Jane Hicks Gentry (December 18, 1863 – May 25, 1925) was an Appalachian folklorist and singer, born in Watauga County, North Carolina. She was known for her riddles and the "Jack, Will and Tom Tales", in addition to the songs she recorded for Cecil Sharp. All were believed to have originated in England, Scotland or Germany, and passed down through Jane's family to her.
Background
She was the oldest of five children born to Emily Harmon and Ransom Hicks. Her brothers and sisters were John Riley, Mary, Margaret Elizabeth and William.[1] The paternal Hicks lineage were emigrants from England who arrived in America prior to the American Revolutionary War.[2] The Harmons in the maternal lineage came to America from Wurttemberg, Germany, also before the American Revolutionary War. When Emily was about 12 or 13 years old, they joined other families in moving to Madison County, on the Meadow Fork of Spring Creek, where they began to invest in farm acreage. As Emily worked inside their home, surrounded by the children, she sang songs and told stories and riddles that been passed along through the Harmon family.[3] Jane had only a rudimentary education, but learned the basics of reading in order to facilitate her reading of the Bible.[4]
Jane married Jasper Newton "Newt" Gentry in 1879, and the couple had nine children (Lydia Nora, Martha Emily, Mary Magdalene, Alfred Chanay, Allie Mae, Lillie Bertha Maud, Roy Stevens, Lalla Marvin, Nola Jane). Their youngest child was born after they moved to Hot Springs. There they bought acreage on which they raised livestock and farm produce. The Gentry children were enrolled in the Presbyterian-run Dorland Institute, their tuition paid through income from a grocery store run by Newt, where he sold produce grown on their land. Jane earned money by working at the school. Over the years, she supervised students who also worked at the school. Jane became part of the school's culture by continuing to tell her stories, sing a little and dance for the students and faculty.[5]
Eventually Jane ran a boarding house that welcomed students and faculty of the school. A friend of the family remembered, "She wove, spun, tatted, knit, crocheted, and she was always teaching other people to do these things. And she would sing and tell stories while we worked. It seemed natural for her to sing and tell stories."[6] The United States government turned Mountain Park Hotel at Hot Springs into a World War I prisoner-of-war internment camp for German sailors.[7] Families of the prisoners lived in town, some at Jane's boarding house.[8]
Songs and stories
English folk song collector Cecil Sharp and his colleague Maud Karpeles were invited to Appalachia by American folklorist Olive Dame Campbell in 1916 to seek out old songs and ballads, especially those that had travelled from the British Isles.[9] It was Dorland principal Lucy
Shafer who suggested they meet Jane Gentry. From August 24, 1916 until July 27, 1917, Sharp and Karpeles made several visits to notate Jane's songs, obtaining a total of 70 from her.[10]
Table: Ballads and Songs Sung By Mrs. Jane Gentry and Collected by Olive Dame Campbell and Cecil James Sharp, Published in: English folk songs from the southern Appalachians[11]
Date Sung
Entry
Type
Title
Scale
1
Sept. 12, 1916
1 B
Ballad
The False Knight Upon the Road
Pentatonic Mode 3, b (no 6th)
2
Sept. 11, 1916
4 A
Ballad
The Two Sisters
Pentatonic Mode 3
3
Aug. 24, 1916
7 A
Ballad
Edward
Heptatonic Mode 4 a+b (mixolydian)
4
Aug. 24, 1916
13 B
Ballad
The Cherry-Tree Carol
Pentatonic Mode 3
5
Aug. 24, 1916
14
Ballad
Fair Annie
Pentatonic Mode 3
6
Aug. 24, 1916
15 A
Ballad
Young Hunting
Hexatonic Mode 2, a
7
Aug. 24, 1916
16 E
Ballad
Lord Thomas and Fair Ellinor
Pentatonic Mode 1
8
Aug. 24, 1916
19
Ballad
The Wife of Usher's Well
Hexatonic Mode 2, a
9
Aug. 24, 1916
20 B
Ballad
Little Musgrave and Lady Barnard
Pentatonic Mode 3
10
Sept. 12, 1916
23
Ballad
Lamkin
Pentatonic Mode 3 (Tonic A)
11
Aug. 25, 1916
25
Ballad
Johnie Scot
Pentatonic Mode 3
12
Sept. 14, 1916
27 D
Ballad
The Gypsy Laddie
Hexatonic Mode 4, b
13
Sept. 14, 1916
28 B
Ballad
Geordie
Hexatonic Mode 2, a
14
Sept. 12, 1916
29 H
Ballad
The Daemon Lover
Hexatonic Mode 4, a
15
Aug. 24, 1916
30
Ballad
The Grey Cock
Heptatonic, Mode 3, a+b (mixolydian)
16
Sept. 16, 1916
32 A
Ballad
Our Goodman
Pentatonic Mode 3 (no 6th)
17
Sept. 12, 1916
35 A
Ballad
The Golden Vanity
Heptatonic Mode 4, a+b (dorian)
18
Sept. 14, 1916
38 D
Ballad
In Seaport Town
Heptatonic Mode 4, a+b (mixolydian)
19
Aug. 25, 1916
40 A
Ballad
Shooting of His Dear
Pentatonic Mode 1 (no 6th)
20
Aug. 25, 1916
46 A
Ballad
Edwin in the Lowlands Low
Pentatonic Mode 1
21
Sept. 12, 1916
48
Ballad
The Green Bed
Hexatonic Mode 4, b
22
Aug. 26, 1916
55 A
Ballad
Jack Went A-Sailing
Pentatonic Mode 3
23
Aug. 25, 1916
56 A
Song
The Rejected Lover
Hexatonic Mode 2, a
24
Sept. 14, 1916
64 D
Song
The Wagoner's Lad
Pentatonic Mode 1
25
Sept. 12, 1916
65 E
Song
Come All You Fair and Tender Ladies
Hexatonic Mode 4, a (If C be tonic: Mode 3, a).
