Dickson is known for her dark iconic images that examine "the constructed world, and its psychological freight, the social structuring of desire and its disruption by the uncanny".[4] Deploying unusual materials such as AstroTurf, vinyl, sandpaper, felt and carpet, which resonate with their particular subject, Dickson's paintings express her "fascination with the power of artificial light, as well as...surreal and sexually transgressive environment[s]".[5] Often depicting the spectacle in her work, her subjects include Times Square (where she lived and/or worked from 1978 to 2008, participating in the Colab organized The Times Square Show), demolition derbies, carnivals, suburban homes, and highways, among others.[6]
In addition to her large body of paintings, the artist organized “Messages to the Public”, a Public Art Fund series which presented monthly artists’ projects created for Spectacolor's 1 Times Square Billboard. The project ran from 1982 to 1990 and the artists presented include Keith Haring and Jenny Holzer. In her most recent contribution to Times Square, Dickson designed 67 mosaics of New Year's Eve revelers that were installed within the Port Authority 42nd Street and Times Square subway stations.[7] Commissioned by the MTA (Metropolitan Transit Authority) in 2008, the mosaics are composed of Murano glass, and as art historian Janetta Rebold Benton describes, the figures with their party hats and horns "seem able to elevate the moods of the actual people who hurry along the corridor."[8]
^Rebold Benton, Janetta and Robert DiYanni (2012). "Diversity in Contemporary Life". Arts and Culture: An Introduction to the Humanities: Combined Volume (4th ed.). Boston: Prentice Hall. pp. 598–99.