Jerome Brailey started performing around 1968 with the R&B group The Unifics, The Five Stairsteps, then The Chambers Brothers. George Clinton saw Jerome performing with The Chambers Brothers and invited him to join the Funk Mob after witnessing his style and finesse on drums. He joined the P-Funk collective in 1975 during the time he co-wrote one of Parliament's biggest hits, “Give Up the Funk (Tear the Roof off the Sucker)" with Clinton and Bootsy Collins while also playing on many of Parliament-Funkadelic's most popular recordings.[2] Brailey left the P-Funk organization in 1978 due to bad management by producer George Clinton and began working closely with Glenn Goins, who had also left P-Funk and started productions on the funk group Quazar which featured Glenn's brother Kevin Goins on vocals. Brailey and Goins conceived a band called Mutiny as they were finalizing the Quazar album for Arista Records; however, Glenn Goins died in 1978 at the age of 24, leaving Brailey to complete the album. He then established Mutiny and signed to Columbia Records.
“Mutiny on the Mamaship” (Columbia Records) the debut album, follow by “Funk Plus The One” (Columbia Records) both produced by Jerome Brailey while working alongside guitarist Donald “Lenny” Holmes and bassist Raymone Carter were the makings of collectable recordings. The albums were not far removed from the classic P-Funk style, with emphasis placed on dual lead guitar works. They were seen as successful in musical terms, though some critics complained about the lack of originality but the quality of those recordings were recognized by many. Other noted collections of recordings, “A Night Out With The Boys” (Tuff City Records), Aftershock 2005 (Rykodisc) and Funk Road (Catbone Music Label) are also under the Mutiny's umbrella receiving positive vibes and energy.
The Rolling Stone list of “The 100 Greatest Drummers of All Time” chose Jerome “Bigfoot” Brailey as #68 for his steady kick drum, shifty hi-hat action and intricately unpredictable snare patterns.[6] He also appeared as a session drummer with a diverse group of artists including Keith Richards, Bill Laswell, James Blood Ulmer, Dave Stewart, and Lucky Peterson during his career.
The Mothership, the iconic stage prop made famous by legendary funk collective Parliament-Funkadelic, has been acquired by the Smithsonian's National Museum of African American History and Culture in Washington, DC where it will help anchor a permanent music exhibition at the museum in 2016.[7] Each year the Grammy Award Hall Of Fame celebrates a class of outstanding recordings at least 25 years old that exhibits qualitative or historical significance and in its 2018 class “Flash Light” by Parliament was add to the Hall list of classic recordings.[8]
Smith and Hay's release two CD's, Jazz & Jazz (Deluxe) during a series of recordings in 2017 which featured Jerome Bigfoot on many of the songs. Jazz (Deluxe) charted and became the number one Billboard Jazz album in the country in January 2018.[9] With a signature for foot and snare connections during the impact years with Parliament-Funkadelic, The Recording Academy awarded and announced in December 2018 that the Grammy Lifetime Achievement Award will be presented to P-Funk members on May 11, 2019 in Los Angeles, CA. for their creative contributions in music.[10]
