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L'Illustration related the Salon d'Automne "scandal" and published reproductions of several paintings dubbed Fauve, among which Jean Puy's Flânerie sous les pins (Strolling through pine woods), together with Louis Vauxcelles' comment: "Mr. Puy, whose nude at the seashore reminds us of Cézanne's wide schematism, is presenting outdoor scenes where the volumes of things and beings are strongly established."[2]
Colors! Engaging, captivating, bewitching, coaxing, entrancing, ravishing colors! It seems we'll never stop feasting our eyes on them… (Jean Puy)[2]