The record was named after its opening song, which was inspired by the photography of David Henry of the homeless in Boston, Massachusetts.[3][4] One of Henry's photos serves as the album's front cover.[5]
In late 1984, before Indifference was completed, lead vocalist Richard Brown and drummer Tom McKnight left the band.[3] They were replaced by Laurel Ann Bowman,[6][7] and Steve Welch,[3][4] both of whom performed on the new album's songs "Homeland" and "The Guns Are Winning".[7][8]
Oliver Sheppard, contributor at the online magazine Souciant, was of the view that Indifference:
"... is every bit as good as Soma Holiday, yet still sorely overlooked. A mature mix of smart songwriting and deft, accomplished instrumentation, the album hints at the early "positive punk" of UK bands like Sex Gang Children or Furyo. The influence of bands like The Dils, the Mekons, and fellow Bostonite postpunkers Mission of Burma also courses strongly through the LP’s veins ... Like Middle Class’ Homeland LP, it seems an accident of geography (i.e. the band is from Boston, not London) that has resulted in the record languishing in obscurity."[1]
For his part, Ryan Foley, from The Music Museum of New England, commented:
"[In the Proletariat's second album] The sense of urgency was heightened, the threat of violence more pointed. On songs like "The Guns Are Winning" and "Homeland" the band tackled sociopolitical issues that are still relevant today..."[4]
"... Texture and melody became an increasing part of the picture by the time [the Proletariat] had reached their second album, "Indifference", but it was without sacrificing the purity of rage."[7]
"Marketplace" is a song by the Proletariat, originally released in 1985 on Homestead Records[nb 2][17] as the lead single for the band's second studio album, Indifference,[nb 4][13] on which it is featured as the closing track. The B-side to the single, "Death of a Hedon", was not included on the album. Both songs would be re-released in 1998 as part of the band's anthology Voodoo Economics and Other American Tragedies.[nb 7][7][18][19]
The record's front cover features a photograph of a homeless man lying at the top of a stairway while he is avoided and ignored by the people passing by. The image was taken by photographer David Henry[13] at one of the entrances to the Boylston light rail station of the Boston, Massachusetts, rapid transit system.
^The mastering engineer, uncredited on the cover art, can be identified via the run-out groove etchings onto the original vinyl pressings, which reads as follows: "HMS-52-A2 A PORKY PRIME CUT MT.1" (side A), and "HMS-52-B2 PRM. MT.1" (side B).
^"... with this possible exception [the homeless], there is no evidence that widespread undernutrition is a major health problem in the United States." – U.S. President, Task Force on Food Assistance, 1984[16]
