piano Sonata op 26)
|
|
Beethoven
|
Allegro appassionato (finale, String Quartet in A minor, op 132)
|
|
Britten
|
Joe has gone fishing (end of Act I, Peter Grimes)
|
|
Lennox Berkeley
|
Presto (2nd mvmt, Piano Sonata op 20)
|
|
Mozart
|
Ach, ich fühls (Die Zauberflöte)
|
|
Schubert
|
1st mvmt, Piano Sonata in B flat
|
|
26 Jun 1999
|
Leonard Ingrams
|
Robert Schumann
|
Märchenbilder op 113, no 3 – Rasch
|
|
Richard Strauss
|
Verwandlung (part) & Mondlicht (closing of Daphne)
|
|
Anonymous work
|
I will give my love an apple
|
|
Anonymous work
|
O Waly Waly
|
|
Bach
|
Friede über Israel (Closing chorus of Whitsun Cantata BWV 34)
|
|
Haydn
|
Un certo ruscelletto – "Like a little brook..." (Il Mondo della Luna, Act III)
|
|
Hindemith
|
Trauermusik
|
|
Henry Purcell
|
Fantasia for 4 viols in C minor Z738
|
|
Ralph Vaughan Williams
|
Evening Hymn (no 4 of Four Hymns for tenor, viola and piano)
|
|
Tomás Luis de Victoria
|
O vos omnes (Tenebrae Responsories)
|
|
3 Jul 1999
|
Peter Eyre
|
Vincenzo Bellini
|
Qui la voce sua soave ... (I Puritani)
|
|
Chopin
|
Ballade no 4 in F minor (part)
|
|
Elgar
|
1st mvmt, (opening) Piano Quintet in A minor op 84
|
|
Messiaen
|
Ta Voix (Poèmes pour Mi)
|
|
Schubert
|
Das Wirtshaus (Winterreise)
|
|
Verdi
|
Dio ch nell'alma infondere (Don Carlos)
|
|
Wagner
|
Liebestod (Tristan und Isolde)
|
|
10 Jul 1999
|
Paul Levy
|
Bach
|
Was willst du dich, mein Geist, entsetzen (Cantata BWV 8 'Liebster Gott, wann werd ich sterben?')
|
|
Beethoven
|
Andante & Vivace (1st mvmt, Sonata no 4 in C major for cello & piano Op 102 no 1)
|
|
Alban Berg
|
Violin Concerto (1st mvmt)
|
|
Sammy Cahn and Saul Chaplin and Sholom Secunda
|
Bei mir bist du schoen ("shayn")
|
|
Maschwitz and Jack Strachey
|
These Foolish Things (album: These Foolish Things)
|
|
Mozart
|
In diesen heil'gen Hallen (Act II, Magic Flute)
|
|
Robert Schumann
|
Die Beiden Grenadiere
|
|
Tchaikovsky
|
Prince Gremin's aria in praise of Tatyana (Act II, Eugene Onegin)
|
|
17 Jul 1999
|
Nichola McAuliffe
|
Britten
|
Moonlight (from Four Sea Interludes from Peter Grimes)
|
|
Philip Glass
|
Dance V (from In the Upper Room)
|
|
Mozart
|
Il mio Tesoro (from Don Giovanni)
|
|
Arnold Schoenberg
|
Heimfahrt + O alter Duft (from Pierrot Lunaire)
|
|
Traditional music
|
El Soldado Ricante
|
|
Traditional music
|
Tuvan throat singing
|
|
Ralph Vaughan Williams
|
Silent Noon (from The House of Life)
|
|
Wagner
|
Rienzi Overture
|
|
24 Jul 1999
|
Dr. Anthony Stevens
|
Cole Porter
|
Experiment
|
|
Debussy
|
String Quartet no 1 in G minor op 10 (1st mvmt, Animé et très décidé)
|
|
Elgar
|
The Swimmer (Sea Pictures op 37)
|
|
Handel
|
From Harmony, from heavenly Harmony (Ode for St Cecilia's Day)
|
|
Kamilieris
|
Last evening in the taverna (Hasapiko – Butcher's Dance)
|
|
Francis Poulenc
|
Hommage à Schubert (Improvisations no 12)
|
|
Henry Purcell
|
Sound the Trumpet (Come Ye Sons of Art)
|
|
Schubert
|
Wohin? (Die schöne Müllerin)
|
|
Stanford
|
