Feinberg was born in Kansas City, Missouri and raised in Buffalo, New York in a working-class, Jewish family. At fourteen years old, she began work at a display sign shop at a local department store. Feinberg eventually dropped out of Bennett High School, though she officially received a diploma. Feinberg began frequenting gay bars in Buffalo and primarily worked in low-wage and temporary jobs, including washing dishes, cleaning cargo ships, working as an ASL interpreter, inputting medical data, and working at a PVC pipe factory and a book bindery.[11][12]
Career
When Feinberg was in her twenties, she met members of the Workers World Party at a demonstration for the land rights and self-determination of Palestinians and joined the Buffalo branch of the party. After moving to New York City, Feinberg took part in anti-war, anti-racist, and pro-labor demonstrations on behalf of the party for many years, including the March Against Racism (Boston, 1974), a national tour about HIV/AIDS (1983–84), and a mobilization against KKK members (Atlanta, 1988).[11]
Feinberg's first novel, the 1993 Stone Butch Blues, won the Lambda Literary Award and the 1994 American Library Association Gay & Lesbian Book Award (now called the Stonewall Book Award).[15] While there are parallels to Feinberg's experiences as a working-class dyke, the work is not an autobiography.[6][7][8] Her second novel, Drag King Dreams, was released in 2006.[16]
Her nonfiction work included the books Transgender Liberation: A Movement Whose Time Has Come in 1992 and Transgender Warriors: Making History from Joan of Arc to Dennis Rodman in 1996. Also in 1996, Feinberg appeared in Rosa von Praunheim's documentary, Transexual Menace.[17] In 2009, she released Rainbow Solidarity in Defense of Cuba—a compilation of 25 journalistic articles.[18]
In Transgender Warriors, Feinberg defines "transgender" as a very broad umbrella, including all "people who cross the cultural boundaries of gender"[10]—including butch dykes, passing women (those who passed as men only in order to find work or survive during war), and drag queens.[9]
Feinberg's writings on LGBT history, "Lavender & Red", frequently appeared in the Workers World newspaper. Feinberg was awarded an honorary doctorate from Starr King School for the Ministry for transgender and social justice work.[19]
Feinberg was outspoken about her support for Palestinians. In a 2007 speech given to the first public conference of Aswat, an organization for LGBT Palestinian women, in Haifa in 2007, Feinberg said, "I am with Palestinian liberation with every breath in my body; every muscle and every sinew."[20] In a 2006[21] interview with Mattilda Bernstein Sycamore about Drag King Dreams, Feinberg said of her novel's Jewish characters, "for Heshie and Max, this question of the occupation of Palestine goes to the heart of what it means to live an authentic life in a period in which this really historical crime is taking place in their name."[22]
In 2008, Feinberg was diagnosed with Lyme disease. She wrote that the infection first came about in the 1970s, when there was limited knowledge related to such diseases and that she felt hesitant to deal with medical professionals for many years due to her transgender identity. For this reason, she only received treatment later in life. In the 2000s, Feinberg created art and blogged about her illnesses with a focus on disability art and class consciousness.[11]
Personal life
Feinberg described herself as "an anti-racist white, working-class, secular Jewish, transgender, lesbian, female, revolutionary communist."[2][4][5]
According to Julie Enszer, a friend of Feinberg's, Feinberg sometimes "passed" as a man for safety reasons.[3]
Feinberg died on November 15, 2014, of complications due to multiple tick-borne infections, including "Lyme disease, babeisiosis, and protomyxzoa rheumatica", which she had suffered from since the 1970s.[2][30] Feinberg's last words were reported to be, "Hasten the revolution! Remember me as a revolutionary communist."[2]
Pronoun usage
Feinberg stated in a 2006 interview that her pronouns varied depending on context:
For me, pronouns are always placed within context. I am female-bodied, I am a butch lesbian, a transgender lesbian—referring to me as "she/her" is appropriate, particularly in a non-trans setting in which referring to me as "he" would appear to resolve the social contradiction between my birth sex and gender expression and render my transgender expression invisible. I like the gender neutral pronoun "ze/hir" because it makes it impossible to hold on to gender/sex/sexuality assumptions about a person you're about to meet or you've just met. And in an all trans setting, referring to me as "he/him" honors my gender expression in the same way that referring to my sister drag queens as "she/her" does.
Feinberg's widow wrote in her statement regarding Feinberg's death that Feinberg did not really care which pronouns a person used to address her: "She preferred to use the pronouns she/zie and her/hir for herself, but also said: 'I care which pronoun is used, but people have been respectful to me with the wrong pronoun and disrespectful with the right one. It matters whether someone is using the pronoun as a bigot, or if they are trying to demonstrate respect.'"[5]
Books
Transgender Liberation: A Movement Whose Time Has Come. World View Forum, 1992. ISBN0-89567-105-0.
^Feinberg used a variety of pronouns, however she favored she/her pronouns when writing for general audiences. As Wikipedia is written for a general audience, this article follows this guideline. For more information see § Pronoun usage.
