Kevin Edward Locke (Lakota name: Tȟokéya Inážiŋ, meaning "The First to Arise"; June 23, 1954 – September 30, 2022) was of Lakota descent of the Standing Rock Sioux Tribe and Anishinaabe of White Earth. He was a preeminent player of the North American Indigenous Flute, a traditional storyteller, cultural ambassador, recording artist and educator. He was best-known for his hoop dance, The Hoop of Life.
Born on June 23, 1954,[1] in Los Angeles, CA. At the age of five years Locke moved north with his family, later to settle in South Dakota on the Standing Rock Reservation in 1966. It was from his mother, Patricia Locke, his uncle Abraham End-of-Horn, mentor Joe Rock Boy, and many other elders and relatives that Kevin received training in the values, traditions and language of his native Sioux culture.
Locke came from a distinguished family. His great-great-grandfather was the Dakota patriot, Little Crow. His great-grandmother, Mniyáta Ožáŋžaŋ Wiŋ, was a medicine woman. His maternal grandfather was from the White Earth Indian Reservation. His mother, Patricia Locke, was an activist for Indian rights and recognition. His great-grandfather, Bishop Charles Edward Locke, presided over the funeral of U.S. President William McKinley in Buffalo, New York in 1901.[2] The Bishop had known McKinley from boyhood in Canton, Ohio. Although he was white, he was the president of the local branch of the NAACP and the author of Is the Negro Making Good? or, Have Fifty Years of History Vindicated the Wisdom of Abraham Lincoln in Issuing the Emancipation Proclamation?[3]
Locke attended the Institute of American Indian Arts in New Mexico for high school. He received a bachelor of science degree in Elementary Education from the University of North Dakota and earned a master's degree in educational administration from the University of South Dakota.[4] He taught himself to speak Lakota, his ancestral language, as a young adult. Locke learned the hoop dance, which had nearly died out, from Arlo Good Bear, a Mandan Hidatsa Indian from North Dakota.[5]
Locke, like his mother before him, was widely-known for his work in Lakota language and cultural preservation.[6]
When asked in 2012 about his mission in life, Locke said: "All of the people have the same impulses, spirits, and goals. Through my music and dance, I want to create a positive awareness of oneness of humanity."[7] Locke died on September 30, 2022, at the age of 68, after an asthma attack.[6][8]
Locke learned the hoop dance, which had nearly died out, from Arlo Good Bear, a Mandan Hidatsa Indian from North Dakota. From 1978, he traveled to more than 90 countries to perform[9] and continued to perform, such as in September 2014[10] and most recently in March 2016.[11] His performances usually consisted of flute playing, singing Lakota songs (some in English), and demonstrations of the Sioux hoop dance, using 28 wooden hoops. Of his presentations, Locke has said "I see myself strictly as a preservationist.... I base my repertoire on the old songs. I try to show younger people what was there, and maybe some of the younger people will pick up from there and compose new music."[4] His international performances of recent included Malaysia Rainforest Festival (2018), 9th International Sefika Kutluer Festival: East Meets West in Ankara Turkey (2018), Arte Dule Indigenous Festival in Panama City, Panama (2019) and public concerts in Winterthur and Nonam Museum in Zurich, Switzerland (2020).
In 1990, he received a National Heritage Fellowship from the National Endowment for the Arts, the highest award granted to such traditional artists.[12] In 2009 he won the Bush Foundation Enduring Vision Award.[13] In 2020 he received the news of being awarded the prestigious United States Artist Fellowship (https://patricialockefoundation.org/united-states-artists-announces-2020-usa-fellows/).
In April 2006 he performed with Joanne Shenandoah in the photography exhibition "Sacred Legacy: Edward S. Curtis and the North American Indian" at Cemal Resit Rey Concert Hall and MEB Sura Concert Hall in Istanbul.[14]
Locke was frequently cited as an ambassador of Native American culture to the United States and the world.[6] He was also active on the board of directors of the Lakota Language Consortium, a non-profit organization working towards the Lakota language revitalization.[6] He was also on the advisory board of the World Flute Society and the Founding President and Creative Director of the Patricia Locke Foundation (https://patricialockefoundation.org/).
From 1982, Locke recorded 13 albums of music and stories, including:
Pauline Tuttle (2001). ""Beyond Feathers and Beads" - Interlocking Narratives in the Music and Dance of Tokeya Inahim (Kevin Locke)". In Carter Jones Meyer; Diana Royer (eds.). Selling the Indian: Commercializing & Appropriating American Indian Cultures. University of Arizona Press. ISBN 978-0-8165-2148-7.
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