Joséphine Fodor (13 October 1789 or 1793 – 10 August 1870), also known under the name Joséphine Fodor-Mainvielle, was a French 19th-century lyrical artist (soprano).[1]
Biography
Geneviève Joséphine Fodor, the daughter of composer and violinist Josephus Andreas Fodor (1751–1828) and Louise Edme Marmet, was born in Paris in 1789 or 1793.[2] Her parents left France for Russia when she was only a few months old,[3] emigrating probably because of the French Revolution. She grew up in Saint Petersburg where her father, a teacher of the imperial children, taught her the harp and piano.[4]
In 1810, she made her debut in Fioravanti's (1770–1837) opera Le cantatrici villane at the Impérial Opera of Saint Petersburg,[4][5] singing in both Russian and French.[6]
In 1812, she married Jean-Baptiste Tharaud-Mainvielle, an actor at the French theatre of Saint Petersburg.[5] Shortly afterwards, the couple left St. Petersburg, which was under attack during the French invasion of Russia and went to France via Finland.[6]
She went to Italy for her health, and toured to Naples where she triumphed in Otello and Vienna before returning to Paris in 1825 for further performances at the Comédie Italienne. Shortly afterwards, she suffered from vocal difficulties, gradually ended her operatic career and withdrew from the stage.[5] She stayed for a while in Passy.[6][9] where she worked for charities,[10] then in Limoges. A widow, she moved to Lyon where her son Martial Tharaud-Mainvielle lived.[11]
In 1857, she published Réflexions et conseils sur l'art du chant.[12]
She died in Saint-Genis-Laval on 10 August 1870, in the country house of her daughter-in-law.[13]
Her daughter Henriette, who was also a singer, was engaged by the Königsstädtisches Theater in Berlin between 1846 and 1849.[3]
Bibliography
Annuaire administratif, biographique, statistique, industriel et commercial de la ville de Passy, 1858, Read online
Camille Dreyfus, La Grande encyclopédie, inventaire raisonné des sciences, des lettres et des arts, volume 22, Read online.
^Alice-Marie Hanson, Musical Life in Biedermeier Vienna) (p. 65), Cambridge University Press, 1985, ISBN9780521257992
^Several books and references mention 1789, which corresponds to the year deducted from the age indicated in her death certificate, but most of the works published in the 19th century give priority to 1793. His birth certificate does not appear in the reconstituted Parisian civil register.
