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Julie
Julie
	Theatrical release poster
Directed by	Andrew L. Stone
Written by	Andrew L. Stone
Produced by	Martin Melcher
Starring	Doris Day; Louis Jourdan; Barry Sullivan; Frank Lovejoy
Cinematography	Fred Jackman Jr.
Edited by	Virginia L. Stone
Music by	Leith Stevens, Tom Adair, Leonard Pennario
Production; company	Arwin Productions
Distributed by	Metro-Goldwyn-Mayer
Release date	October 17, 1956 (United States);
Running time	99 minutes
Country	United States
Language	English
Budget	$785,000
Box office	$2.6 million

Julie is a 1956 American thriller starring Doris Day, Louis Jourdan, Barry Sullivan, and Frank Lovejoy.^[3] Produced by Day's own Arwin Productions, it is one of the earliest recognized stalker films.^[4] Both written and directed by Andrew L. Stone, the picture received two Academy Award nominations, for Best Original Screenplay and Best Song.

The film is among the earliest to feature the subplot of a flight attendant piloting an aircraft to safety, later used in Airport 1975 (1975) and parodied in Airplane! (1980). Julie is also notable for being technically accurate in its use of contemporary aviation technology.^[5]

Plot

Julie Benton is terrorized by her insanely-jealous husband, concert pianist Lyle. He threatens to kill her if she ever tries to leave him, and he nearly does by forcing the accelerator of their car to the floor while Julie frantically weaves along the torturous curves of a Pacific Coast road.

When she turns to her friend Cliff Henderson, Julie is confronted more strongly than ever with his suspicions that her first husband's presumed suicide was actually murder.

Seeking to lure Lyle into confessing, Julie draws him out with anxious pillow talk. He does, and she spends a miserable night in his arms, just waiting for daylight and the opportunity to escape.

She does, but Lyle is hot on her heels. Local police are unable to help her, as no documentable crime has been committed by Lyle against Julie, and she has no corroborating witness for his confession. She then flees to San Francisco, her former home, with Cliff's help. Police there are also hamstrung, but are much more aware of the very real danger Julie may be in, thanks to the busy crime blotter of a big city, and one of their own having had his wife murdered by an ex-husband in a similar case of unrelenting jealousy.

Still stalked by Lyle, Julie abandons every vestige of their life together, adopts a new identity, and gets back her job as a flight attendant for Amalgamated Airlines. Stationed in New York, she must still make the occasional cross-country flight. On her first one back to San Francisco. she bunks in for the night with a fellow flight attendant, believing that she will be safe in her anonymity.

Pretending to be a friend of Cliff's, Lyle tricks an operator with his company into revealing that Cliff is planning a rendezvous with a friend in San Francisco that night. He lies in wait along Cliff's path back to the city from his job and trails his car. Cliff realizes he's being followed and stops and confronts Lyle. After forcing Cliff at gunpoint to agree to drive to Julie's, Cliff leaps out of the car, but Lyle shoots him, then rifles his pockets for Julie's address.

Julie is contacted by Amalgamated and told that she must change plans and head straight to the airport for a flight back to New York as a fill-in. A gravely-wounded Cliff manages to get word to the police that Lyle knows where Julie is, but before he can relay to them where she is staying, he goes unconscious.

Piecing his clues together, they eventually find the right apartment, but too late to head off Julie. Lyle learns of Julie's flight and goes straight to the airport.

With police at a loss to locate him, Julie is warned that he may be on her flight. She spots him and informs the flight crew, but Lyle follows her into the cockpit, pulls a gun, and kills the pilot. He then seriously wounds the co-pilot before being killed by him. With the help of a doctor on board, the co-pilot is able to coach Julie between blackouts. Eventually he falls unconscious, and Julie is "talked down" to the ground by the control tower, saving the lives of 60 passengers - and her own.

Lyle is dead and Cliff is not. Breaking into tears, she is overwhelmed by all that has happened, and all that lies ahead to right her life.

Cast

Doris Day as Julie Benton
Louis Jourdan as Lyle Benton
Barry Sullivan as Cliff Henderson
Frank Lovejoy as Det. Lt. Pringle
Jack Kelly as Jack (co-pilot)
Ann Robinson as Valerie
Pamela Duncan as Peggy
Barney Phillips as Doctor on Flight 36
Jack Kruschen as Det. Mace
John Gallaudet as Det. Sgt. Cole
Carleton Young as Airport Control Tower Official
Hank Patterson as Ellis
Ed Hinton as Captain of Flight 36
Harlan Warde as Det. Pope
Aline Towne as Denise Martin
Eddie Marr as Airline Official
Joel Marston as Garage Mechanic
Mae Marsh as Hysterical Passenger

Production

The movie's working title was If I Can't Have You.^[4] Stone's signing was announced in January 1956.^[6]

