Intermezzo (also called Intermezzo: A Love Story) is a 1939 American romantic filmremake of the 1936 Swedish film of the same title. It stars Leslie Howard as a married virtuoso violinist who falls in love with his accompanist, played by Ingrid Bergman in her Hollywood debut. Bergman had played the same role in the Swedish original against Gösta Ekman. The film was directed by Gregory Ratoff and produced by David O. Selznick. It features multiple orchestrations of Heinz Provost's title piece, which won a contest associated with the original film's production. The screenplay by George O'Neil was based on that of the original film by Gösta Stevens and Gustaf Molander. It was produced by Selznick International Pictures.[citation needed]
Holger Brandt, a celebrated virtuoso violinist, meets Anita Hoffman, his daughter's piano instructor, during a trip home. Impressed by Anita's talent, he invites her to accompany him on his next tour. They begin touring together and a passionate relationship ensues. Holger's wife Margit asks him for a divorce.
Knowing how much Holger misses his daughter Ann Marie and son Eric, and torn with guilt for breaking up his family, Anita decides to pursue her own career and leaves Holger. Holger returns home to see his children again. He first travels to Ann Marie's school, but as she runs across the street to greet him, she is hit by a car in front of his eyes. He takes the injured Ann Marie back home and confronts his angry son in an attempt to explain his infidelity.
To Holger's relief, the doctor informs him that Ann Marie will survive and eventually recover from her injuries. Margit then forgives Holger and welcomes him back into his family.
The musical duets with Howard and Bergman were dubbed for the soundtrack by professional musicians; however, the actors' hands show the actual music being played.[3] Bergman plays the full piano parts (for Edvard Grieg's Concerto in A minor and Christian Sinding's "Rustle of Spring"), so her hand positions are correct for the music soundtrack. Howard could not play the violin, so a professional violinist named Al Sack, who bore a striking resemblance to Howard, was brought in to teach him proper violin posture and bowing technique. During filming, Sack rested on his knees, out of view of the camera, and did the fingering on all of the closeups. In the film, Sack's left hand is shown along with Howard's bowing arm and profile. Sack also doubled for Howard during the long shots in front of the orchestra.[3]
^ abIngrid: Ingrid Bergman, a Personal Biography (book), Charlotte Chandler,
New York: Simon & Schuster, 2007, 334 pages: page 69 quotes Bergman about filming hands
and playing piano with her family.
^"Program Selections - Monday". Toledo Blade (Ohio). January 29, 1940. p. 4 (Peach Section). Retrieved December 5, 2024.
^"Monday Selections". Toledo Blade (Ohio). June 4, 1945. p. 4 (Peach Section). Retrieved December 5, 2024.
