Argentine actress and singer Lali Espósito has featured in forty-two music videos, seven films, eleven television series, six web series and multiple commercials. She has also directed the trailer for a TV series and two of her videoclips. She achieved early fame when she appeared in the Telefe television series Casi Ángeles. From 2007 to 2012, Espósito was part of the teen band Teen Angels, alongside Peter Lanzani, María Eugenia Suárez, Gastón Dalmau, Nicolás Riera and Rocío Igarzábal.
Espósito first television appearance was in Rincón de Luz in 2003 as Malena Coco Cabrera. Through 2004 and 2005, Espósito portrayed Roberta Espinosa in the Argentine telenovela Floricienta. In 2006, the actress portrayed Agustina Ross in Chiquitias Sin Fin, a spin off of the original Chiquititas (1995). From 2007 to 2010 she appeared in the Telefe television series Casi Ángeles by portraying Marianella Rinaldi. Across the duration of the telenovela, there were released the music videos for Espósito's solos "Escaparé" and "Hay Un Lugar" directed by Mariano De María.
In 2011, the singer starred in the Argentine comedy series Cuando Me Sonreís as Milagros Rivas. In 2012 the actress made a cameo appearance as Ana in the telenovela Dulce Amor and also starred in the Argentine comedy film La Pelea de mi Vida as Belén. Espósito portrayed Daniela Costeau in the Argentine series Solamente Vos across 2013, and also appeared in the film Teen Angels: El Adiós which is a live show and documentary about the band's last show before their breaking and in which she starred as herself. The same year, she launched her solo career and released his solo debut single "A Bailar", the music video for which was directed by Juan Ripari. In 2014, Espósito portrayed Melissa in the Peruvian comedy A Los 40 and also released the music videos for "Asesina" and "No Estoy Sola", both directed by Juan Ripari.
In 2015, Espósito portrayed her first lead role in television as Julia Esperanza Albarracín in the Argentine series Esperanza mía alongside Mariano Martínez. Across that year, Espósito released the music videos for "Mil Años Luz", "Del Otro Lado" and "Histeria", also directed by Juan Ripari, and also for "Necesito", which was directed by Sebastian Pivotto. In 2016, the actress made a cameo appearance in the film Me Casé con un Boludo as herself and starred as Camila in the comedy film That's Not Cheating alongside Martín Piroyansky. The same year, Espósito released the lyric video for "Unico" and the music videos for "Soy", "Boomerang", "Mueve" and "Ego" in which she appeared.
Features Espósito and six male dancers dancing to the song through multiple scenarios with different looks. Lali can also be seen singing with an old microphone.
Takes place in an abandoned shed. Espósito, accompanied by four female dancers, capture a man, portrayed by Facundo Mazzei. The man escapes, but bumps into Lali. They get involved in a sexy choreography under the rain and end up kissing each other.
Features close-ups of Espósito, her family, her friends and her boyfriend at the moment, Benjamín Amadeo. Images of fans during her shows can be seen as well. It is included on the deluxe edition of her debut studio album, A Bailar, only.
Begins with Espósito laying in a bed wearing a long black dress in black and white. When she goes to the room next door turns to color, her boyfriend is waiting for her, sitting on a sofa. After many shots of them kissing each other, Espósito starts yelling and throwing things at him. Towards the end of the video, the couple stand facing each other and the objects around them vanish, until she stands in the room alone and vanishes too.
Features stills of Espósito wearing different-color wigs and outfits, accompanied by her dancers. Towards the end, she appears naked with body painted with multiples tones of silver and blue.
The video begins with a young girl who portrays Lali in her childhood. The girl plays a cassette and dances to the song. In the next scene, the grown-up Lali is seen on a tunnel that ends up on a night club. During the video the girl also dances and sings with three girls. Then, she is on a stage singing, which is a parallelism between her childhood dream becoming true in the present.
