Joana Scrinzi

Joana Scrinzi
Scrinzi at the 2017 Austrian Film Awards.
Born1981 (age 42–43)
Salzburg, Salzburg, Austria[1]
OccupationFilm editor
Children2

Joana Scrinzi (born 1981) is an Austrian film editor.

Biography

After graduating from high school in 1999, Scrinzi studied at the Musisches Gymnasium and ballet and dance training at Fachhochschule Salzburg Multi Media Art. During her studies, she made, among other things, a documentary film about ballet dancers and the relationship to her body and in 2003, she graduated with a degree in engineering.[1] From 2004 to 2006, she worked as an assistant editor with Karina Ressler and Oliver Neumann, among others, for productions such as Hotel, Fallen, Revanche and Immer nie am Meer. The first full-length feature film for which she was responsible as editor was in März by director Klaus Händl, with whom she worked again for the film Tomcat in 2016.[2][1]

Scrinzi is a member of the Academy of Austrian Films and the Austrian Film Editing Association.[3] She is married to the film director Antonin Svoboda, with whom she has two children.[4]

Awards and nominations

  • 2017: 2017 Austrian Film Awards – Nominated in the Best Editor category for Tomcat
  • 2018: Diagonale – Best Artistic Editing of a Documentary for Gwendolyn and Nicht von schlechten Eltern[5]
  • 2018: Schnitt-Preis – Nominated for Bild-Kunst Schnitt Preis Dokumentarfilm for Gwendolyn[6][7]
  • 2021: Diagonale – Best Artistic Editing of a Feature Film for Fuchs im Bau[8][9]

Filmography

  • 2008: März
  • 2010: Einmal mehr als nur reden
  • 2012: Outing
  • 2012: Warme Gefühle
  • 2012: Griffen
  • 2013: CERN
  • 2013: Schulden G.m.b.H.
  • 2013: Fiesta auf der Müllhalde
  • 2014: Was Wir Nicht Sehen
  • 2014: Tough Cookies
  • 2015: Drei Eier im Glas
  • 2016: Tomcat
  • 2017: Gwendolyn
  • 2017: Cry Baby, Cry (Nicht von schlechten Eltern)
  • 2020: Fuchs im Bau
  • 2021: Great Freedom

References

  1. ^ a b c "Joana Scrinzi". Österreichischer Verband Filmschnitt (in German). Retrieved 2019-12-30.
  2. ^ ray | Viennale – Auf den Wimpernschlag genau". ray Filmmagazin, Ausgabe 10/2008, retrieved 5 January 2017.
  3. ^ "Mitglieder". Akademie des Österreichischen Films. 2016-12-18. Archived from the original on 2017-04-12. Retrieved 2016-12-18.
  4. ^ Kleine Zeitung: 55. Viennale: Viel Lob für "Cry Baby, Cry" bei Uraufführung. 22 October 2017, retrieved 23 October 2017.
  5. ^ "orf.at: "Murer' und Geyrhalter-Doku holen Hauptpreise". 17 March 2018. Archived from the original on 17 March 2018.
  6. ^ 15 Filme im Rennen um die Schnitt Preise Archived 2018-08-24 at the Wayback Machine. Retrieved 24 August 2018.
  7. ^ Filmplus gibt Nominierte Schnittpreise bekannt Archived 2018-08-24 at the Wayback Machine. 24 August 2018, retrieved 24 August 2018.
  8. ^ "Diagonale-Preis Schnitt'21". diagonale.at. Retrieved 2021-06-13.
  9. ^ "Diagonale 2021: "Hochwald" von Evi Romen als bester Spielfilm gekürt". Kurier.at. 2021-06-13. Retrieved 2021-06-13.