Lisa Morton (born December 11, 1958) is an American horror author and screenwriter.
Biography
Morton was born in Pasadena, California, and entered the film industry in 1979 as a modelmaker on Star Trek: The Motion Picture.[1] In 1988 she co-wrote (with make-up effects expert Tom Burman) Life On the Edge, which was later re-titled Meet the Hollowheads;[2] she also served as an Associate Producer on the film, and received an acting credit as "the Edge Slut" (in a scene that was cut from the film). The film was shown at the OdeonLondon Film Festival, was selected to appear in London’s Shock Around the Clock Film Festival for 1989[3] and was one of 12 films selected to appear in the Avoriaz Film Festival.
Her second novella, The Samhanach, was nominated for the Bram Stoker Award for Best Long Fiction, and was named the top pick in the 2011 reviewer poll by Monster Librarian.[5]
Her first novel, The Castle of Los Angeles, was published in 2010 by Gray Friar Press. It won the Bram Stoker Award for Best First Novel (tie) and was nominated for “Best Small Press Chill” by the 4th Annual Dark Scribe Awards.[6]
Morton has also worked as an editor. Her anthology Midnight Walk (2009) received a nomination for the Bram Stoker Award for Best Anthology and won the Black Quill Award for Best Dark Genre Anthology.[7] Her 2017 Halloween-themed anthology Haunted Nights (co-edited with Ellen Datlow) received a starred review from Publishers Weekly.[8]
Her 2019 anthology Ghost Stories: Classic Tales of Horror and Suspense (co-edited with Leslie S. Klinger) was named a Publishers Weekly Pick of the Week.[9]
Morton has written three non-fiction books on the history of Halloween: The Halloween Encyclopedia (2003, second edition published in 2011); A Hallowe'en Anthology: Literary and Historical Writings Over the Centuries (2008), which was nominated for the Black Quill Award[10] and won the Bram Stoker Award for Best Non-Fiction; and Trick or Treat: A History of Halloween (2012), which won the Bram Stoker Award for Best Non-Fiction and the Halloween Book Festival Grand Prize Award.[11]
She has also been interviewed for The History Channel’s documentary The Real Story of Halloween, the supplement The Lore and Legends of Halloween on the Blu Ray release of Trick 'r Treat,[12] the How Halloween Has Changed episode of AHCTV’s America: Fact Vs. Fiction, and Coast to Coast AM with George Noory.[13]
Her other non-fiction books include The Cinema of Tsui Hark (2001) and Savage Detours: The Life and Work of Ann Savage (2010, co-authored with Kent Adamson), and Ghosts: A Haunted History (2014).
Her non-fiction articles have appeared in such books as The Art of Horror (2015), The Oxford Companion to Sugar and Sweets (2015), Birthing Monsters: Frankenstein’s Cabinet of Curiosities and Cruelties (2018),[14] and It’s Alive: Bringing Your Nightmares to Life (2018). She frequently interviews other authors for Nightmare Magazine[15] and has provided feature articles for Shudder’s newsletter The Bite.
She co-authored (with Rocky Wood, art by Greg Chapman) the non-fiction graphic novel Witch Hunts: A Graphic History of the Burning Times (2012), which received the Bram Stoker Award for Best Graphic Novel.
The H-Word: Dementia and the Horror Writer (2018), Nightmare Magazine (May 2018)
Not a Princess Anymore: How the Casting of Winona Ryder in Stranger Things Speaks to the Essential Falsehood of 1980s Media Depictions of the American Working Class (2018), Uncovering Stranger Things: Essays on Eighties Nostalgia, Cynicism and Innocence in the Series
When It’s Their World: Writing for the Themed Anthology (2018), It’s Alive: Bringing Your Nightmares to Life
Fantamagoriana; or, The Ghost Stories That Galvanized Frankenstein (2018) Birthing Monsters: Frankenstein’s Cabinet of Curiosities and Cruelties
Foreword (2019), Horror Literature from Gothic to Post-Modern: Critical Essays
