Jeremy Butterworth is a British playwright, screenwriter, and film director. He has gained recognition for his unique voice in contemporary theater, often blending themes of myth, folklore, and realism. He has received a Tony Award and two Laurence Olivier Awards.
In March 1969, Butterworth was born in London, England. He has three brothers: older brothers Tom (born 1966) and Steve (born 1968); and younger brother John-Henry (born 1976). He also has a sister, Joanna. He attended Verulam Comprehensive School, St Albans, and St John's College, Cambridge, where he studied the English tripos and graduated in 1991.[2] All his brothers have been active in film and theatre: Steve is a producer, while Tom and John-Henry are writers.[citation needed]
Butterworth received positive reviews of his play The Night Heron (2002), which premiered in the West End at the Royal Court Theatre. The Guardian reviewer wrote: "Can a play be simultaneously very good and very bad? I believe so."[8]The Winterling also ran at the Royal Court in 2006. The British Theatre Guide wrote: "The Winterling can be a difficult play but contains rich veins of comedy."[9] His play Parlour Song[10] opened in New York to "rave reviews" at the Atlantic Theatre Company, Off-Broadway in March 2008.[11] The play then played at the Almeida Theatre, with Michael Billington of The Guardian writing, "After the more erratic The Night Heron and The Winterling, Butterworth shows that he has a compassionate understanding of the quiet desperation that stalks Britain's new estates. He exactly captures the mundane madness beneath the bland routine of affluence."[12]
2008–2016: Breakthrough with Jerusalem
Butterworth's fourth play for the Royal Court Theatre was Jerusalem, which premiered in July 2009 to positive reviews. Described as a "contemporary vision of life in [England's] green and pleasant land", Jerusalem was the second important Butterworth production in London in 2009.[13] The production starred Mark Rylance as Johnny Byron, and featured Mackenzie Crook as Ginger in a supporting role. It was a sell-out at the Royal Court, won the Evening Standard Theatre Award and Critics' Circle Theatre Award for the best play of 2009 and, with the same cast, transferred to the Apollo Theatre on Shaftesbury Avenue in January 2010.[14]
Jerusalem opened on Broadway in April 2011, with many of the original UK cast.[15] It returned to London later that year, again playing at the Apollo. In January 2014 Jerusalem opened at the San Francisco Playhouse,[16] where it also received rave reviews.[17]Jerusalem was nominated for the 2011 Tony Award, Play.[18] Mark Rylance won the 2011 Tony Award for Best Performance by an Actor in a Play.[15] Jez and John-Henry Butterworth were named recipients of the Writers Guild of America West's 2011 Paul Selvin Award for their screenplay for the film Fair Game (2010), directed by Doug Liman and starring Naomi Watts and Sean Penn.[19]
On 26 October 2012, Butterworth's play The River opened at the Royal Court Theatre, starring Dominic West, Laura Donnelly and Miranda Raison, with an appearance by Gillian Saker.[20][21]The River had its US premiere on Broadway at the Circle in the Square Theatre in a limited engagement in October 2014, starring Hugh Jackman and directed by Ian Rickson.[22] Reception was positive, with London critics finding the work "lyrical", "beautifully written" and "suffuse[d] with wonder and beauty".[23]
2017–2019: The Ferryman and acclaim
Butterworth's play The Ferryman opened at the Royal Court Theatre in April 2017. Directed by Sam Mendes,[24] it became the fastest selling play in the Royal Court Theatre's history.[25] Set in rural South Armagh in 1981 and focusing on the events surrounding the deaths of the IRA hunger strikers, it received 15 five-star reviews, including all the major UK papers. The Irish Times said, "Although Butterworth is English, The Ferryman feels like a thoroughly Irish play, not only because there is not a single false note in the dialogue."[26] The Huffington Post said that it was "one of the two or three greatest plays of the decade". But, The Guardian's Sean O'Hagan wrote, "I'm from Northern Ireland and it doesn't ring true", and it was "so close to a cultural stereotype as to be offensive".[27] Two weeks later The Irish Times printed an opinion piece by actor Gerard Lee (of Father Ted)[28] entitled "In defence of The Ferryman". He challenged negative comments, calling the play "layered and powerful".[29]
In 2023 he wrote the fifth installment of the Indiana Jones franchise, Indiana Jones and the Dial of Destiny reunited with director James Mangold. The film was not a commercial success and received mixed reviews.[33][34] David Rooney of The Hollywood Reporter wrote, "This is a big, bombastic movie that goes through the motions but never finds much joy in the process" adding that the screenplay "feel[s] of something written by committee".[35]
Influences
Butterworth has said that Harold Pinter, 2005 Nobel Literature Laureate, has been a major influence on his work: "I know and admire Harold Pinter enormously. He has a ginormous influence on me. Conversations with him have inspired my work."[11]
