Joan CardenAOOBE (born 9 October 1937[1]) is an Australian operatic soprano. She has been described as "a worthy successor to Dame Nellie Melba and Dame Joan Sutherland"[2] and was sometimes known as "the other Joan" (a reference to Sutherland and Dame Joan Hammond)[3] or "The People's Diva".[4] She was a Principal Soprano with Opera Australia for 32 years, and was particularly associated with the title roles of Giacomo Puccini's Tosca and Madama Butterfly. However, she sang over 50 other roles, from the 18th century, including virtually all the Mozart heroines, through to works by contemporary composers.[4]
Biography
Joan Maralyn Carden was born in Melbourne, an only child, in 1937. Her parents were Frank Carden (1902–1967) and Margaret Carden née Cooke (1896–1997). She attended Lee Street State School, North Carlton, and Ormond State School, Melbourne, and was dux of Prahran Technical Girls' School in 1955.[5] Her first experience of opera as a child was hearing Mozart's The Magic Flute, and then Richard Strauss's Salome sung by Joan Hammond. She would later become a friend of Hammond, singing at her funeral in Bowral, and at her memorial concert in Melbourne,[6] and she also received the Dame Joan Hammond Award.
In Melbourne, her first singing teacher was the English-born Wagnerian soprano Thea Phillips when she was seventeen who gave her gentle instruction.[7] Her teacher was then briefly Henri Portnoj. She was a private student at Trinity College of Music in London and won a Stuyvesant Scholarship tenable at London Opera Centre, 1966/7, where her singing teacher was the West Australian expatriate Vida Harford (1907–1992),[8] with whom she studied for the remainder of her teacher's life. She won a major prize in the Munich International Music Competition in September 1967, before graduating from the London Opera Centre that year.[4] She performed in the United Kingdom, and[9] Germany. She returned to Australia in 1970, joining in 1971 the Australian Opera (now Opera Australia) as a major principal till retiring from that company in 2003.
She sang 'Waltzing Matilda' and the national anthem during the worldwide telecast of the 1992 AFL Grand Final. In 1993 and at an Australia Day charity concert with José Carreras at Covent Garden before Prince Charles.[9] That year she received an Australian Artists Creative Fellowship.
In 2000 she stepped in at very short notice to sing Tosca in Adelaide for an ailing friend, Deborah Riedel who subsequently died of liver cancer at the age of 50. The story of wearing her own jewellery is apocryphal.[17]
Her farewell major role with Opera Australia was as Tosca in Sydney in 2002.[18] After her final performance she was awarded the Opera Australia Trophy at a ceremony at the Opera House.[4] In March 2003 she was given a reception in her honour by the Governor-General, Major General Michael Jeffery, at Admiralty House, Sydney.[19]
However, she did not stop singing altogether. In 2003, she created the role of "Public Opinion", based on the Australian political figure Pauline Hanson, in the Sydney season of Opera Australia's new production of Offenbach's Orpheus in the Underworld.[4] On 2 June 2003, Joan Carden sang at a ceremony at the Melbourne Town Hall to launch Australia Post's new series of stamps commemorating the 50th anniversary of the Coronation of Queen Elizabeth II.[4]
In 2006 she sang Exsultate, jubilate in a concert at the Great Hall of the University of Sydney with Sydney University Graduate Choir, music director Christopher Bowen, who sponsor the Joan Carden Award for young singers
, the concert in honour of the 250th anniversary of the birth of Wolfgang Amadeus Mozart.[20]
In 2006 also, she appeared in the musical Titanic, as Ida Strauss. It opened in Sydney to high praise from the critics, but the run was cut short due to poor ticket sales, and the planned Brisbane and Melbourne seasons were cancelled.[21]
Joan Carden is related to George Frederick Carden, a prominent Melbourne businessman, who founded the Carden Fellowship of Cancer Council Victoria.[28] There is also the G. F. Carden Leukemia Research Foundation, funding from which facilitated treatment pioneered by Professor Don Metcalfe that saved the life of many people, including José Carreras. In 1990 Joan Carden sang at Covent Garden with Carreras and a group of Australian singers in a concert to raise funds for Carreras's own leukaemia research foundation, and she made him aware of this connection.[29][30]
Her 1962 marriage to a British steeplechase coach William Coyne produced two daughters, and ended in divorce in 1980. Their children are Vida Carden-Coyne (named after her first singing teacher Vida Harford), an arts administrator; and Prof Ana Carden-Coyne, a cultural historian and founder of the Centre for the Cultural History of War at the University of Manchester.[4]
Joan Carden converted from Anglo-Catholicism to Roman Catholicism in 1960. She sang at the funeral of Archbishop Carroll, who was both a spiritual adviser and a great admirer of her singing.
She suffered a number of heart attacks during her career, but returned to the stage each time.
Honours
In the New Year's Day Honours of 1982 Joan Carden was appointed an Officer (OBE) of the Order of the British Empire.
In 1987 she received the Dame Joan Hammond Award for Operatic Excellence.[4][31]
In the Queen's Birthday Honours of June 1988 she was appointed an Officer (AO) of the Order of Australia.
In 1992 she sang before US President George H. W. Bush on his Australian visit.[9]
In 2005, the Joan Carden Award was created by the Sydney University Graduate Choir, and is awarded to an outstanding young singer
.[33]
Awards and nominations
ARIA Music Awards
The ARIA Music Awards is an annual awards ceremony that recognises excellence, innovation, and achievement across all genres of Australian music. They commenced in 1987.
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