Kaloust Guedel (born October 31, 1956) is a Cyprus-born American artist of Armenian descent.[1][2] He is a self-educated artist and theorist. Guedel is known as the founder of the Excessivism movement.[3][4][5][6] He lives and works in Los Angeles, California since 1975.[1][7]
Works
Kaloust Guedel's work explores contemporary issues often taking a critical stand on various societies shortcomings. Throughout the years, it has explored subjects as genocide, war, abuse and others.[8] Regardless of the styles and technics he has employed, his work has been consistent with contemporary sensibility and has reflected the consciousness of its time. Guedel is the first artist who used vinyl as a medium in paintings. He has been featured in publications like Masters of Today and has been known to explore capitalism and excess in his minimalist conceptual artworks.[9]
Kaloust Guedel presented the Excessivism movement in an exhibition "Excessivist Initiative" in LA Artcore Brewery Annex, and the Excessivism Manifesto was published in Downtown News weekly in September 2015. Downtown News, Excessivism Manifesto, September 28, 2015 p. 10.
Immersive paintings
Later he rediscovered inlay technique as a method of investigation of immersion with his new group called Immersive paintings. When he placed one of his three-dimensional works into a painting by carving its shape out of it and inserting it into the hollow space that corresponded with the shape of the object, the result was unexpected. An ancient technique known as inlay was discovered by chance. The use of inlay is a key element of this artistic concepts. The inserted object has more visual weight, while the surrounding space, which is less conceptually important, is seen as the body of the painting. Use of the inlay produces a silhouette of the subject; most often, it is used with a contrasting background, or texture to draw attention to the main subject, which is then seen as the relationship between the two objects.[10][11]
International Dictionary of Artists by World Wide Art Books, 2011
"L'inhumanité de l'homme envers l'homme : voyage au bout de la nuit" / Exhibition : "Man's Inhumanity to Man : Journey Out of Darkness"[46] April-2010
New American Paintings, 15th Anniversary edition by Open Studios Press, 2009, cover
LA Daily News, Susan Abram, April 23, 2009, page 1[47]
Man's Inhumanity to Men: Journey Out of Darkness ... (Exhibition Catalogue), 2009
Afisha, Larisa Pilinsky, Nov. - Dec. 2008
Masters of Today by MOT, 2008
Trends by MOT, 2008
GIAF (Exhibition Catalogue), 2008
BIAF (Exhibition Catalogue), 2008
The Armenian Mirror-Spectator, March 1, 2008
The Armenian Reporter, March 1, 2008
Glendale News-Press, Art:the remix - Four artists will display works in New Mixed Media show at Brand Library and Art Galleries, By Joyce Rudolph Oct. 07, 2006[48]
Peter Frank, "Pick of the Week: New Mixed Media," LA Weekly, 2006
Panorama, May 28, 2004
Texas National, Stephen F. Austin State University (Exhibition Catalogue), 2003
From Ararat To America- Contemporary Armenian Artists /Forest Lawn Museum (Exh. Catalogue), 2003
Voice of America (Radio Interview in Armenian), July 7, 2003
News-Press, April 29, 2003
Los Angeles Independent, April 23, 2003
The Artists Blue Book by Dunbier, Lonnie Pierson, 2003
Arts & Entertainment, April 23, 2003
17th Annual Greater Midwest International, Central Missouri State University (Exhibition Catalogue), 2002
The Artists Blue Book by Ask Art, 2001
New American Paintings by Open Studios Press, December 2000
Gallery Guide, March 1991
Artspace, summer 1991
Artscene, December 1990
50th National Midyear Exhibition, The Butler Institute of American Art (Exhibition Catalogue), 1986