In this Catalan name, the first or paternal surname is Sert and the second or maternal family name is Badia; both are generally joined by the conjunction "i".
Josep Maria Sert i Badia (Catalan pronunciation:[ʒuˈzɛbməˈɾi.əˈsɛɾt]; Barcelona, 21 December 1874 – 27 November 1945, buried in the Vic Cathedral) was a Spanishmuralist, the son of an affluent textile industry family.[1] He was particularly known for his grisaille style, often in gold and black.
Career
Sert initially studied art in Rome before moving to Paris in 1899.[1] There, he became involved with a group of decorative artists known as Les Nabis,[1] gravitating around Paul Ranson, who had studied at the private Académie Julian, founded in 1868 by painter Rodolphe Julian.
By 1910, Sert had begun fully focusing on murals and other large-scale work. He collaborated with Russian Sergei Diaghilev to create sets for his Ballets Russes.[1] In 1929 he was commissioned with the elaboration of a series of large forma canvases painted in his signature grisaille style intending to cover the walls of the reconverted San Telmo church in Donostia-San Sebastián; they portray different historic chapters of the Basques in an epic manner.[4]
Sert began an affair with the well-known pianist and patron of the arts Misia Godebska in 1908.[6] They married on 2 September 1920.[7] In 1925, Sert met Georgian-Russian sculptor Isabelle Roussadana Mdivani, known as Roussy, who subsequently moved in with him and Misia.[6] Sert began an affair with Roussy and later divorced Misia on 28 December 1927 to marry Mdivani.[7][6][8][9]
Roussy and Sert were married in 1928 in a civil ceremony at the consulate in The Hague.[6] In 1930, they were married in a religious ceremony at the Spanish church in Paris.[6]
After Roussy died in 1938, Sert reconciled with Misia and returned to life with her, though they kept separate apartments.[7][6]
Sert died on 27 November 1945 in Barcelona, and left his apartment and furnishings to Misia.[7][6]