26
Aug. 24, 1916
68
Song
William and Polly
Hexatonic Mode 3, b
27
Sept. 14, 1916
72 D
Song
Early, Early in the Spring
Pentatonic Mode 3
28
Aug. 24, 1916
82 A
Song
George Reilly
Heptatonic Mode 2, a+b (dorian) (If G be tonic: Mode 4, a+b mixolydian)
29
Aug. 24, 1916
83 A
Song
Johnny Doyle
Hexatonic Mode 4, a (If D be tonic: Mode 3, a)
30
Sept. 16, 1916
89 A
Song
My Boy Billy
Hexatonic Mode 3, b.
31
Aug. 24, 1916
95 B
Song
Pretty Peggy O
Hexatonic Mode 1, b
32
Aug. 24, 1916
97 B
Song
The Sheffield Apprentice
Hexatonic Mode 2, a
33
Aug. 25, 1916
98 B
Song
The Broken Token
Heptatonic Mode 3, a+b (with flattened 7th)
34
Aug. 25, 1916
101 B
Song
The Brisk Young Lover
Heptatonic Mode 1, a+b (mixolydian)
35
Aug. 24, 1916
108 A
Song
My Mother Bid Me
Pentatonic Mode 3, a
36
Sept. 12, 1916
110 A
Song
The Tree in the Wood
Pentatonic Mode 3
37
Sept. 12, 1916
111
Nursery Song
The Farmyard
Pentatonic Mode 3 (no 6th)
38
Sept. 12, 1916
112
Nursery Song
The Drummer and His wie
Pentatonic Mode 1 (If G be tonic: Mode 3)
39
Sept. 12, 1916
113
Nursery Song
The Bird Song
Pentatonic Mode 2
40
Sept. 15, 1916
117
Nursery Song
Sing, Said the Mother
Hexatonic Mode 3, b
41
Sept. 15, 1916
118
Nursery Song
I Whipped My Horse
Pentatonic Mode 3
42
Sept. 15, 1916
119 A
Nursery Song
A Frog Went A-courting
Hexatonic Mode 3, b (Tone F)
Sharp did not comment specifically on the likely origin of her songs, but believed that in general the older Appalachian ballads came from England or Lowland Scotland. Holgar Nygard, Professor Emeritus of English at Duke University, suggested that Scotland was the more likely source for many of the songs in Jane's repertoire, but Brian Peters, in a detailed study of Sharp's Appalachian collection, showed that ballads such as "Barbara Allen", "Little Musgrave" and "Lord Thomas and Fair Ellender" most likely originated in England.[12][13]
Jane referred to her stories as "Jack, Will and Tom Tales". Musician and historian Betty N. Smith compared the structure of the tales to German Märchen fairy tales, but speculated that they may have originated with the Hick's English ancestors.[14] Author Irving Bacheller and his wife Anna first met Jane at her boarding house in 1914, telling stories and riddles to delighted children. The Bachellers were so impressed with Jane that they invited her to visit them in Greenwich, Connecticut. According to Betty N. Smith's research, the visit was incorporated into Bacheller's novel Tower of a Hundred Bells, destroyed by a house fire in 1917, a fact confirmed after Jane's death, in a letter from Bacheller to her daughter Maud Long, "I wrote a book largely about your mother and her mountain life which was destroyed by a fire that burned my home in 1917."[15]
Fifteen stories of Jane's were contained within twenty-three stories total published by Isabel Gordon Carter in The Journal of American Folklore in 1925. The other stories in the published work were six by Susie Wilkenson of Sevier County, Tennessee, and two stories by John Campbell of Townsend, Tennessee. As noted by Carter, folklorists of the time had primarily collected songs and overlooked the stories. When Jane was asked to tell the tales for this work, she confirmed in part that the stories had been passed down in the family, from her great-grandmother passing them down to Jane's grandfather Council Harmon.[16]
^Carter, Isabel Gordon (1925). "Mountain White Folk-Lore: Tales from the Southern Blue Ridge". The Journal of American Folklore. 38 (149): 340–374. doi:10.2307/535236. JSTOR535236.