His compositions characteristically employ serial organization or montage, sometimes with elements of jazz and rock music (as in his opera Doktor Faustus and the electronic Apocalipsis cum figuris). In other works, such as Canciones del camino and Lied uit de vert, Marxist songs serve as basic material.[2]
On 10 August 2014, while on holiday in the south of France, he suffered a cerebral infarction. He was taken to Amsterdam, where he died on 4 October 2014.[4]
Selected compositions
Variation for chamber orchestra (1959–61)
Position for electronic sounds, vocal sounds, and orchestra (1960–61)
Zeitläufte for eight instruments (1962)
Information (1964–65)
Aspekt electronic music (1964–66)
Canciones del camino for orchestra (1973–74)
Schrei dieser Erde for percussion and tape, (1979)
Doktor Faustus opera (1980–83)
Apocalipsis cum figuris, electronic music (1984)
Woutertje Pieterse for nine vocalists and orchestra (1985–1987)
Il combattimento for violin, cello, and orchestra (1989–90)
Boehmer, Konrad. 1987. “The Sanctification of Misapprehension into a Doctrine: Darmstadt Epigones and Xenophobes”, English translation by Sonia Prescod Jokel. Key Notes 24:43–47.
Sabbe, Herman. 2001. "Boehmer, Konrad", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell, vol. 2. London: Macmillan Publishers.
Boehmer, Konrad. 1967. Zur Theorie der offenen Form in der neuen Musik. Darmstadt: Edition Tonos. (Second edition 1988.)
Boehmer, Konrad. 1970. Zwischen Reihe und Pop: Musik und Klassengesellschaft. J & V Musik. Vienna and Munich: Jugend und Volk.
Boehmer, Konrad. 2009. Doppelschläge: Texte zur Musik, vol. 1: 1958–1967. Quellentexte zur Musik des 20. /21. Jahrhunderts 12.1, edited by Stefan Fricke and Christian Grün. Saarbrücken: Pfau. ISBN978-3-89727-407-5.
Boehmer, Konrad. 2014. Doppelschläge: Texte zur Musik, vol. 2: 1968–1970. Quellentexte zur Musik des 20. /21. Jahrhunderts 12.2, edited by Stefan Fricke and Christian Grün. Saarbrücken: Pfau. ISBN978-3-89727-467-9.