Brahm was born Hans Brahm in Hamburg, the son of actor Ludwig Brahm and his wife. His family was involved in theater; his paternal uncle was the theatrical impresario Otto Brahm.[2]
With the rise of Adolf Hitler and the Nazi Party in Germany in the 1930s, Brahm left the country, first moving to England. After working as a movie production supervisor, he got a chance to direct his first film, Broken Blossoms, in 1936. It was a remake of the American director D.W. Griffith's 1919 film by the same name.
In 1937, Brahm moved to the US, where he began his Hollywood career at Columbia Pictures. He joined an increasing number of European emigres working in the American film studios in this period. Eventually, he moved to 20th Century-Fox. He directed the ill-fated Let Us Live, the true story of two men wrongly convicted of murder who were almost executed by the Commonwealth of Massachusetts. State authorities were embarrassed by this fiasco and put pressure on the studio to cancel the film. The studio completed the film, but kept it to a small budget. [citation needed]
In his book, The American Cinema: Directors and Directions 1929โ1968, American film historian and critic Andrew Sarris states that Brahm "hit his stride" in the 1940s with "mood-drenched melodramas." He suggested that Brahm's work declined after this period. Sarris said that Brahm did not lack work, as he made "approximately 150 TV films"[4] during the 1950s and 1960s. Among these, he also directed numerous episodes of Alfred Hitchcock Presents and The Twilight Zone. Brahm's last full-length film was Hot Rods to Hell.[5]
Personal life
He married an actress named Hanna, who ran off with another actor, leaving him seriously depressed. His second marriage was to actress Dolly Haas. They divorced after coming to the United States, when their careers moved in different directions.[2] She appeared in New York theatre and in 1943 she married again, to Al Hirschfeld, the caricaturist for The New York Times.
In the 1950s, Brahm married his third wife, Anna. They had two children together. Their grandchildren include Christopher Maltauro, who became a movie producer and assistant director. [citation needed]
^Mank, Gregory William (2001). Hollywood Cauldron: Thirteen Horror Films From the Genre's Golden Age. Jefferson, N.C.: McFarland & Co Inc Pub. p. 350. ISBN978-0-7864-1112-2.