Boza Sánchez studied at the Escuela Nacional de Bellas Artes "San Alejandro" from 1960 to 1962 and then from 1962 to 1964 at the Escuela Nacional de Arte (ENA) both located in Havana, Cuba. He was expelled from San Alejandro due to "political issues" and became a lithographer with the Experimental Graphic Workshop in 1965.[citation needed]
Boza Sánchez was fired as a result of the Congress of Education and Culture which convened in 1971 and led to the censorship of many artists in Cuba. In the years between 1971 and his exodus from Cuba in 1980 Boza restored religious statues to earn a living.[3]
^Randy P. Conner & David Hatfield Sparks, Queering Creole Spiritual Traditions: Lesbian, Gay, Bisexual, and Transgendered Participation in African Inspired Traditions in the Americas; (Haworth Press, Binghamton, New York, 2004); ISBN1-56023-351-6
Jose Veigas-Zamora, Cristina Vives Gutierrez, Adolfo V. Nodal, Valia Garzon, Dannys Montes de Oca; Memoria: Cuban Art of the 20th Century; (California/International Arts Foundation 2001); ISBN978-0-917571-11-4
Jose Viegas; Memoria: Artes Visuales Cubanas Del Siglo Xx; (California International Arts 2004); ISBN978-0-917571-12-1(in Spanish)
The Miami Herald, JUAN BOZA CUBAN PAINTER, March 7, 1991
Randy P. Conner & David Hatfield Sparks, Queering Creole Spiritual Traditions: Lesbian, Gay, Bisexual, and Transgendered Participation in African Inspired Traditions in the Americas; (Haworth Press, Binghamton, New York, 2004); ISBN1-56023-351-6
Miller, Ivor. 1995. "Belief and Power in Contemporary Cuba: The Dialogue Between Santería Practitioners and Revolutionary Leaders.” Ph.D. dissertation. Northwestern University. (chapter four)
Miller, Ivor. 2009. "Voice of the Leopard: African Secret Societies and Cuba." UP of Mississippi. (Introduction)