The little Admiral (4th of Songs of the Fleet)
|
|
William Walton
|
En Famille (Façade)
|
|
31 Jul 1999
|
Lord Neill
|
Bach
|
Menuets I & II + Gigue (from Partita in B flat, BWV825)
|
|
Beethoven
|
Septet in E flat, Op.20 (2nd mvt – Adagio Cantabile)
|
|
Britten
|
Peter Grimes (conclusion of Act I, Scene 1)
|
|
Haydn
|
Symphony No.102 in B flat (Finale – Presto)
|
|
Leoš Janáček
|
Katya Kabanova (conclusion of Act II)
|
|
Liszt
|
Gnomenreigen
|
|
Montsalvatge
|
Divertimento No.2 – Habañera
|
|
Mozart
|
O voto tremendo (from Idomeneo)
|
|
Robert Schumann
|
Im wunderschönen Monat Mai + Das ist ein Flöten und Geigen (from Dichterliebe)
|
|
7 Aug 1999
|
Stephen Bayley
|
Beethoven
|
Triple Concerto in C, Op.56 (1st mvt – Allegro – first part)
|
|
Brahms
|
Denn alles Fleisch, es ist wie Gras (from A German Requiem) (first part)
|
|
Handel
|
Ombra mai fu (from Xerxes)
|
|
Mick Jagger and Keith Richards
|
Gimmie Shelter (pub ABKCO Music)
|
|
Puccini
|
Bimba dagli occhi pieni di malìa (from Madama Butterfly)
|
|
Domenico Scarlatti
|
Sonata in E, Kk.380
|
|
Schubert
|
An die Musik
|
|
Ned Washington and Victor Young
|
A Hundred Years from Today
|
|
Kurt Weill
|
September Song (from Knickerbocker Holiday)
|
|
14 Aug 1999
|
Django Bates
|
Bob Dylan
|
Just like a Woman (from the album Songs of the Poets)
|
|
Farmers Market
|
Nell in the sky with Farmers (from the album Musik fra Hybridene)
|
|
Charles Ives
|
Three Quarter-tone Pieces for Two Pianos (No.1 – Largo)
|
|
Keith Jarrett
|
Blossom (from the album Belonging)
|
|
Fritz Kreisler
|
Caprice Viennois
|
|
Lester Young
|
Lester leaps in (from the album Bird is Free)
|
|
Miles Davis
|
Sivad (exc.) (from the album Live-Evil)
|
|
N/A
|
Romanian folk music
|
|
Conlon Nancarrow
|
Study for Player Piano No.40A
|
|
21 Aug 1999
|
Sophie Ryder[15][16]
|
Debussy
|
Golliwog's Cakewalk (Children's Corner)
|
|
Trad. Mexican
|
La Iguana
|
|
Bach
|
Sicilienne (2nd mvmt, Sonata in E flat major BWV 1031 for flute & harpsichord)
|
|
Domenico Scarlatti
|
Sonata in B minor (L 449/Kp 27)
|
|
Liszt
|
Valse oubliée no 1 in A minor
|
|
Morton Feldman
|
Why patterns? (part)
|
|
A. Marly and H. Zaret
|
The Partisan (from album: Songs from a Room)
|
|
Anthony Newley and Leslie Bricusse
|
"Feeling Good"
|
|
Antonio Carlos Jobim and Gene Lees
|
Corcovado (Quiet Nights of Quiet Stars)
|
|
Bach
|
Herr, unser Herrscher (end of opening chorus, St John Passion)
|
|
28 Aug 1999
|
Robert David MacDonald
|
Schubert
|
Nacht und Träume
|
|
Richard Strauss
|
Recognition scene (from Elektra) (pub. Boosey)
|
|
Bach
|
Bist du bei mir
|
|
Vincenzo Bellini
|
Mira O Norma (from Norma)
|
|
Liszt
|
Le Triumphe Funèbre de Tasso (conclusion)
|
|
Sergei Prokofiev
|
Lullaby (from On Guard for Peace)
|
|
Ambroise Thomas
|
Connais-tu le pays (from Mignon)
|
|
Verdi
|
Chi i bei di m'adduce ancora
|
|
4 Sep 1999
|
Rainer Hersch
|
Handel
|
The Arrival of the Queen of Sheba arr. Hersch
|
|
Handel
|
