Licínio Silveira Azevedo (Licínio de Azevedo, Licínio Azevedo, Novo Hamburgo, Porto Alegre, Brazil, 1951) is a Brazilian–Mozambican journalist, film producer, screenwriter, and film director of award-winning documentaries and feature films.[1][2][3][4]
Biography
Born in Porto Alegre in 1951, journalist Azevedo left Brazil during the military dictatorship there for post-revolutionary Portugal in 1976, continuing to Guinea-Bissau where he trained journalists. He interviewed members of the liberation movement PAIGC on their struggle against Portugal and published the results with Da Paz Rodrigues in their book Diário da libertação : a Guiné-Bissau da nova África (Liberation diary: the Guinea-Bissau of the new Africa, 1977). Living in Mozambique since the 1970s, he reported on Frelimo's struggle in Relatos do povo armado (Stories from the armed people, 1983).[5]
At the Maputo Instituto Nacional de Cinema de Moçambique (INC, National Cinema Institute of Mozambique, now Instituto Nacional de Audiovisual e Cinema de Moçambique INAC), Azevedo worked with film directors Ruy Guerra (born in Maputo, 1931) and Jean-Luc Godard (1930–2022).[4] Azevedo became one of the founders of the Mozambican film production company Ébano Multimédia, and director and producer of various feature films and documentaries.[4] His first medium-length fiction film The Great Bazaar (O Grande Bazar) and other films were presented at many film festivals, such as the Fribourg International Film Festival.[2] His documentaries and drama feature films obtained seven prizes and three award nominations at film festivals.[6]
Books by Avezedo
Avezedo published a number of books in Portuguese, such as:[7]
Azevedo, Licínio; Da Paz Rodrigues, Maria (1977). Diário da libertação : a Guiné-Bissau da nova África [Liberation diary: the Guinea-Bissau of the new Africa]. Coleçaõ Testemunhos, 2. São Paulo: Versus. OCLC462846146.
Azevedo, Licínio (1983). Relatos do povo armado [Stories from the armed people]. Colecção Depoimentos, 1. Maputo: Cadernos Tempo. OCLC10799692.
^ abcBarlet, Olivier (2017). "Licínio Azevedo, Réalisateur/trice, Écrivain/ne, Producteur/trice, Scénariste". africine.org (in French). Fédération africaine de la critique cinématographique (FACC). Né au Brésil le 27 mai 1951, Licínio Azevedo fait ses premiers pas en Afrique en suivant les guerres de libération, d'abord en Guinée, puis au Mozambique, où il s'établit en 1975.
^ abc"Licínio Azevedo – Infopédia". Infopédia – Porto Editora (in Portuguese). Infopédia Dicionários Porto Editora. Retrieved 17 May 2022.
^Stock, Robert (2021). "6. Postcolonial testimony and the ruins of empire". In De Medeiros, Paulo; Apa, Livia (eds.). Contemporary Lusophone African Film : transnational communities and alternative modernities. London and New York: Routledge Taylor & Francis Group. pp. 95–112. ISBN9780367134976. OCLC1176322750.
^"Showing 1–10 of 24 Results". worldcat.org. OCLC.INC. Retrieved 15 September 2023.. WorldCat.org, search for Licínio Azevedo.
^"Licinio Azevedo Director Screenwriter". mubi.com. London, UK: MUBI UK Limited. Retrieved 17 May 2022. We don't work with professional actors, but with normal people.
^"Licínio Azevedo Director". africanfilmny.org. New York: African Film Festival, Inc. (AFF). Retrieved 17 September 2023. Biography. Brazil. Licínio Azevedo (born in Porto Alegre, Brazil) is an independent filmmaker and co-founder of the Mozambican film production company, Ebano Multimedia.
^Film adaptation of the book Azevedo, Licínio (1983). Relatos do povo armado. Colecção Depoimentos, 1. Maputo: Cadernos Tempo. OCLC10799692.
^"Adeus RDA". site.videobrasil.org.br. Retrieved 28 September 2023. Traumatic process of eleven thousand Mozambicans returning home after one decade in the East Germany.
^"A ÚLTIMA PROSTITUTA". Acervo África, Sumaré São Paulo, Brazil. Retrieved 28 November 2021. Cinco mulheres falam da sua experiência nos centros de reeducação para prostitutas, criado logo após a independência de Moçambique, nas florestas da longínqua província de Niassa, em sítios onde não havia nada, excepto animais selvagens. (Translation: Five women talk about their experience in the re-education centers for prostitutes, created shortly after Mozambique's independence, in the forests of the distant province of Niassa, in places with only wild animals.)
^"Histórias Comunitárias". netkanema.co.mz (in Portuguese). NetKanema, Maocha's Filmes. 2019–2023. Retrieved 15 September 2023.
^"Titulo Original: Hóspedes da Noite, Moçambique, 2007, cor 53'. Documentário Africano". marfilmes.com (in Portuguese). Marfilmes, an international sales agency in Lisbon, specialized in the dissemination of films and documentaries from Portugal and Africa, focusing on Lusophone Africa. Retrieved 15 September 2023. Na era colonial, o Grande Hotel da cidade da Beira era o maior de Moçambique: 350 quartos, suites luxuosas, piscina olímpica… (Translation: In the colonial era, the Grande Hotel in the city of Beira was the largest in Mozambique: 350 rooms, luxurious suites, an Olympic-size swimming pool.)
^Film adaptation of Azevedo, Licínio (1997). O comboio de sal e açúcar. Maputo: Ndjira. OCLC40783711.
^Former Lusophone film festival called Festival de Cinema de Países de Língua Portuguesa, pt.
Secondary literature
Owen, Hilary (2021). "7. In the name of the Rosa. The ethnographic reflex in the cinema of Licínio Azevedo". In De Medeiros, Paulo; Apa, Livia (eds.). Contemporary Lusophone African Film : transnational communities and alternative modernities. London and New York: Routledge Taylor & Francis Group. pp. 113–130. ISBN9780367134976. OCLC1176322750.