Espósito portrays six characters (a fitness girl, a TV host, a rich lady, an old women, a taxi driver, and a figure who is supposed to be karma) apart from herself on the cover of a magazine. Throughout the video, each character behaves in a mean or disrespectful way until karma appears and something happens to them. She can also be seen on a white background dancing with four dancers. Espósito mocks fame and media, and laughs at how people believe in everything that they see on television.
Mateo and Espósito play two spies that infiltrate in a nightclub to steal glowing-golden thing. Since both of them have the same mission, they trick each other to get the suitcase that contains the thing. Espósito seems to win, but when she gets in her car and opens the suitcase, there is a picture of Mateo with the caption "Loser". Mateo is seen leaving the club and looking at the thing, which is never revealed what it is.
Filmed in Villa La Angostura, Argentina, Lali is seen in a forest waking up and discovering there are arrows on the floor and on her dress.She starts to take the arrows out of her dress and gets up, but then she looks at a bunch of arrows falling next to her and starts running. Esposito escapes from the arrows, until he stopped and began to cry, but a few seconds later they continue to shoot arrows at him and he escapes again. Towards the end of the video, she finds a bridgeand a dress she takes off the other dress and puts on the one that was on the bridgeand cross the bridge that leads to a better place.
Lali and Baby K pose and dance in different locations of Verona, Italy. They are picked up by their lovers in scooters, and finally get to a party on a cruise.
Features shots of Lali and multiple female models posing in underwear. It contains numerous hidden meanings and references. For example, a banana in flames that stands for female empowerment.
Karol, Becky, Leslie and Lali all get to pose and smize for a camera recording them, but they're not doing it for Mau y Ricky's affection. Instead, the guys get to coolly hang out with their co-stars' faces projecting on screens.
Lali portrays a rich woman who collects mannequins. She arrives to her mansion to meet a man that she uses to satisfies her sexual needs. Throughout the video, Lali dances a sensual choreography accompanied by her dancers, and performs a mixture of bachata, merengue and tango number with the man.
Lali seduces Mau y Ricky in a minimalistic and colorful set. The three of them wear jeans clothes as they rotate on top of a rotating platform. Lali also performs a choreography accompanied by four female dancers. The video aims to represent Lali and Mau y Ricky's friendship and goodvibes.
Shows Lali and Pabllo in colorful bathing suits on the beaches of Rio de Janeiro. The video shows everything the two artists portray through their music: party, fun, good vibes and lots of dancing. Lali and Pabllo also play a football match on the beach wearing each other's national team, symbolizing the end of the rivalry between Argentina and Brazil.
Thalía and Lali give life to a Barbie-inspired world filled with many neon colors, sweet treats, and dolls. Thalía and Lali play two female thinkers who are in a laboratory creating a futuristic machine to build a male prototype — in other words, the perfect man. However, they are the ones who become dolls. The music video was inspired by the 1985 film Weird Science.
The clip begins with Lali lying on her bed after her lover left. Although he never appears, her lover tries to reach Lali by the phone, but she does not want to make him part of her life. Then she starts having fun and forgetting about her lover, in other scenes Lali can be seen wearing different outfits and dancing with dancers.. The video mirrors the values of female empowerment by showing strong women guided by well-known characters and important influences for Lali, such as Frida Kahlo and her own grandmother.
Filmed in the porteño neighborhood of Parque Patricios, where Lali was born, the music video shows her skating in a basketball court and scenes of her hanging out with a group of dancers. The clip also features cameos by Gimena Accardi and Candela Vetrano.
Recorded in the midst of the coronavirusquarantine, the "colorful and playful" homemade music video shows Lali joined by fans of all ages and from all over the world busting their best dance moves from their homes.
The music video shows a tropical and psychedelic aesthetic, with changing and surreal elements that enhance the romantic story with her lover within the song. In this video, Lali delivers all her talent, including intricate choreography and extravagant costumes.
