His album, Hold On, was self-released in October 2018.[1] It reached number 12 in the Living Blues radio chart,[3] and entered at number 15 in the US BillboardBlues Albumschart.[4][non-primary source needed] It was nominated in 2019 for a Blues Music Award in the 'Contemporary Blues Album' category.[5]
Biography
Kirk Fletcher was born in Bellflower, California, United States. He was the younger son of a Baptistminister, and gained enough confidence from watching his elder sibling, Walter, perform at their father's church, that Kirk learned to play rudimentary guitar by the age of eight.[6] Fletcher was a member of a jazz band during high school, and later played with his friends on road trips in Southern California. In Los Angeles he met Robben Ford's guitar technician, Jeff Rivera, in a small music shop, and was impressed with Ford's expertise on guitar. Later through spending time with Al Blake, who was the lead singer and harmonica player for the Hollywood Fats Band, helped establish connections with other West Coast blues musicians such as Junior Watson and Lynwood Slim.[2]
Fletcher became adept enough on the guitar to perform himself at gigs,[2] and he recorded his debut album I'm Here & I'm Gone (1999) for JSP Records.[7] Blake introduced Fletcher to Kim Wilson of the Fabulous Thunderbirds, which led to Fletcher playing guitar in Kim Wilson's Blues Revue. Touring duties followed and then Fletcher played on Wilson's Grammy Award-nominated live album, Smokin' Joint (2001). Shortly afterwards, Fletcher was invited to collaborate with Charlie Musselwhite. Fletcher stated "This is where I really developed my own sound and Charlie was cool with me being me."[2]
In 2003, Fletcher's second album, Shades of Blue was released by CrossCut Records and then on Delta Groove Productions the following year. Guests on the recording included the singers Kim Wilson, Janiva Magness and Finis Tasby. An opening appeared to join the Fabulous Thunderbirds, and Fletcher played in the band from 2005 until 2008. The opportunities that unfolded led Fletcher into a brief stint with Doyle Bramhall and a few guest appearances playing alongside Cyndi Lauper and Michelle Branch. Fletcher played on the Fabulous Thunderbirds 2005 album, Painted On.[2] In 2006, Fletcher appeared with Nick Curran at the Notodden Blues Festival.[8]
In 2009, a tenth anniversary reissue of I'm Here & I'm Gone came out with bonus tracks.[7] The same year, Fletcher and his band performed at Dark Season Blues in Norway.[9]
My Turn (2010) was Fletcher's third album. It contained tracks penned by Jimmy Reed, Jesse Ed Davis, Jimmy Johnson, Sly Stone, Will Felder, and Travis Carlton. Fletcher also recorded three of his own compositions. With his guitar playing producer Michael Landau, plus the horns of saxophonist Paulie Cerra and trumpeter Paul Litterall, Fletcher tackled Reed's "I Found Love," plus Stone's "Let Me Have It All".[10] The album also contained Kirk's first recorded vocal performance. From that point onward, Fletcher was able to front his own band on tours, and undertake some international tours, both as a member of The Mannish Boys and as lead guitarist for the Italian musician Eros Ramazzotti.[2] In 2014, Fletcher self-released the live collection, Burning Blues (Live at the Baked Potato).[11]
Live at the Greek Theater (2016) was filmed and recorded during Joe Bonamassa's "Three Kings Tour" in 2015, which culminated at the Greek Theatre in Los Angeles. The backing ensemble comprised Fletcher (rhythm guitar), Anton Fig (drums), Michael Rhodes (bass), Reese Wynans (piano, Hammond organ), Lee Thornburg (trumpet, horn arrangements), Paulie Cerra (saxophone), Nick Lane (trombone), and backing singers Mahalia Barnes, Jade MacRae, and Juanita Tippins.[12]
In 2018, Fletcher recorded a video with Josh Smith and Joe Bonamassa, performing the Albert King track "Crosscut Saw".[13]
Fletcher's album, Hold On, was released in October 2018.[1] It reached number 12 in the Living Blues radio chart,[3] and entered at number 15 in the Billboard Blues Albums chart.[4] It was nominated in 2019 for a Blues Music Award in the 'Contemporary Blues Album' category.[5]
