Maîtres de l'Affiche (Masters of the Poster) refers to 256 color lithographic plates used to create an art publication during the Belle Époque in Paris, France. The collection, reproduced from the original works of ninety-seven artists in a smaller 11 x 15 inch format, was put together by Jules Chéret, the father of poster art.[1]
Publishing history
The varied selection of prints were sold in packages of four and delivered monthly to subscribers. On sixteen occasions during the selling period between December 1895 through November 1900, the monthly package included a bonus of a specially created lithograph.
A complete set, in five volumes, was sold in 2014 for US$43,450.[2]
^ abFred Hyland and Leigh Ellis, the first english, le second american, were active at the end of the XIXe century, signe the poster The Gay Parisienne , printed in London, « Hyland Ellis » ; the poster: Harpers' Magazine - The Martian, also printed in London, is signed Fred Hyland.
^V. Guillet (?-?) signed the poster with Vincent Lorant-Heilbronn [fr], could be the artist Valentine Guillet, born in 1876, author of a number of posters for films: Liste de ses affiches, Base VIAF/Bibliothèque nationale de France.
^Two posters, printed in Prague, are anonymous : the first from the illustrated journal Zlata Praha and the second a publicity for the jeweller F. & D. Malý. However, Marx and Chéret mention in the final brochure the name of « Reis[s]ner », which may be the artist Karel Reisner