Kati Ilona Agócs (born January 20, 1975) is a Canadian-American composer and a member of the composition faculty at the New England Conservatory of Music in Boston, Massachusetts.
Education
Agócs attended the Juilliard School in New York where she earned a Master's and Doctoral degrees under the guidance of Milton Babbitt.[1] She was a composition fellow at the Aspen Music Festival and School and the Tanglewood Music Center, where she held the ASCAP Leonard Bernstein Composer Fellowship in 2007.[2] She was a voice student of Adele Addison.[3]
Career
From 2005 to 2006, she lived in Budapest and wrote on the new-music scene in Hungary for the journal The Musical Times.[4] She had previously organized an exchange program between the Juilliard School and the Liszt Academy.[5] The Hungarian-language weekly, Bécsi Napló (Vienna Journal) acknowledged her contribution to the visibility of Hungarian composers abroad.[6] She served as Composer in Residence for the National Youth Orchestra of Canada in 2010.[7]
In 2022, her Concerto for Violin and Percussion Orchestra was also nominated for Classical Composition of the Year.[16]
Agócs has written on American music for the journal Tempo[17] and also created a critical edition of the Symphony in A Major by Leopold Damrosch.[18]
Select principal works
Solo and chamber works up to seven instruments
Concerto for Violin and Percussion Orchestra (Solo violin and six percussionists) 2018.[19] Recorded performance by violinist Nicholas Kitchen and the New England Conservatory Percussion Ensemble led by director Frank Epstein.[20]
Crystallography (Soprano, flute, clarinet, violin, cello, piano, and percussion) 2012 (Text: Christian Bök)[21]
Voices of the Immaculate (Lyric Mezzo-Soprano, Flute, Clarinet, Violin, Cello, and Piano/Celeste) 2021 (Text: Assembled by the composer: Fragments from Revelations and testimony from survivors of abuse by clergy)[26]
Orchestra / large ensemble works
By the Streams of Babylon (Two amplified soprano voices and chamber orchestra) 2009 (Text: Psalm 137 in Latin)[27]
The Debrecen Passion (Twelve female voices and chamber orchestra) 2015 (Text: poems by Szilárd Borbély in Hungarian; Lamentations of Mary in modern Hungarian translation by Ferenc Molnár [fragments]; Ana B’Choach [in Hebrew]; Stabat Mater Specioso [fragments, in Latin]; Thou Art a Vineyard [hymn text in Georgian])[28][29]
Elysium (Chamber Orchestra and Recorded Sound)[22][30]
Horn Concerto (Solo Horn and Chamber Orchestra) 2021[31][32]