As the lyrics to the song suggest, Lali and Andrés Ceballos move in together. With the rest of the Dvicio members, Lali and Andrés take boxes with their stuff to their new apartment while they have fun. At the end of the video, Lali and Andrés have a romantic date and end up kissing. The video was shot using a single continuous tracking shot.
In the black and white clip, Lali and Cazzu are portrayed as divas seating and thrones and dancing to the song, while lyrics are projected over them. Lali can also be seen dancing with four dancers.
Lali and Páez interact in a street-like set with huge traffic lights in front of screens that project real-life images of Buenos Aires and people living in its streets.
Following the BDSM-themed lyrics, Lali portrays a dominatrix. She also performs energetic choreographies in an industrial set that resembles Berlin's raves. Until they end up exhausted and fall to the ground. In other shots of the video, Lali can be seen singing while climbing a chain.
It shows Lali coming out of a vault and getting on a circular stage to perform the song. The camera surrounds the protagonist dancing, while a group of people watch her from afar and her body is progressively covered in gold until she becomes a gold statue.
In the official video clip, she is seen performing a modern malambo with the Malevo group. At the end of the video you can see a Lali dressed in black with a cigarette in her mouth killing her other self with a shotgun.
Lali and Álex Ubago portray a couple who have parted ways and are singing to each other through the phone about wanting to make amends. The couple is seen sitting on a bed looking in opposite directions while progressively turning around and looking at each other. They both end up kissing in the rain.
After Lali and a woman exchange glances at a fancy dinner, they both leave to a private room where they perform a choreography. They leave and make out in a car which takes them to a party where they dance with a bunch of queer people. At the end of the clip, it is revealed that everything had happened in Lali's mind. The video features guest appearances by Leonardo Sbaraglia and Verónica Llinás.
Lali is the last human being on Earth who has not received a lobotomy. On the verge of becoming insane, she turns herself in where conservative men torture her and try to brainwash her. Despite the multiple attempts, they are not successful and Lali escapes. The entire clip is a metaphor of people's strength and determination against society's conservativism.
Soledad picks Lali and Natalia Oreiro up after the three divas are shown finishing a hard-day work at their jobs as singers, actors and TV personalities. The three of them go to a street party and dance until the police arrives.
The video was filmed during Lali's stops in Tel Aviv during her Disciplina Tour. It combines images of Lali and her team parying and dancing with frames from the shows.
Lali enters Hotel Miranda! showing off her big personality while the duo is sitting in the lounge. From the moment she gets to her room, Lali feels that something odd is going on. Towards the end of the clip, Lali is abducted by the hotel's staff and ends up becoming the receptionist. The aduiovisual piece features multiple references to popular films such as Psycho, The Shining, Mermaids, The Grand Budapest Hotel, West Side Story and Metropolis.
Lali's gang has a street encounter with another gang in which they demand a diamond with stimulant properties in exchange of setting a hostage free. After putting the gem on her mouth and performing a choreography with her crew, Lali reveals that the hostage was actually another member of her gang, so the other group leaves after being scammed and threatened with weapons. Damián Betular makes a guest appearance on the video.
Lali and her dance coach have had a secret relationship but now they are not longer dating. In class, she notices, from the way he used to treat her, that she has a new relationship with one of Lali's classmates. Heartbroken, Lali walks the streets of Madrid while she performs a professional dance rotuine at the dance studio. The clip references Flashdance and features Juan Minujín as the dance coach.
Different scenes show Lali and J Balvin dancing together, making out, getting hot and heavy in bed, and saying farewell to each other after a breakup: their romantic relationship go from puppy love to heartbreak in less than four minutes.
Lali and Rels B record an intimate and romantic European summer with their cellphones showing themselves naked in a jacuzzi, having fun and living their best lives on a yacht in the Mediterranean Sea.
Lali and other seven singers like Camila Cabello and Becky G mouth the lyrics as they do mundane daily tasks like their makeup, brushing their teeth, driving, dancing, hugging their dog, and going hard at the gym.