This article is about painter and sculptor. For other uses of the name, see Moroder (disambiguation).
Josef Moroder-Lusenberg
Josef Moroder Lusenberg and wife Annamaria Sanoner
Born
Josef Moroder
28 May 1846
Urtijëi
Died
16 February 1939(1939-02-16) (aged 92)
Urtijëi
Nationality
Austrian
Education
Academy of Fine Arts Munich
Known for
painting, sculpture
Movement
Munich School
Josef Theodor Moroder, also known as the Lusenberger, (28 May 1846 in Urtijëi – 16 February 1939 in Urtijëi) was a painter and sculptor, the most prominent artist of the Moroder family from the Grödenthal in South Tyrol (now the Val Gardena in Italy).
Biography
Josef, the fourth of eight children, lost his father when he was eight years old. He was apprenticed in a woodcarving studio under Franz Prinoth, an academic sculptor educated in the Munich Academy, and in his twenties, Josef started his own studio. Examples of his early activity as a sculptor are the statues of the Maria Addolorata and of the Virgin Mary in the Parish Church of Urtijëi.
His first wife, Annamaria Sanoner died after she gave birth to their fourth child in 1874. He married Felizitas Unterplatzer who gave birth to eleven other children. She also took care of his farm and was active as an antiquarian. Thirty years old, with the support of Felizitas, he visited the Academy of Munich (1876–1880) to learn the art of painting after he was impressed in Vienna by the genre painting of Franz von Defregger, The Dance in the Mountains. His teachers in Munich were Joseph Knabl, Ludwig von Löfftz and Feodor Dietz. From 1880 to 1884 he was a pupil of Defregger; becoming close friends, they took many painting trips through the villages of the Trentino.
In Munich Josef Moroder was influenced by the genre and historical painting of Defregger and the realistic-idealistic painting movement of Wilhelm Leibl. From his numerous sketch books we can see how precisely he observed nature, landscape and specially the Tyrolean and alpine lifestyle in Val Gardena. Many of his paintings, watercolours and sketches of farmhouses, huts, people and portraits are a testimony of a lost alpine world which once was the 19th-century Tyrol.
The populist-romantic novelist Maria Veronika Rubatscher was well acquainted with the artist and wrote his biography in 1930, which became a popular novel.
One of his pupils was Ludwig Moroder-Lenert. Most of Josef's children, Johann Baptist, Friedrich (Rico), Alfons, Josef, Otto, Hermann, became valid sculptors. His son Alfons (1882–1960) settled in Milwaukee where he set up a business to sell altars for churches and statues of saints partially produced by him or imported from his native village, Urtijëi.
Maria Veronika Rubatscher. Der Lusenberger. Der Roman eines Künstlerlebens. München: Verlag Josef Kösel & Friedrich Pustet, 1930 (Reprint Athesia Bozen, 1980 ISBN88-7024-384-2 or ISBN88-7014-123-3).
Komitee für die Drucklegung des Moroder-Stammbuches. Die Moroder, ein altladinisches Geschlecht aus Gröden-Dolomiten. Vom 14. bis zum 20. Jahrhundert. Ursprung - Geschichte - Biographien - Anhang. Beitrag zur tirolischen Familienforschung - Edited by the Moroder Book committee, Urtijëi 1980. Pages 188-204. (Book mainly in German, with some minor parts in English, Italian, Spanish and Ladin). British Library LF.31.a.1348.
Sybille-Karin Moser. Tiroler Bilder und Ihre Darstellung. Malerei von 1830 bis 1900. S. 519. Aus: Kunst in Tirol. Herausgeber: Paul Naredi-Rainer, Lukas Madersbacher.Verlagsanstalt Tyrolia Innsbruck und Verlagsanstalt Athesia Bozen 2007. ISBN978-3-7022-2776-0 - ISBN978-88-8266-409-1.