Arwin Productions was the production firm recently formed by Day and her husband Martin Melcher.^[7]

The aircraft in Julie were Douglas R5D-1/3 Skymaster four-engined cargo and passenger airliners from Transocean Air Lines, a charter company based at Oakland International Airport, (San Francisco).^[5]^{[N 1]}

The soundtrack includes music by three composers: the Academy Award-nominated title song Julie was written by Leith Stevens and Tom Adair; and both the picture's thematic backbone, the instrumental "Midnight on the Cliffs", and the piano composition "Dream Rhapsody", by pianist/composer Leonard Pennario. The latter is based on themes taken directly from the Symphony in D minor by César Franck.^{[citation needed]}

Reception

Box office

According to MGM records, Julie earned $1,415,000 in the US and Canada and $1,185,000 elsewhere resulting in a profit of $604,000.^[1]

Critical response

In its review, New York Times critic Bosley Crowther panned the film, writing, "Let's say the whole thing is contrivance and the acting is in the same vein. Miss Day wrings her hands and looks frantic not so much because she feels it as because she gets her cues." Of Andrew Stone's direction, Crowther went on to say, "...it is quite clear that Mr. Stone set out to keep the heroine under menace all the way, no matter how coldly calculated or improbable that might be."^[8]

The contemporary Washington Evening Star summed up the film as "a movie that leaves audiences more in the debt of the cameraman and Andrew Stone's freewheeling direction than anyone else....Quite irrationally, most of the way, it relates the story of a freckled blond girl who discovers she has married a lethally jealous concert pianist. This chap...is one with whom a girl could be relaxed only on a desert island where she would meet no other male, including a barracuda."^[9]

Aviation film historian Stephen Pendo in his 1985 book Aviation in the Cinema described Julie as a "minor film."^[10]

In 2005 film critic Dennis Schwartz, gave Julie a mixed review, writing, "Improbable crime thriller about a woman-in-peril, that is too uneven to be effective; the banal dialogue is the final killer. ... Doris Day, to her credit, gives it her best shot and tries to take it seriously even when the melodrama moves way past the point of just being ridiculous. Later disaster movies stole some of those airplane landing scenes."^[11]

Also in 2005 Julie was listed in Golden Raspberry Award founder John Wilson's book The Official Razzie Movie Guide as one of the "100 Most Enjoyably Bad Movies Ever Made".^[12]

Has been shown on the Turner Classic Movies show 'Noir Alley' with Eddie Muller.

Accolades

Julie was nominated for an Academy Award for Best Original Screenplay and Best Song ("Julie" by Leith Stevens and Tom Adair, which Doris Day sings during the opening credits).^[13] It did not win either award.

References

Notes

^ TTransocean Air Lines pilots Bill Keating and Royal Minson taught Doris Day to handle the four-engined aircraft's controls in a realistic way to bring down to a safe landing.^[5]

Citations

^ ^a ^b ^c "The Eddie Mannix Ledger." Margaret Herrick Library, Center for Motion Picture Study, Los Angeles, 2019.
^ "Domestic take; Top Grosses of 1957". Variety, January 8, 1958, p. 30.
^ Paris 1995, p. 203.
^ ^a ^b Turner Classic Movies host Eddie Muller, during his Noir Alley feature, July 22, 2022
^ ^a ^b ^c Santoir, Christian. "Review: 'Julie'. Aeromovies, 2019. Retrieved: May 12, 2019.
^ Drama: Andrew Stone to Direct Doris Day in Thriller; Laraine Day Plays Juror Scheuer, Philip K. Los Angeles Times 5 Jan 1956: B11.
^ Pryor, Thomas M. "Doris Day Signed for 2 New Films." New York Times, 19 March 1956.
^ Crowther, Bosley (November 22, 1956). "Screen: Woes of 'Julie'". The New York Times. p. 51.
^ Carmody, Jay. "To a Girl Like Doris An Airliner's A Toy." Washington Evening Star, 7 December 1956.
^ Pendo 1985, p. 281.
^ Schwartz, Dennis. "Film review: 'Julie'." Archived January 1, 2011, at the Wayback MachineOzus' World Movie Reviews, June 6, 2005. Retrieved:: July 5, 2013.
^ Wilson 2005, p. 175.
^ "Awards: 'Julie'." IMDb, 2019. Retrieved: May 12, 2019.

Bibliography

Paris, Michael. From the Wright Brothers to Top Gun: Aviation, Nationalism, and Popular Cinema. Manchester, UK: Manchester University Press, 1995. ISBN 978-0-7190-4074-0.
Pendo, Stephen. Aviation in the Cinema. Lanham, Maryland: Scarecrow Press, 1985. ISBN 0-8-1081-746-2.
Wilson, John. The Official Razzie Movie Guide: Enjoying the Best of Hollywood's Worst. New York: Grand Central Publishing, 2005. ISBN 0-446-69334-0.