Why do the Nations? (from The Messiah: A Soulful Celebration) arr. Mervyn Warren
|
|
Schubert
|
Abschied + Die Taubenpost (from Schwanengesang)
|
|
Richard Strauss
|
Metamorphosen (conclusion)
|
|
Arnold Schoenberg
|
Musette (from Suite, Op.25)
|
|
John Philip Sousa
|
The Stars and Stripes Forever arr. Horowitz
|
|
Charles-Valentin Alkan
|
Comme le Vent, Op.39/1 (from 12 Studies in minor keys)
|
|
Bach
|
Concerto in A, BWV 1055 (3rd mvt – Allegro ma non tanto)
|
|
Sandy Linzer and Denny Randell
|
"A Lover's Concerto"
|
|
11 Sep 1999
|
Jonathan Coe
|
Debussy
|
Interlude. Tempo di Minuetto (2nd mvmt, Sonata for flute, viola & harp)
|
|
Herbert Howells
|
Merry Eye
|
|
Kenny Wheeler
|
Consolation (Part VI, The Sweet Time Suite)
|
|
Miklós Rózsa
|
Lento cantabile (2nd mvmt, Concerto for violin & orchestra op 24)
|
|
Francis Poulenc
|
Déploration (3rd mvmt, Oboe Sonata)
|
|
Robert Wyatt
|
Sea Song
|
|
18 Sep 1999
|
John Humphrys
|
Bach
|
Sarabande (from Suite No.1 in G, BWV 1007)
|
|
Beethoven
|
String Quartet in C♯ minor, Op.131: (1st mvt – Adagio non troppo)
|
|
Billy Strayhorn
|
Take the A Train
|
|
Elgar
|
Cello Concerto, Op.85 (3rd mvt – Adagio)
|
|
Duke Ellington and Johnny Hodges
|
Weary Blues
|
|
Gabriel Fauré
|
Sanctus (from Requiem, Op.48)
|
|
Joseph Parry
|
Myfanwy
|
|
Paul Simon
|
The Sound of Silence
|
|
Rodgers and Hart
|
Manhattan
|
|
25 Sep 1999
|
Keith Swanwick[17]
|
Julia Eboly
|
untitled piano composition
|
|
Elgar
|
Symphony No. 2 in E flat, Op.63 (3rd mvt – Rondo: Presto)
|
|
John Lennon and Paul McCartney
|
Ticket to Ride
|
|
Ligeti
|
Musica Ricercata (1st mvt)
|
|
Miles Davis
|
Flamenco Sketches (from Kind of Blue)
|
|
Schubert
|
Frühlingstraum (from Winterreise, D.911)
|
|
John Philip Sousa
|
The Stars and Stripes for Ever
|
|
Timbalada
|
Cadè O Timbau?
|
|
2 Oct 1999
|
William Lyne[18]
|
Haydn
|
4th mvmt from String Quartet in B flat p 76 no 4)
|
|
Schubert
|
Die Taubenpost
|
|
Verdi
|
Duet, Act I "Dinne... alcun là von vedisti?" (Simon Boccanegra)
|
|
Handel
|
Scene 5 (part) – Act III, Saul
|
|
Johann Strauss II
|
Spiel ich die Unschuld vom Lande (Die Fledermaus)
|
|
Reynaldo Hahn
|
Tyndaris
|
|
François Couperin
|
Les Barricades mysterieuses (Livre de clavecin Book 2, Ordre 6)
|
|
Reynaldo Hahn
|
L'heure exquise (from Chansons grises)
|
|
Schubert
|
Andante con moto (Piano trio in E flat D 929)
|
|
9 Oct 1999
|
John Carey
|
Gregorio Allegri
|
Miserere
|
|
Bach
|
Bourrées 1 and 2 (from Suite No.4 in E flat, BWV 1010)
|
|
Beethoven
|
Piano Trio in B flat, Op.97 – "Archduke" (4th mvt – Allegro moderato – presto)
|
|
Gilbert and Sullivan
|
If you're anxious for to shine (from Patience)
|
|
Haydn
|
The Heavens are Telling (from The Creation)
|
|
Felix Mendelssohn
|
Violin Concerto in E minor, Op.64 (Finale – Allegro molto vivace)
|
|
Verdi
|
Ah, fors'é lui (from La Traviata)
|
|
Carl Maria von Weber
|
Clarinet Concerto No.2 in E flat, Op.74
|
|
16 Oct 1999
|
Sidonie Goossens
|
Alban Berg
|
7 Early Songs – No 6 Liebesode
|
|
Britten
|
