The two directors, Jorge Bodanzky (left) and Orlando Senna (right)
The film combines scripted scenes with Paulo César Pereio (the only professional actor) and documentary footage of forests being cut down, and peasants, workers and prostitutes speaking to the camera. It was filmed in 16 mm to allow filming in remote locations and to convey a chaotic, out-of-control sense of the Amazon.[5]
Plot
A White Brazilian truck driver, Tião, and a 15-year-old cabocla (mixed-race) prostitute, Iracema, drive through an Amazon that is facing rapid changes.[6]
Iracema was screened at the 1980 Festival de Brasília, winning prizes for Best Film, Best Actress (Edna de Cássia), Best Supporting Actress (Conceição Senna) and Best Editing (Eva Grundman and Jorge Bodanzky).[10][11][12]
The New York Times wrote that Iracema "is a jaundiced view of the great Brazilian dream as represented by the trans-Amazon highway and the journey to the junk heap by its title character."[6]
^Furtado, Gustavo Procopio (December 1, 2013). "The Borders of Sense: Revisiting Iracema, Uma Transa Amazonica (1974)". Journal of Latin American Cultural Studies. 22 (4): 399–415. doi:10.1080/13569325.2013.840276. S2CID192247125.
^Aldana, Erin (July 1, 2013). "The land, the road, and the freedom to move on: the tension between documentary and fiction in Iracema, uma transa amazônica". Social Identities. 19 (3–04): 356–370. doi:10.1080/13504630.2013.817633. S2CID144198235.