Kathy Aoki

Kathy Aoki
CitizenshipUnited States
EducationRio Americano High School
Alma materUniversity of California, Berkeley
Washington University in St. Louis
Known for"Museum of Historical Makeovers"

Kathy Aoki is a feminist artist who works in many different mediums, including printmaking, video and painting. Her work is in the permanent collections of the SFMoMA, the Fine Art Museums of San Francisco, the Harvard University Art Museums and in the collections of the city of Seattle.[1]

Biography

Aoki grew up in Natick, Massachusetts and attended Rio Americano High School, graduating in 1986.[2]

She majored in French at UC Berkeley, receiving her bachelor's degree in 1990.[2] Aoki received her MFA in printmaking from the St. Louis School of Fine Arts at Washington University in St. Louis in 1994.[3]

She currently lives in Santa Clara, California and is an associate professor of studio art at Santa Clara University.[1] She is married and has two daughters.[2]

Work

Aoki's work explores "gender, beauty and culture consumerism."[1] While she says that her work is feminist, she wants viewers to "feel comfortable" with her work "so that they want to stick around and get the message."[4] Her work often contains pop-culture themes, such as incorporating elements from anime and manga[5] or by referencing My Little Pony: Friendship is Magic (Battle of Kawaii).[6] She has also parodied superheroes and public service messages in her work.[7] In combination with her popular culture themes, Aoki has created the "role as 'curator' of the fictitious Museum of Historical Makeovers" for herself, which allows her to examine consumerism and beauty in a humorous way.[8] Aoki also collaborated with composer Judith Shatin on the 2001 piece Grito del Corazón, inspired by Goya's Black Paintings.[9]

The first time she created a "Museum of Historical Makeovers" in 2009, she created works that superficially resembled actual artifacts until they were examined more closely. Works based on Ancient Egyptian art elevates pop-music stars like Gwen Stefani to roles as pharaohs, with fake hieroglyphs for words such as hip-hop and MP3.[10][11]

References

  1. ^ a b c "Kathy Aoki". Feminist Art Base. Brooklyn Museum. Retrieved 5 September 2015.
  2. ^ a b c "Kathy Aoki". San Juan Education Foundation. Retrieved 5 September 2015.
  3. ^ "Kathy Aoki". Swarm Gallery. Retrieved 5 September 2015.
  4. ^ Nataraj, Nirmala (17 September 2009). "'Museum of Historical Makeovers'". SF Gate. Retrieved 5 September 2015.
  5. ^ Grady, Pam (8 July 2007). "Tradition, Anime Mesh in U.S. Art". SF Gate. Retrieved 5 September 2015.
  6. ^ "Mixed Media Graphica from Issue 48/49 by Kathy Aoki". Artful Dodge. 2 June 2013. Retrieved 5 September 2015.
  7. ^ von Busak, Richard (24 December 2008). "Paper Dolls". Metro Active. Retrieved 5 September 2015.
  8. ^ Coleman, Elizabeth (2 November 2012). "Beauty in Landscape". Art Animal. Retrieved 5 September 2015.
  9. ^ Hinkle-Turner, Elizabeth (2005). Women Composers and Music Technology in the United States: Crossing the Line. Aldershot, Hants, England: Ashgate. p. 78. ISBN 0-7546-0461-6.
  10. ^ Cheng, DeWitt (October 2009). "You Look Mahvelous". East Bay Express. 32 (1). Retrieved 5 September 2015.
  11. ^ Nataraj, Nirmala (September 17, 2009). "'Museum of Historical Makeovers'".