During the Second World War Martin was assigned to the pre-nationalisation Railway companies to supervise re-building of bomb-damaged regional rail stations.[7]
Martin was involved initially with Patrick Hodgkinson in the Brunswick Centre, an early experiment in planned mixed-use development in Bloomsbury that was partially completed. The 1950s also saw the creation of the Loughborough Estate in Brixton, south London, designed by Martin.
In the 1960s the British government commissioned Martin to draw plans for a wholesale demolition and redevelopment of the area between St James's Park and the Thames Embankment in London. It would have involved the demolition of most of the Victorian and Edwardian government offices (the Foreign Office, the Commonwealth Office, the old Home Office, etc.) in Whitehall, which were then scheduled for demolition, and left the Banqueting Hall as a traffic island and the original Scotland Yard building enveloped in the middle of a courtyard of offices.
The plans met with determined opposition from the public and conservation groups, especially the Victorian Society, and their implementation was delayed. Edward Heath's government eventually formally abandoned Martin's plan in 1971. The existing buildings were subsequently restored and opened to the public.
Taking a broader view of Martin's work, a picture emerges of the man as a quiet achiever par excellence. Through his skilled networking in support of promising younger architects, and his self-effacing work on committees, he strongly influenced the course of post-war British architecture. "He was efficient, cooperative, impeccably well networked and calmly authoritative, justifying his advice with his immense architectural expertise and his scientific investigations of planning needs."[10]
One of his later projects was an extension to Kettle's Yard Art Gallery to house the works of Dame Barbara Hepworth, Ben Nicholson, and others.
Martin and his wife, Sadie Speight, were responsible for the modernist house Brackenfell (Grade II listed) in Brampton, Cumbria. Designed in 1936 and completed in 1938 for textile designer and artist Alastair Morton, of Edinburgh Weavers. The interior colour scheme was reputedly designed by Ben Nicholson who lived locally when married to Winifred Roberts. Brackenfell is still a private house.[11]
^Calder, Barnabas (2016). Raw Concrete: The Beauty of Brutalism. London: William Heinemann. pp. 161–201. ISBN9780434022441.
^Campbell, L. "Constructivism and contexualism in a modern country house: the design of Brackenfell (Leslie Martin and Sadie Speight, 1937–8)", Architectural History, vol. 50 (2006), pp. 247–266
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