You can help expand this article with text translated from the corresponding article in German. (July 2021) Click [show] for important translation instructions. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing German Wikipedia article at [[:de:Karl Bötticher]]; see its history for attribution. You may also add the template {{Translated|de|Karl Bötticher}} to the talk page. For more guidance, see Wikipedia:Translation.

Karl Gottlieb Wilhelm Bötticher (29 May 1806, Nordhausen – 19 June 1889, Berlin) was a German archaeologist who specialized in architecture.

He was born in Nordhausen. He studied at the Academy of Architecture in Berlin, and was afterwards appointed an instructor in the School of Design of the Industrial Institute there. In 1844, he was appointed a professor of tectonics (architectonics) at the Academy of Architecture.^[1]

In 1853, he received his doctorate from the University of Greifswald, and later worked as a lecturer at the University of Berlin (until 1862). In 1868, he was appointed director of the sculpture department at the Berlin Museum.^[1][2]

His chief work is the "Tektonik der Hellenen" (Architectonics of the Greeks; 1844–52), a contribution to the study of Ancient Greek architecture. In this work Bötticher suggested splitting the architectural form into a structural "core-form" (German: Kernform) and decorative "art-form" (German: Kunstform). Art-form was supposed to reflect the functionality of the core-form: for example, rounding and tapering of the column should suggest its load-bearing function.^[3]

Others of his works are:

• Holzarchitektur des Mittelalters (Wooden architecture of the Middle Ages; 1835–41).
• Das grab des Dionysos. An der marmorbasis zu Dresden, (1858).
• Der Omphalos des Zeus zu Delphi, (1859)
• Bericht über die Untersuchungen auf der Akropolis in Athen (1863).
• Der Zophoros am Parthenon (1875).^[4]
• Die Thymele der Athena Nike auf der Akropolis von Athen (1880).

• This article incorporates text from a publication now in the public domain: Gilman, D. C.; Peck, H. T.; Colby, F. M., eds. (1905). "Bötticher, Karl" . New International Encyclopedia (1st ed.). New York: Dodd, Mead.
• Breitschmid, Markus. Can architectural art-form be designed out of construction? Carl Boetticher, Gottfried Semper, and Heinrich Woelfflin: a sketch of various investigations on the nature of "Tectonic" in nineteenth-century architectural theory, (Blacksburg: Architecture Edition, 2004). ISBN 978-0-9702820-8-8
• Mallgrave, H.F. (2009). Modern Architectural Theory: A Historical Survey, 1673–1968. Cambridge University Press. ISBN 978-1-139-44340-1. Retrieved 2024-05-26.

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