Jeanne d'Arc au bûcher (Joan of Arc at the Stake) is a mystère lyrique, or sung mystery play (a dramatic sort of oratorio), by Paul Claudel with music by Arthur Honegger. Commissioned by Ida Rubinstein, it was written in 1935, premiered in 1938 and published in 1947 after rounds of minor revisions that extended into 1944. Claudel narrates Joan of Arc's last minutes of life with flashbacks to her trial and younger days. His poème of eleven scenes and a prologue is the work's backbone, with key scenes spoken, but the music, particularly the choral writing, is generally considered its strength, despite Honegger's avowal that he had merely put his services “at the disposal of” the poet. Claudel's frame gave Honegger a space between Heaven and Earth, past and present, for mixing styles and using musical tools — monody, harmony and counterpoint — to build sculpted blocks of sound.[1] One detail of his score is its part for ondes martenot, an early electronic instrument played at the premiere by its inventor Maurice Martenot.[2] The mystère lyrique lasts about 75 minutes.
Performance history
Jeanne d'Arc au bûcher premiered on 12 May 1938 in Basel. Rubinstein acted Jeanne and Jean Périer played Dominique, both spoken roles. Basel Boys Choir, a local adult chorus and a freelance orchestra were conducted by Paul Sacher.[2] It was an immediate success, with critics almost unanimous in praising a perfect cohesion between words and music.[3]
On 6 May 1939, after rehearsals at the Salle Pleyel in Paris, the work was semi-staged with designs by Alexandre Benois at the Théâtre Municipal in Orléans, where Louis Fourestier conducted.[4] The work was heard again in Basel on 12 May 1939 and then in Zürich on 14 May. On 13 June that year at the Palais de Chaillot, it was conducted by Charles Munch (who would go on to lead the United States premiere in New York in 1948). After the outbreak of war the work was performed at the Salle Pleyel and in Brussels (22 and 29 February 1940, respectively). Sacher and Rubinstein made abortive plans for further performances that year, including at the Lucerne Festival.[5]
On 26 February 1947 Rubinstein organised a concert performance at the Palais des Fêtes in Strasbourg, conducted by Fritz Münch, brother of Charles, which was repeated the following year on 13 June in the presence of the composer.[6]Jeanne d'Arc au bûcher was first performed in Canada at the Montreal Festivals in 1953 under conductor Wilfrid Pelletier,[7] and as a staged performance the following year at the Stoll Theatre in London, conducted by Leighton Lucas.[8]
In December 1953 Roberto Rossellini directed a staged version in Italian translation at the Teatro di San Carlo in Naples with Ingrid Bergman in the title role. This was then repeated at La Scala. Both performances received excellent reviews. Rossellini also staged the mystère lyrique at the Paris Opera, now back to the original French, again to critical success. He went on to film the San Carlo production in French and Italian versions. The film was released in Italy in 1954 under the Italian title Giovanna d'Arco al rogo, but it was a box-office failure and so the French version was never released.[9][10]
Depaulis, Jacques (1994). Paul Claudel et Ida Rubinstein: Une collaboration difficile. Annales littéraires de l'Université de Franche-Comté, vol. 517 (in French). Presses Université Franche-Comté.