Nocturne for tenor, seven sol instruments and strings – 3rd movement "Encinctur'd with a twine of leaves" (with harp obbligato)
|
|
Britten
|
Young Person's Guide to the Orchestra
|
|
Frederick Delius
|
Brigg Fair
|
|
Elgar
|
Symphony No 1 3rd movt
|
|
Sergei Prokofiev
|
Prelude, Op 12 No 7 (originally for piano)
|
|
Ravel
|
Introduction and Allegro
|
|
Ralph Vaughan Williams
|
Serenade to Music
|
|
23 Oct 1999
|
Al Alvarez
|
Al Alvarez
|
Ann Dancing
|
|
Beethoven
|
Sonata in C minor, Op.111 (2nd mvt – Arietta)
|
|
Harry Ruby
|
There's a girl in the heart of Wheeling, West Virginia
|
|
Leoš Janáček
|
The barn owl has not flown away (from On an Overgrown Path)
|
|
Mozart
|
Di scrivermi ogni giorno (from Così fan tutte)
|
|
Pérotin
|
Viderunt omnes (opening)
|
|
S. Silverstein
|
Everybody's Makin' It Big But Me
|
|
Schubert
|
Notturno in E flat major, D897 (opening)
|
|
Jean Sibelius
|
Symphony No.4 in A minor, Op.63 (opening of last mvt – Allegro)
|
|
30 Oct 1999
|
Jim Crace
|
Mahler
|
Symphony No.5 – Funeral March arr. Caine
|
|
Benedict Mason
|
Lighthouses of England and Wales (opening)
|
|
Jim Crace
|
Being Dead (opening)
|
|
John Adams
|
The Day Chorus (from The Death of Klinghoffer, Act II)
|
|
Julian Argüelles
|
Qaanaaq (from the album Skull View)
|
|
Louis Sclavis
|
Moi c'est S'Mariano (from the album Clarinettes)
|
|
Youssou N'Dour and Jean-Philippe Rykiel
|
Tourista (from the album The Guide (Wommat))
|
|
Paganini
|
Sonata in A, Op.3/1
|
|
Francis Poulenc
|
Sonata for Two Clarinets (3rd mvt – Vif)
|
|
Schubert
|
Impromptu in F minor, D.935/1
|
|
6 Nov 1999
|
Robin JH Simon
|
Handel
|
All we like sheep (Messiah)
|
|
William Byrd
|
Ave verum corpus
|
|
Henry Purcell
|
Dear pretty youth (Act IV, The Tempest)
|
|
Schubert
|
Der Erlkönig
|
|
Puccini
|
E gelida manina (La Bohème)
|
|
Verdi
|
E scherzo, od è follia (It is a joke, or madness) (Un Ballo in Maschera)
|
|
Chopin
|
Fantasie-Impromptu in C sharp minor op 66
|
|
Mozart
|
Notte e giorno faticar (Act I, Don Giovanni)
|
|
Caradog Roberts
|
I bob un sy'n ffyddlon (tune: Rachie)
|
|
Rossini
|
Largo al factotum (Act I, Il barbiere di Siviglia)
|
|
13 Nov 1999
|
Anthony Sampson
|
Trad. Arr. Solomon Linda
|
Mbube arr. Linda
|
|
Bach
|
Suite No.2 in D minor, BWV 1008 (1st mvt – Prélude)
|
|
Beethoven
|
Variations on 'Ein Mädchen oder Weibchen', Op.66
|
|
Berlioz
|
Harold in Italy (1st mvt – Harold in the Mountains – first part)
|
|
Bizet
|
Minuetto (from L'Arlésienne Suite No. 2)
|
|
Hugh Masekela and Cedric Samson
|
Thank you Madiba (pub. Kayden Music/Warner Chappell)
|
|
Mozart
|
Final reconciliation scene (from Le Nozze di Figaro)
|
|
Puccini
|
Gratias agimus Tibi (from Messa di Gloria)
|
|
Verdi
|
Finale (from Falstaff, Act III)
|
|
20 Nov 1999
|
Gaia Servado[19]
|
Berlioz
|
Appearance of the Ghost of Hector (from Les Troyens, Act II)
|
|
Debussy
|
Interlude (Descent into the vaults) (from Pelléas et Mélisande)
|
|
Mozart
|
Sento, o Dio (from Così fan Tutte)
|
|
