Visual artist, performance artist, set designer, costume designer
Leandro Soto (born Leandro Soto Ortiz; March 13, 1956 – July 3, 2022) was a Cuban-American multidisciplinary visual/installation and performance artist. He was also a set and costume designer for theater and film.
[2] Soto studied at Escuela Nacional de Arte National Art Schools (Cuba) and Instituto Superior de Arte, University of Havana. As an educator he taught and lectured at various Higher Education institutions in the U.S. and abroad. Soto also founded a creative workshop, El Tesoro de Tamulte, in Tabasco, Mexico, from which professional artists emerged. [3]
Biography
Soto was born on March 13, 1956, in Cienfuegos, Cuba, where he also spent his early life.[4]
Soto was one of the leading figures of the influential “Volumen Uno”, an artistic movement that changed the course of Cuban Art in the decade of the 1980s, in which he was the first artist in his generation to work with the Afro-Cuban heritage.[5][6] He was also credited with being the first performance and installation artist on the island.[7]
In his performances and the visual/installation art which emerged from his performances, Soto responded to the postmodern coordinates of implosion and satire, often subverting the inceptions of culturally accepted notions of high/kitsch, traditional/pop, global/local, and profane/sacred art forms. Throughout his artistic career, he demonstrated an interest in religion, ritual, and the mythology of indigenous people.[4][8]
2023 Creation in the Moment without Past: the legacy of a remarkable man. The Department of Cultural Studies: Errol Barrow Centre for Creative Imagination, University of the West Indies, Barbados, West Indies [10]
El tesoro de Tamulté: arte desde el trópico. Phoenix. Ariz.: Editorial Orbis Press. 2003. OCLC58678600.
O'Reilly-Herrera, Andrea, ed. (2001). "Testimony of an Artist". Remembering Cuba: legacy of a diaspora (1st ed.). Austin: University of Texas Press. p. 245. ISBN0292731477.
González-Pérez, Armando, ed. (1999). "chapter E-Motions/E-Motions". Presencia negra: teatro cubano de la diáspora (Antología Crítica) (in Spanish). Madrid: Editorial Betania. ISBN8480171111.
Further reading
Silva, Ana, ed. (2017). Art in Cuba Since 1950. Miami, Madrid: Cisneros Fontanals Foundation. ISBN9780692820735.
Valencia, Marelys (21 August 2016). "Performatividad y plástica: El cruzamiento artístico en la obra de Leandro Soto durante la década "contaminada" de los 80s en Cuba". Latin American Theatre Review (in Spanish). 49 (2): 69–89. doi:10.1353/ltr.2016.0014. ISSN2161-0576. S2CID193514226.
Fuentes, Rubén (2015). INFLUENCIAS ZEN DE LAS PINTURAS MONOCROMAS ORIENTALES EN OBRAS DE LOS ARTISTAS CUBANOS TOMÁS SÁNCHEZ, LEANDRO SOTO, Y RUBÉN FUENTES (Ph.D.) (in Spanish). Spain: Universitat Politécnica de Valencia.[40]
González-Pérez, Armando, ed. (2013). Afro-Cuban theatre of the diaspora : critical essays (First ed.). Ediciones la Gota de Agua. ISBN978-0981930336.
"De Palo pa' Rumba:" An Interview with Leandro Soto, by Isabel Alvarez-Borland (2007). Afro-Hispanic Review,[41] republished by Cross Works, College of the Holy Cross [42]
Veigas, José; et al. (2004). Memoria : artes visuales cubanas del siglo XX (in Spanish). Los Angeles, CA, USA: California/International Arts Foundation. ISBN9780917571121.
^Carol, Damian; Santis, Jorge, eds. (1998). "Breaking Barriers: Selections from the Museum of Art's Permanent Contemporary Cuban Collection". Cataog. Ft. Lauderdale: Museum of Fine Arts. OCLC37859856.
^"Main Gate of Mount Holyoke College". Collections Database: Five Colleges and Historic Deerfield Museum Consortium. Mount Holyoke College Art Museum. Retrieved 4 May 2018.
The Leandro Soto papers consist primarily of original drawings of set and costume designs, audiovisual materials, posters, and photographs of productions and exhibitions documenting the work of visual and performance artist Leandro Soto. While the collection also includes correspondence, clippings, press releases, manuscripts, and theater and exhibitions programs, the bulk of materials relate to Soto's artistic production in the United States since 1992. Leandro Soto papers are available through the University of Miami Libraries Digital Collections portal.