This article is about the American art historian born in 1905; for the American artist born in 1961 with a similar name, see Kate Shepherd; for the New Zealand suffragist with a similar name, born in 1848, see Kate Sheppard.
Katharine Shepard
Katharine Shepard, from the 1928 yearbook of Bryn Mawr College
Born
June 4, 1905
Bristol, Connecticut, U.S.
Died
June 29, 1986 (aged 81)
Glastonbury, Connecticut, U.S.
Occupation(s)
Archaeologist, art historian
Katharine Shepard (June 4, 1905 – June 29, 1986) was an American archaeologist and art historian. She was a curator at the National Gallery of Art in Washington, D.C., where she worked from 1941 until 1975.
Early life and education
Shepard was born in Bristol, Connecticut, the daughter of Charles Norton Shepard and Marguerite Dunbar Shepard. Her father was an ordained clergyman who taught at General Theological Seminary in New York City.[1] She graduated from Bryn Mawr College in 1928.[2] She earned a master's degree in archaeology at Bryn Mawr in 1929, and pursued further studies at the American School of Classical Studies at Athens from 1930 to 1931, and at Bryn Mawr as a Greek fellow in 1931 to 1932.[3] She completed doctoral studies in archaeology at Bryn Mawr College in 1936.[4]
Career
Shepard worked with archaeologist Hetty Goldman. In 1941, she started working at the National Gallery of Art in Washington, D.C., eventually as a curator in the Graphic Arts department.[5] In 1951, she was elected secretary of the Washington Society, a local chapter of the Archaeological Institute of America.[6] She represented the Washington Society as a delegate to the annual meetings of the institute in the 1950s.[7][8] She also taught art history at Catholic University of America.[9] She retired to Connecticut in 1975.[10]
Publications
The Fish-tail Monster in Greek and Etruscan Art (1940)[3][11]
Shepard died in 1986, at the age of 81.[10] There is a collection of her correspondence in the Bryn Mawr College Archives.[4] The Katharine Shepard Fund at the National Gallery of Art is used to acquire 17th-century and 18th-century European prints.[13] She left 87 acres of her family's land in Bristol to the Nature Conservancy; the Shepard parcel became part of the Harry C. Barnes Nature Center in 1988.[14]