Brahms
|
Symphony No.2 in D, Op.73 (2nd mvt – Adagio non troppo)
|
|
Mozart
|
Symphony No.40 in G minor. K.550 (2nd mvt – Andante) (first part)
|
|
Mussorgsky
|
Chorus of Priestesses (from Salammbô)
|
|
Rossini
|
William Tell
|
|
Verdi
|
É tardi (from La Traviata)
|
|
27 Nov 1999
|
John Morgan
|
Vincenzo Bellini
|
Mira, O Norma (from Norma)
|
|
Brahms
|
Piano Trio No.3 in C minor, Op.101 (1st mvt – Allegro energico)
|
|
Handel
|
To Thee, Thou glorious Son (from Theodora)
|
|
Haydn
|
Benedictus (from Missa Brevis Sancti Joannis de Deo – "Little Organ Mass")
|
|
Francis Poulenc
|
Reine des Mouettes (from Métamorphoses)
|
|
Schubert
|
Sonata in A, D.664 (2nd mvt – Andante)
|
|
Robert Schumann
|
Im wunderschönen Monat Mai (from Dichterliebe, Op.48)
|
|
Wagner
|
Wotan's Farewell (opening) (from Die Walküre)
|
|
4 Dec 1999
|
Jeremy Dixon[20]
|
Robert Schumann
|
Die alten bosen Lieder (from Dichterliebe, Op.48)
|
|
Richard Strauss
|
Ja, ist Sie da?... (from Der Rosenkavalier) (pub. Boosey)
|
|
Alan Price
|
Poor People (from O Lucky Man!)
|
|
Bach
|
Goldberg Variations (Variation 25)
|
|
Brahms
|
Intermezzo in B flat minor, Op.117/2
|
|
Britten
|
The Children (from Who are these children, Op.84) (pub. Faber)
|
|
Haydn
|
String Quartet in D, Op.33/6 (2nd mvt – Andante)
|
|
Conlon Nancarrow
|
Study No.21 (Canon – X) (pub. Schott)
|
|
11 Dec 1999
|
Victoria Glendinning
|
Britten
|
One ever hangs where shelled roads part... (Agnus Dei – Part V, War Requiem)
|
|
Chopin
|
Etude in E major op 10 no 3
|
|
Cole Porter
|
True Love (from 'High Society')
|
|
Handel
|
O Lovely Peace (Judas Maccabeus)
|
|
John Lennon and Paul McCartney
|
The Long and Winding Road
|
|
Mahler
|
end of Finale (1st Symphony)
|
|
Mozart
|
Deh vieni, non tardar (Come, do not delay..) – Act IV, The Marriage of Figaro
|
|
John Tavener
|
The Protecting Veil (opening)
|
|
18 Dec 1999
|
Simon Schama
|
Lonnie Carter and Little Walter
|
Sittin' on top of the World
|
|
Leoš Janáček
|
The Cunning Little Vixen
|
|
Juan Luis Guerra
|
Ojalá que llueva café
|
|
Puccini
|
Dunque è proprio finita (from La Bohème, Act III)
|
|
Rodgers and Hart
|
Manhattan
|
|
Schubert
|
Impromptu in G flat, D.899/3
|
|
Schubert
|
Quintet in C, D.956 (3rd mvt – Scherzo – first part)
|
|
Verdi
|
L'onore! Ladri (from Falstaff, Act I, Part 1)
|
|
Vivaldi
|
Flute Concerto in G minor, RV 439 – La Notte (3rd mvt – Largo: Il Sonno)
|
|
25 Dec 1999
|
Don Maguire (Aka John Sessions)
|
Philip Glass
|
Dance no 2 for Organ (part)
|
|
John Cage
|
Fifty six marches (3rd mvmt – 'A dip in the lake' for cello & toy instruments)
|
|
Lou Reed
|
I'll be your mirror
|
|
Laurie Anderson
|
O Superman (part)
|
|
Charles Ives
|
Prelude: Maestoso (1st mvmt, 4th symphony)
|
|
J Livingston & R Evans
|
Theme from 'Bonanza'
|
|
Aaron Copland
|
Appalachian Spring (part)
|
|
References
External links
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Related articles | |
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