Irving Kriesberg (March 13, 1919 – November 11, 2009) was an American painter, sculptor, educator, author, and filmmaker, whose work combined elements of Abstract Expressionism with representational human, animal, and humanoid forms. Because Kriesberg blended formalist elements with figurative forms he is often considered to be a Figurative Expressionist.[1]
Biography
Irving Kriesberg was born March 13, 1919, in Chicago, Illinois. His parents were Bessie and Max Kriesberg. Kriesberg had three brothers, Lee (born in 1915), Martin (born in 1917), and Louis (born in 1926).[2]
Kriesberg befriended the Cubist sculptor, Jacques Lipchitz, who introduced Kriesberg's work to Curt Valentin. Valentin, a German-Jewish art dealer, ran an eponymous art gallery on 32 east 57th Street in Manhattan, which was known for exhibiting the work of established modern artists including Pablo Picasso, Alexander Calder, Max Beckmann, and Henry Moore.[6] Valentin exhibited Kriesberg's work as part of a group exhibition in 1953 alongside fellow artists, Reg Butler, Bruno Cassina, Jan Cox, and Alton Pickens. Kriesberg had his first solo exhibition at the Curt Valentin Gallery in 1955. Lipchitz wrote the introductory text for the exhibition catalogue.[7]
Kriesberg had his first major museum show in 1952, when several of his paintings were selected by Dorothy Miller, curator of the Museum of Modern Art, for the landmark group exhibition, 15 Americans.[8]15 Americans also included Jackson Pollock, Clyfford Still, Mark Rothko, Williams Baziotes, and other seminal American modern artists.[9] In 1961, Kriesberg had a solo exhibition at the Jewish Museum. The exhibition was a 15 year career retrospective for Kriesberg, featuring works from 1945 through 1960. It also marked the debut screening of Kriesberg's 1954 animated film, Pastoral.[10] The show at the Jewish Museum ran concurrent with a solo exhibition at Graham Gallery. Allan Kaprow wrote the essay for the Graham Gallery show catalogue, stating that "Irving Kriesberg has pushed the boundaries of his art farther than most artists. He has increased the possibilities for us all."[11]
In 1965, Kriesberg received a Fulbright Fellowship to travel to India. He traveled the countryside and made a significant body of paintings on canvas and paper in Simla. In 1966, Kriesberg presented this work in a 1966 solo exhibition at the Kumar Gallery in New Delhi.[12]
In addition to painting, printmaking and, sculpture, Kriesberg was involved with cinematography. He created two avant-garde animations Pastoral (1954, 20 minutes, 16mm film with musical score by Douglas Townsend) and Out of Into (1972, 17 min, 16 mm film with an electric score by Bülent Arel). He received his M.A. in film from New York University in 1972.[13][14]
Kriesberg also created several works of public art, including a banner for the 1989 Passover Peace Coalition rally[16] and a 40-foot banner called Peace Dove, which was an integral visual element of the June 12th Rally for nuclear disarmament in 1982.
1979: Artists 100 Years: Alumni of The School of the Art Institute of Chicago, IL, (Curated by Katharine Kuh ) Art Institute of Chicago, Chicago, IL
1982: Peaceable Kingdom: Animal Art from the Permanent Collection, Weatherspoon Art Museum, Greensboro, NC
1984: Emotional Impact: New York School Figurative Expressionism (curated by April Kingsley) Traveled to: Anchorage Historical and Fine Arts Museum, Anchorage, AK, December 1, 1984 – January 12, 1985; Museum of Art, Inc., Ft. Lauderdale, FL, February 1–April 1, 1985; University Gallery, University of Florida, Gainesville, FL, September 1–September 29, 1985 Oklahoma Museum of Art, Oklahoma City, OK, January 19–March 2, 1986; Beaumont Art Center, Beaumont, TX, March 28–May 11, 1986; Laguna Gloria Art Museum, Austin, TX, May 23–July 6, 1986
1987: The Interior Self: Three Generations of Expressionist Painters View the Human Image, Montclair Art Museum, Montclair, N.J.