She practiced in a variety of media: wood engraving, embroidery, gesso painting, tile painting, wallpaper design, fabric design, and china painting.[2]
Her work has historically been confused with, or obscured by, that of her sister, artist and author Lucy Faulkner Orrinsmith, because on occasion they worked in similar fields at roughly parallel times.[3]
Carnation, fabric pattern, block-printed cotton, 1875, Morris & Co. Victoria & Albert Museum, South Kensington, London. [1]
Mallow, wallpaper pattern, colour block print on paper, 1879, Morris & Co. Victoria & Albert Museum, South Kensington, London. [2]
Plate, earthenware with hand-painted glaze, 1880, Pinder, Bourne and Co. Victoria & Albert Museum, South Kensington, London. [3]
Carnation, wallpaper pattern, colour block print on paper, 1880, Morris & Co. Victoria & Albert Museum, South Kensington, London. [4]
Grand piano, oak, stained with gold and silver-gilt gesso, 1883, based on a design by Edward Burne-Jones. Victoria & Albert Museum, South Kensington, London. [5]
^Callen, Anthea (1979). Angel in the Studio: women in the arts and crafts movement 1870-1914. London: Astragal Books. p. 223.
^ abFerry, Emma (2008). "Lucy Faulkner and the "Ghastly Grin": Re-Working the Title Page Illustration to "Goblin Market"". The Journal of William Morris Studies. 18: 76–77 – via JStor.