You can help expand this article with text translated from the corresponding article in Spanish. (November 2011) Click [show] for important translation instructions. View a machine-translated version of the Spanish article. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Spanish Wikipedia article at [[:es:José Martín Recuerda]]; see its history for attribution. You may also add the template {{Translated|es|José Martín Recuerda}} to the talk page. For more guidance, see Wikipedia:Translation.

José Martín Recuerda (June 17, 1926 – June 8, 2007) was a Spanish dramaturg and playwright.^[1]

Recuerda earned bachelor's degrees in philosophy and humanities as well as a masters in Romance Philology from Granada University,^[1] and started to exercise his teaching from 1947, primarily in Granada as an assistant professor of Spanish language and literature at the IES Padre Súarez, and later in 1965 in Madrid at the Instituto Ramiro de Maeztu, in Subsidiary no. 11 of Santa Cristina del Hogar del Empleado. In the fifty years following he founded and directed the Teatro Español Universitario of Granada.

• La garduña (1940) unpublished.
• El padre Aníbal (1941) unpublished.
• El enemigo (1943)
• Dauro (1944) unpublished.
• La reina soñada (1945) unpublished.
• Caminos (1945) iunpublished.
• La llanura (1947)
• Los átridas (1951) unpublished.
• El payaso y los pueblos del Sur (1951) unpublished.
• Ella y los barcos (1952) unpublished.
• Las ilusiones de las hermanas viajeras (1955)
• El teatrito de don Ramón (1957)
• Como las secas cañas del camino (1960)
• Las salvajes en Puente San Gil (1961)
• El Cristo (1964)
• ¿Quién quiere una copla del Arcipreste de Hita? (1965)
• El caraqueño (1968)
• Las arrecogías del beaterio de Santa María Egipciaca (1970)
• El engañao (1972)
• Caballos desbocaos (1978)
• Las conversiones (1980)
• Carteles rotos (1983)
• La Troski (1984)
• Amadís de Gaula (1986)
• La Troski se va a las Indias (1987)
• La deuda (1988)
• Las reinas del Paralelo (1991)
• La "Caramba" en la iglesia de San Jerónimo el Real (1993)
• El enamorado (1994). unpublished.
• Los últimos días del escultor de su alma (1995) unpublished.

• Martín Recuerda, José María (1978). Las salvajes en Puente San Gil y Las arrecogías del Beaterio de Santa María Egipciaca. Cathedera Editions (Francisco Ruiz Ramón's Edition).

• Cobo Rivas, Ángel (1998). José María Martín Recuerda: vida y obra dramática. Bank Granada.

• Marchant Rivera, Alicia (1999). Claves de la dramaturgia de José Martín Recuerda. Universidad de Málaga Edition.

• Sanz Villanueva, Santos (2008). Historia de la literatura española 6/2. Literatura actual (6th Edition). Editorial Ariel.

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